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Aesthetic Science

Author: Arthur P. Shimamura
Publisher: OUP USA
ISBN: 0199732140
Size: 30.38 MB
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What does it mean to have an "aesthetic" experience? In this book, philosophers, psychologists, and neuroscientists address the nature of aesthetic experiences from their own discipline's perspective. These scholars discuss whether a multidisciplinary approach, an aesthetic science, can help connect mind, brain, and aesthetics.

Aesthetic Science

Author: Arthur P. Shimamura
Publisher: Oxford University Press
ISBN: 019987574X
Size: 18.16 MB
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What do we do when we view a work of art? What does it mean to have an "aesthetic" experience? Are such experiences purely in the eye (and brain) of the beholder? Such questions have entertained philosophers for millennia and psychologists for over a century. More recently, with the advent of functional neuroimaging methods, a handful of ambitious brain scientists have begun to explore the neural correlates of such experiences. This book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinary perspective.

Aesthetic Science

Author: Arthur P. Shimamura
Publisher: OUP USA
ISBN: 0199732140
Size: 65.27 MB
Format: PDF, Mobi
View: 1181
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What does it mean to have an "aesthetic" experience? In this book, philosophers, psychologists, and neuroscientists address the nature of aesthetic experiences from their own discipline's perspective. These scholars discuss whether a multidisciplinary approach, an aesthetic science, can help connect mind, brain, and aesthetics.

Psychocinematics

Author: Arthur P. Shimamura
Publisher: Oxford University Press
ISBN: 0199862141
Size: 66.62 MB
Format: PDF
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Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical analyses of our movie experience-or what Arthur P. Shimamura has coined "psychocinematics." This edited volume introduces this exciting field by bringing together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience.

Experiencing Art

Author: Arthur Shimamura
Publisher: Oxford University Press
ISBN: 0199791538
Size: 46.50 MB
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How do we appreciate a work of art? Why do we like some artworks but not others? Is there no accounting for taste? Awarded a Guggenheim Fellowship to explore connections between art, mind, and brain, Shimamura considers how we experience art. In a thoughtful and entertaining manner, the book explores how the brain interprets art by engaging our sensations, thoughts, and emotions. It describes interesting findings from psychological and brain sciences as a way to understand our aesthetic response to art. Beauty, disgust, surprise, anger, sadness, horror, and a myriad of other emotions can occur as we experience art. Some artworks may generate such feelings rather quickly, while others depend on thought and knowledge. Our response to art depends largely on what we know--from everyday knowledge about the world, from our cultural backgrounds, and from personal experience. Filled with artworks from many traditions and time points, "Experiencing Art" offers insightful ways of broadening one's approach and appreciation of art.

The Aesthetic Brain

Author: Anjan Chatterjee
Publisher: Oxford University Press
ISBN: 0199811806
Size: 61.45 MB
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The Aesthetic Brain takes the reader on a wide-ranging journey addressing fundamental questions about aesthetics and art. Using neuroscience and evolutionary psychology, Chatterjee shows how beauty, pleasure, and art are grounded biologically, and offers explanations for why beauty, pleasure, and art exist at all.

Art Aesthetics And The Brain

Author: Joseph P. Huston
Publisher: Oxford University Press, USA
ISBN: 0199670005
Size: 55.19 MB
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Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species' biological and cultural heritage. Art and aesthetics, therefore, contribute to our species identity and distinguish it from its living and extinctrelatives. This volume brings together the work on such questions by leading experts in genetics, psychology, neuroimaging, neuropsychology, art history, and philosophy. It sets the stagefor a cognitive neuroscience of art and aesthetics, understood in the broadest possible terms. With sections on visual art, dance, music, neuropsychology, and evolution, the breadth of this volume's scope reflects the richness and variety of topics and methods currently used today by scientists to understand the way our brain endows us with the faculty to produce and appreciate art and aesthetics.

Feeling Beauty

Author: G. Gabrielle Starr
Publisher: MIT Press
ISBN: 0262019310
Size: 48.38 MB
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A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry.

Neuroscience And Philosophy

Author: M. R. Bennett
Publisher: Columbia University Press
ISBN: 9780231140447
Size: 18.24 MB
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Neuroscience and Philosophy begins with an excerpt from Philosophical Foundations of Neuroscience, in which Maxwell Bennett and Peter Hacker question the conceptual commitments of cognitive neuroscientists. Daniel Dennett and John Searle then criticize their position, and Bennett and Hacker respond. Their impassioned exchange encompasses a wide range of central themes: the nature of consciousness, the bearer and location of psychological attributes, the intelligibility of so-called brain maps and representations, the notion of qualia, and the relationships between mind, brain, and body. Pulling all of these strands together, Daniel Robinson then explains why this confrontation is so crucial to the understanding of neuroscientific research. Clearly argued and thoroughly engaging, the authors present fundamentally different conceptions of philosophical method, cognitive-neuroscientific explanation, and human nature, and their debate will appeal to anyone interested in the relation of mind to brain, of psychology to neuroscience, of causal to rational explanation, and of consciousness to self-consciousness.

Vision Science

Author: Stephen E. Palmer
Publisher: MIT Press
ISBN: 0262304015
Size: 14.23 MB
Format: PDF, Kindle
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This book revolutionizes how vision can be taught to undergraduate and graduate students in cognitive science, psychology, and optometry. It is the first comprehensive textbook on vision to reflect the integrated computational approach of modern research scientists. This new interdisciplinary approach, called "vision science," integrates psychological, computational, and neuroscientific perspectives. The book covers all major topics related to vision, from early neural processing of image structure in the retina to high-level visual attention, memory, imagery, and awareness. The presentation throughout is theoretically sophisticated yet requires minimal knowledge of mathematics. There is also an extensive glossary, as well as appendices on psychophysical methods, connectionist modeling, and color technology. The book will serve not only as a comprehensive textbook on vision, but also as a valuable reference for researchers in cognitive science, psychology, neuroscience, computer science, optometry, and philosophy.