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Beyond The Frame

Author: Deborah Cherry
Publisher: Routledge
ISBN: 1135094837
Size: 55.18 MB
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Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.

Religion Im Kulturellen Diskurs

Author: Brigitte Luchesi
Publisher: Walter de Gruyter
ISBN: 9783110177909
Size: 35.39 MB
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Für diesen Band haben sich Freunde, Kolleginnen und Kollegen zusammengetan, um Hans G. Kippenberg zu ehren, seine Ideen kreativ aufzugreifen und kritisch fortzuschreiben. Die 32 Beiträge in deutscher und englischer Sprache befassen sich mit Themengebieten, zu denen Hans G. Kippenberg in den vergangenen Jahren verstärkt gearbeitet hat: Geschichte der Religionswissenschaft · Methodische Reflexionen · Europäische Religionsgeschichte · Religion und Moderne · Religion und Gewalt · Religion und Recht.

Religion Im Kulturellen Diskurs Religion In Cultural Discourse

Author: Brigitte Luchesi
Publisher: Walter de Gruyter
ISBN: 3110913313
Size: 58.43 MB
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Colleagues and friends have compiled this volume to honor Hans G. Kippenberg and engage in a critical and creative dialogue with his ideas. The 32 essays in German and English language are concerned with issues that have been part of Hans G. Kippenberg's work in recent years: History of the Academic Study of Religions · Methodological Reflections · European History of Religions · Religion and Modernity · Religion and Violence · Religion and Law.

Sculptural Photographs

Author: Patrizia di Bello
Publisher: Bloomsbury Publishing
ISBN: 135002824X
Size: 43.91 MB
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This is the first monograph exploring how, throughout its history, sculpture has provided a model to conceptualize photography as an art of mechanical reproduction. While there is a growing body of work examining how photography has contributed to the development of a Western 'sculptural imagination' by disseminating works, facilitating the investigation of the medium, or changing sculptural aesthetics, this study focuses on how sculpture has provided not only beautiful and convenient subject matter for photographs, or commercial and cultural opportunities for photographers in the market for art reproductions, but also an exemplar for thinking about photography as a medium based on mechanical means of production. In both media, processes from conception to realization involve apparatus that bypass the 'touch of the artist' - so important to enduring notions of the value of works of art. The book closely analyses a number of case studies, from 1847 to the present, selected both to explicate the conceptual and technological continuities between the two media, and also because of how they illuminate the materiality of photographic objects. The final chapter considers the convergence of the two media in contemporary sculptural practices that use forms of 3D photography and computer-operated sculpting machines. Rooted in an understanding of the practical, social and aesthetic implications of photographic as well as sculptural technologies, this volume demonstrates how photographs of sculpture are particularly useful in revealing how photography's changing materialities shape the meaning of images as they are made, circulated, looked at, written about and handled at different historical moments.

The New Art History

Author: Jonathan Harris
Publisher: Routledge
ISBN: 1134582501
Size: 51.25 MB
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The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlier forms of 'radical' or 'critical' analysis, explores the influence of other disciplines and traditions on art history, and relates art historical ideas and values to social change. Structured around an examination of key texts by major contemporary critics, including Tim Clarke, Griselda Pollock, Fred Orton, Albert Boime, Alan Wallach and Laura Mulvey, each chapter discusses a key moment in the discipline of art history, tracing the development and interaction of Marxist, feminist and psychoanalytic critical theories. Individual chapters include: * Capitalist Modernity, the Nation-State and Visual Representation * Feminism, Art, and Art History * Subjects, Identities and Visual Ideology * Structures and Meanings in Art and Society * The Representation of Sexuality

Taking A Hard Look

Author: Amanda Du Preez
Publisher: Cambridge Scholars Publishing
ISBN:
Size: 65.60 MB
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How is visual culture gendered? Can one refer to a move beyond gender in terms of a trans-gendered visual culture or are we still caught up in the same debilitating role models? How does one address the ever-increasing alienation between gender studies and the younger generation of students and scholars moving into higher education? What is the role of gender as interdisciplinary tool in the academic analysis of visual culture as it spans across several subjects, such as science, social work, technology, psychology, medicine, philosophy, sociology, engineering, communication, economics, religious studies, business management, anthropology, geography, historical studies, cultural and media studies, visual studies, art history and literature studies?.