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Among The Jasmine Trees

Author: Jonathan Holt Shannon
Publisher: Wesleyan University Press
ISBN: 9780819569851
Size: 45.58 MB
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How does a Middle Eastern community create a modern image through its expression of heritage and authenticity? In Among the Jasmine Trees: Music and Modernity in Contemporary Syria, Jonathan H. Shannon investigates expressions of authenticity in Syria's musical culture, which is particularly known for embracing and preserving the Arab musical tradition, and which has seldom been researched in depth by Western scholars. Music plays a key role in the process of self-imaging by virtue of its ability to convey feeling and emotion, and Shannon explores a variety of performance genres, Sufi rituals, song lyrics, melodic modes, and aesthetic criteria. Shannon shows that although the music may evoke the old, the traditional, and the local, these are re-envisioned as signifiers of the modern national profile. A valuable contribution to the study of music and identity and to the ethnomusicology of the modern Middle East, Among the Jasmine Trees details this music and its reception for the first time, offering an original theoretical framework for understanding contemporary Arab culture, music, and society.

Black Box Pop

Author: Dietrich Helms
Publisher: transcript Verlag
ISBN: 383941878X
Size: 16.53 MB
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Wie analysiert man eigentlich populäre Musik? Nach zwei Jahrzehnten eines überwiegend kulturwissenschaftlichen Blicks auf den Gegenstand besinnt sich die Popularmusikforschung wieder auf ihre Kernkompetenz: auf die Beschreibung von Musik als akustisches Phänomen. Die etablierten Techniken der Untersuchung von Kunstmusik erweisen sich hier jedoch als nur bedingt transferierbar. Die Beiträge dieses Bandes diskutieren daher alternative Methoden zur Analyse populärer Musik und erproben sie am Beispiel von Songs aus Pop, Rock und Jazz.

A Companion To The Anthropology Of The Middle East

Author: Soraya Altorki
Publisher: John Wiley & Sons
ISBN: 1118475674
Size: 68.63 MB
Format: PDF
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A Companion to the Anthropology of the Middle East presents a comprehensive overview of current trends and future directions in anthropological research and activism in the modern Middle East. Named as one of Choice's Outstanding Academic Titles of 2016 Offers critical perspectives on the theoretical, methodological, and pedagogical goals of anthropology in the Middle East Analyzes the conditions of cultural and social transformation in the Middle Eastern region and its relations with other areas of the world Features contributions by top experts in various Middle East anthropological specialties Features in-depth coverage of issues drawn from religion, the arts, language, politics, political economy, the law, human rights, multiculturalism, and globalization

Melancholic Modalities

Author: Denise Gill
Publisher: Oxford University Press
ISBN: 0190678933
Size: 50.78 MB
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Today, teachers and performers of Turkish classical music intentionally cultivate melancholies, despite these affects being typically dismissed as remnants of the Ottoman Empire. Melancholic Modalities is the first in-depth historical and ethnographic study of the practices socialized by musicians who enthusiastically teach and perform a present-day genre substantially rooted in the musics of the Ottoman court and elite Mevlevi Sufi lodges. Author Denise Gill analyzes how melancholic music-making emerges as pleasurable, spiritually redeeming, and healing for both the listener and performer. Focusing on the diverse practices of musicians who deploy and circulate melancholy in sound, Gill interrogates the constitutive elements of these musicians' modalities in the context of emergent neoliberalism, secularism, political Islamism, Sufi devotionals, and the politics of psychological health in Turkey today. In an essential contribution to the study of ethnomusicology and psychology, Gill develops rhizomatic analyses to allow for musicians' multiple interpretations to be heard. Melancholic Modalities uncovers how emotion and musical meaning are connected, and how melancholy is articulated in the world of Turkish classical musicians. With her innovative concept of "bi-aurality," Gill's book forges new possibilities for the historical and ethnographic analyses of musics and ideologies of listening for music scholars.

A Companion To Muslim Cultures

Author: Amyn B. Sajoo
Publisher: I.B.Tauris
ISBN: 0857735217
Size: 47.16 MB
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Culture shapes every aspect of the relationship between God and the believer in Islam - as well as among believers, and with those beyond the fold. Fasts, prayers and pilgrimages are attuned to social rhythms old and new, no less than the designs of mosques and public gardens, the making of ‘religious’ music, and ways of thinking about technology and wellbeing. Ancient deserts and modern urban landscapes may echo with the same call for transcendence, but in voices that emerge from very different everyday realities. Scripture itself, as the Prophet Muhammad knew, is ever seen through a cultural lens; both language and what it communicates are intimately tied to context. And the cosmopolitanism that runs through Muslim history from the outset recalls T.S. Eliot’s remark that culture is ‘that which makes life worth living’. It frames how the deepest religious values are understood and practiced, from modesty in adornment and solidarity with the underprivileged, to integrity and accountability in political life. Muslims have never been content with a passive separation of faith from their daily lives, whether public or private. What are the implications of this holistic view in a diverse world of Muslims and non-Muslims? How do core ethical values interface with the particulars of local cultures in all their complexity, especially when it comes to matters like the status of women and the scope of individual religious freedom? The answers - at a time when secular and Muslim identities appear to be locked in conflict- are explored in this Companion by some of today’s finest scholars.

Dub

Author: Michael Veal
Publisher: Wesleyan University Press
ISBN: 0819574422
Size: 32.50 MB
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Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.

Music And Cyberliberties

Author: Patrick Burkart
Publisher: Wesleyan University Press
ISBN: 0819570508
Size: 49.65 MB
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Musicians and music fans are at the forefront of cyberliberties activism, a movement that has tried to correct the imbalances that imperil the communal and ritualistic sharing and distribution of music. In Music and Cyberliberties, Patrick Burkart tracks the migration of music advocacy and anti-major label activism since the court defeat of Napster and the ascendancy of the so-called Celestial Jukebox model of music e-commerce, which sells licensed access to music. Music and Cyberliberties identifies the groups—alternative and radical media activists, culture jammers, hackers, netlabels, and critical legal scholars—who are pushing back against the “copyright grab” by major labels for the rights and privileges that were once enjoyed by artists and fans. Burkart reflects on the emergence of peer-to-peer networking as a cause célèbre that helped spark the movement, and also lays out the next stages of development for the Celestial Jukebox that would quash it. By placing the musical activist groups into the larger context of technology and new social movement theory, Music and Cyberliberties offers an exciting new way of understanding the technological and social changes we confront daily.

Music Politics And Violence

Author: Susan Fast
Publisher: Wesleyan University Press
ISBN: 0819573396
Size: 38.69 MB
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Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music’s role in society. The essays in this collection investigate a wealth of issues surrounding music and violence—issues that cross political boundaries, time periods, and media—and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors’ substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how music participates in both overt and covert forms of violence; the second section explores violence and reconciliation; and the third addresses healing, post-memorials, and memory. Music, Politics, and Violence affords space to look at music as an active agent rather than as a passive art, and to explore how music and violence are closely—and often uncomfortably—entwined. CONTRIBUTORS include Nicholas Attfield, Catherine Baker, Christina Baade, J. Martin Daughtry, James Deaville, David A. McDonald, Kevin C. Miller, Jonathan Ritter, Victor A. Vicente, and Amy Lynn Wlodarski.

Monument Eternal

Author: Franya J. Berkman
Publisher: Wesleyan University Press
ISBN: 0819571067
Size: 53.14 MB
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Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels. In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual community in Southern California. Exploring her transformation from Alice McLeod, Detroit church pianist and bebopper, to guru Swami Turiya Sangitananda, Monument Eternal illuminates her music and, in turn, reveals the exceptional fluidity of American religious practices in the second half of the twentieth century. Most of all, this book celebrates the hybrid music of an exceptional, boundary-crossing African-American artist. Ebook Edition Note: All images in center photo section have been redacted.

Musicking Bodies

Author: Matthew Rahaim
Publisher: Wesleyan University Press
ISBN: 0819573272
Size: 59.72 MB
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Indian vocalists trace intricate shapes with their hands while improvising melody. Although every vocalist has an idiosyncratic gestural style, students inherit ways of shaping melodic space from their teachers, and the motion of the hand and voice are always intimately connected. Though observers of Indian classical music have long commented on these gestures, Musicking Bodies is the first extended study of what singers actually do with their hands and voices. Matthew Rahaim draws on years of vocal training, ethnography, and close analysis to demonstrate the ways in which hand gesture is used alongside vocalization to manifest melody as dynamic, three-dimensional shapes. The gestures that are improvised alongside vocal improvisation embody a special kind of melodic knowledge passed down tacitly through lineages of teachers and students who not only sound similar, but who also engage with music kinesthetically according to similar aesthetic and ethical ideals. Musicking Bodies builds on the insights of phenomenology, Indian and Western music theory, and cultural studies to illuminate not only the performance of gesture, but its implications for the transmission of culture, the conception of melody, and the very nature of the musicking body.