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Adaptations

Author: Deborah Cartmell
Publisher: Routledge
ISBN: 1136219668
Size: 29.92 MB
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Adaptations considers the theoretical and practical difficulties surrounding the translation of a text into film, and the reverse process; the novelisation of films. Through three sets of case studies, the contributors examine the key debates surrounding adaptations: whether screen versions of literary classics can be faithful to the text; if something as capsulated as Jane Austens irony can even be captured on film; whether costume dramas always of their own time and do adaptations remake their parent text to reflect contemporary ideas and concerns. Tracing the complex alterations which texts experience between different media, Adaptations is a unique exploration of the relationship between text and film.

Adaptation Revisited

Author: Sarah Cardwell
Publisher: Manchester University Press
ISBN: 9780719060465
Size: 47.42 MB
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Offering a critical reappraisal of a prolific and popular genre, this text also brings new material into the broader field of television studies. It surveys the traditional discourses about adaptation, unearthing assumptions and misconceptions, and explores the problems of previous approaches.

Screen Adaptations The Tempest

Author: Lisa Hopkins
Publisher: Bloomsbury Publishing
ISBN: 1408149664
Size: 67.64 MB
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Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on numerous film versions, from Percy Stow's 1908 adaptation to Peter Greenaway's Prospero's Books, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are numerous excerpts from the literary text, screenplays and shooting scripts, with suggestions for comparison. The book also features quotations from authors, screenwriters, directors, critics and others linked with the chosen film and text.

Metzler Lexikon Literatur Und Kulturtheorie

Author: Ansgar Nünning
Publisher: Springer-Verlag
ISBN: 3476036898
Size: 75.60 MB
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Kultur- und literaturwissenschaftliche Theorien schießen heute wie Pilze aus dem Boden. Den Überblick behalten, heißt die Devise. Welche Konzepte sind relevant? Welche Begriffe spielen eine tragende Rolle? Wie haben sich die literaturgeschichtlichen Modelle entwickelt? Welche Autoren prägen die gegenwärtigen Diskurse? In rund 720 kompakten Artikeln verwandeln sich abstrakte Begriffe und komplexe Modelle in gut verständliches Grundlagenwissen. Im Mittelpunkt stehen die großen Theorien wie z.B. Dekonstruktion, feministische Literaturtheorie, Konstruktivismus, New Historicism, Mentalitätsgeschichte, postkoloniale Literaturkritik und Poststrukturalismus. Von Aristoteles über Derrida, Foucault, Greenblatt bis Hayden White, von Appellfunktion bis Zirkulation - kein bedeutender Theoretiker und kein zentraler Begriff wird außer Acht gelassen. Was ist neu in der 3. Auflage? Grundlegend überarbeitet manifestiert das Werk wieder den neuesten Forschungsstand. Und: 20 Artikel zu interdisziplinären und intermedialen Aspekten der Theoriebildung vervollständigen den Klassiker. Ein Muss für alle, die sich mit Literatur- und Kulturtheorie befassen.

From Film Adaptation To Post Celluloid Adaptation

Author: Costas Constandinides
Publisher: Bloomsbury Publishing USA
ISBN: 144118824X
Size: 65.47 MB
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The main corpus of film adaptation thus far has focused on films based on canonical literature. From Film Adaptation to Post-Celluloid Adaptation takes the next logical step by discussing the emerging modes of film adaptation from older media to new, mainly focusing on the computer-generated reconstructions of popular narratives and characters along with other forms of convergence such as the Internet. While 'New Media' is a broad concept, the book will concentrate on the ways digital technology is being used in the encoding of films and discuss the ways this shift can be debated from a theoretical perspective. Though the discussion is framed through the 'new media' lens, the work will not exclude a broader understanding of New Media which refers to video games, official websites and interactivity so as to examine how the visual style of contemporary films is dispersed across, and influenced by, other media. Discussing films like Minority Report, King Kong, 300 and Wanted in relation to Film Adaptation theory, the work aims to challenge and rework the definition of adaptation.

Spielformen Im Spielfilm

Author: Rainer Leschke
Publisher: transcript Verlag
ISBN: 3839406676
Size: 16.71 MB
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Die aktuelle Konjunktur exzentrischen Erzählens im gegenwärtigen Kino ist längst nicht mehr bloß die Illustration einer condition postmoderne, sie verweist vielmehr auf die Hybridisierung von Erzählung und Spiel im digitalen Medienumbruch. Insbesondere im massenattraktiven Spielfilm stehen nicht mehr die selten gewordenen Identifikationsofferten im Zentrum des Interesses und die Zuschauer sorgen sich auch nicht um Interpretationshypothesen, sondern sie finden Vergnügen an Erzählrätseln und verfolgen neugierig das Spiel mit unterschiedlichen Plotvarianten oder paradoxalen Welten. In den Beiträgen dieses Bandes werden Formen dieser Hybridisierung exemplarisch aufgeschlüsselt und genealogisch nachvollzogen.

Screen Adaptations Shakespeare S Hamlet

Author: Samuel Crowl
Publisher: A&C Black
ISBN: 1472538919
Size: 37.20 MB
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Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric