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Australian Cinema In The 1990s

Author: Ian Craven
Publisher: Routledge
ISBN: 1136326995
Size: 67.17 MB
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This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular emphasis is put on globalisation, authorship, national narrative and film aesthetics.

More Long Shots

Author: Mary Anne Reid
Publisher:
ISBN:
Size: 12.49 MB
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More long shots: Australian cinema successes in the 1990s

Australian Cinema After Mabo

Author: Felicity Collins
Publisher: Cambridge University Press
ISBN: 9780521542562
Size: 20.40 MB
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Looks at how we think about Australian cinema in the post Mabo era, and what part it plays in the national process of reviewing our colonial past and the ways in which settlers and indigenous cultures can co-exist. Collins from La Trobe University, Davis from University of Newcastle, NSW.

Contemporary Australian Cinema

Author: Jonathan Rayner
Publisher: Manchester University Press
ISBN: 9780719053276
Size: 59.88 MB
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"Contemporary Australian Cinema" provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. The development of Australian film, in terms of prominent directors and stars, consistent themes and styles and evolving genres, is traced through analysis of the most successful and best known feature films. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Clear and concise, it joins Contemporary French cinema and Contemporary Spanish cinema as an ideal introductory textbook for students of film those with an interest in cinema.

Colonialism And Nationalism In Asian Cinema

Author: Wimal Dissanayake
Publisher: Indiana University Press
ISBN: 9780253116475
Size: 20.57 MB
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"... an important collective work for communication practitioners, students, and scholars who want to have a deeper understanding of film making in Asia and of the promotion of nationalism through communication." -- Media Asia "... a momentous contribution to the study of colonialism and postcoloniality in Asia... " -- The Journal of Asian Studies "This is an excellent model for studies in how the popular, art, and experimental cinemas function in the consideration of nationhood as a configuration of symbols.... This anthology provides an interesting discussion by offering a theoretical framework from which to examine the complex topics of nation, state, identity formation, and collective history in the realm of cinema. It becomes an even more effective tool by playing itself out within a diverse Asian context." -- Afterimage Essays examine the representation of the interlocking discourses of nationhood and history in Asian cinema, dealing with film traditions in Japan, China, Taiwan, Korea, Vietnam, Thailand, Indonesia, India, Sri Lanka, and Australia.

Wagadu Volume 4

Author: Pushpa Parekh
Publisher: Xlibris Corporation
ISBN: 1465331603
Size: 79.77 MB
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This volume of Wagadu: A Journal of Transnational Womens and Gender Studies launches its second printed edition. Wagaduthe Soninke name of the Ghana Empirecontrolled the present-day Mali, Mauritania and Senegal and was famous for its prosperity and power from approximately 300-1076 CE. It constituted the bridge between North Africa, the Mediterranean and Middle Eastern worlds and Sub-Saharan Africa. Ghana gave birth to the two most powerful West African Empires: Mali and Songhay. The modern country of Ghana (former British Gold Coast) derives its name from the Ghana Empire. Why Wagadu? Wagadu has come to be the symbol of the sacrifice women continue to make for a better world. Wagadu has become the metaphor for the role of women in the family, community, country, and planet. Duna taka siro no yagare npale The world does not go without women. This volume investigates the intersecting perspectives, grounded in or emanating from theoretical, discursive as well as experiential frameworks and positions specific to gender, disability and postcoloniality.

Australian National Cinema

Author: Tom O'Regan
Publisher: Routledge
ISBN: 1134933487
Size: 70.78 MB
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Tom O'Regan's book is the first of its kind on Australian post-war cinema. It takes as its starting point Bazin's question 'What is cinema?'and asks what the construct of a 'national' cinema means. It looks at the broader concept from a different angle, taking film beyond the confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective producing a valuable insight into the issues that have been raised by film policy, the cinema market place and public discourse on film production strategies. Since 1970 Australian film has enjoyed a revival. This book contains detailed critiques of the key films of this period and uses them to illustrate the recent theories on the international and Australian cinema industries. Its conclusions on the nature of the nation's cinema and the discourses within it are relevant within a far wider context; film as a global phenomenon.