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Black Noise

Author: Tricia Rose
Publisher: Wesleyan
ISBN: 9780819562753
Size: 33.78 MB
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From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a "hip hop theorist," takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it. Assistant Professor of Africana Studies and History at New York University, Tricia Rose sorts through rap's multiple voices by exploring its underlying urban cultural politics, particularly the influential New York City rap scene, and discusses rap as a unique musical form in which traditional African-based oral traditions fuse with cutting-edge music technologies. Next she takes up rap's racial politics, its sharp criticisms of the police and the government, and the responses of those institutions. Finally, she explores the complex sexual politics of rap, including questions of misogyny, sexual domination, and female rappers' critiques of men. But these debates do not overshadow rappers' own words and thoughts. Rose also closely examines the lyrics and videos for songs by artists such as Public Enemy, KRS-One, Salt N' Pepa, MC Lyte, and L. L. Cool J. and draws on candid interviews with Queen Latifah, music producer Eric "Vietnam" Sadler, dancer Crazy Legs, and others to paint the full range of rap's political and aesthetic spectrum. In the end, Rose observes, rap music remains a vibrant force with its own aesthetic, "a noisy and powerful element of contemporary American popular culture which continues to draw a great deal of attention to itself."

The Hip Hop Wars

Author: Tricia Rose
Publisher: Basic Books
ISBN: 0465008976
Size: 77.81 MB
Format: PDF, Mobi
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Argues that hip hop has become a primary way to talk about race in America, examining the links between hip hop, violence, and sexism and whether or not hip hop's portrayal of black culture undermines black advancement.

Rap Music And Street Consciousness

Author: Cheryl Lynette Keyes
Publisher: University of Illinois Press
ISBN: 9780252072017
Size: 14.61 MB
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In this first musicological history of rap, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of the hip-hop lifestyle.

The Hip Hop Generation

Author: Bakari Kitwana
Publisher: Civitas Books
ISBN: 0786724935
Size: 38.76 MB
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The Hip Hop Generation is an eloquent testament for black youth culture at the turn of the century. The only in-depth study of the first generation to grow up in post-segregation America, it combines culture and politics into a pivotal work in American studies. Bakari Kitwana, one of black America's sharpest young critics, offers a sobering look at this generation's disproportionate social and political troubles, and celebrates the activism and politics that may herald the beginning of a new phase of African-American empowerment.

Race Music

Author: Guthrie P. Ramsey
Publisher: Univ of California Press
ISBN: 0520243331
Size: 15.75 MB
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Traces the history of African-American music from bebop to hip-hop, discussing how the African-American experience has often been chronicled through various forms of music.

Rap Music And The Poetics Of Identity

Author: Adam Krims
Publisher: Cambridge University Press
ISBN: 9780521634472
Size: 44.51 MB
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This is the first book to discuss in detail how rap music is put together musically and how it contributes to the formation of cultural identities for both artists and audiences. It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to be reconsidered if cultural studies are to treat seriously the social force of rap music, popular musics, and music in general. Drawing extensively on recent scholarship in popular music studies, cultural theory, communications, critical theory, and musicology, Krims redefines 'music theory' as meaning simply 'theory about music', in which musical poetics (the study of how musical sound is deployed) may play a crucial role when its claims are contextualized and demystified. Theorizing local and global geographies of rap, Krims discusses at length the music of Ice Cube, the Goodie MoB, KRS-One, Dutch group the Spookrijders, and Canadian Cree rapper Bannock.

Hip Hop America

Author: Nelson George
Publisher: Penguin
ISBN: 9781101007303
Size: 12.91 MB
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From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media. From the Trade Paperback edition.

Noise And Spirit

Author: Anthony B. Pinn
Publisher: NYU Press
ISBN: 0814766978
Size: 65.10 MB
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The Jews of the former Soviet Union have always been the subject of intense controversy. In the past 25 years, however, they have become more puzzling. How many of them are there? How strongly so they identify themselves as Jews? How do they perceive antisemetism in their countries? Will they leave, where will they go? Theses ate among the questions that have enlivened the discussions of Jews in republics known as the Commonwealth of Independent States. they have sparked debate because they have deep policy implications for Russia, Israel, the United States, and other countries. They are the questions which this book seeks to examine. Too little fact has informed this debate, and even less theory. Until very recently, surveys of the actual intentions, perceptions, motivations, and fears of Jews in the region were out of the question. This is now beginning to change. Here is the first book based on an on site survey of a representative sample of Jews in the Commonwealth of Independent States (CIS). In addition to providing data in the Jews of Moscow, Kiev, and Minsk- who collectively account for 28% of all Jews residing in the three Slavic republics of the CIS- the author places the survey results in their social and historical context. He explains why ethnic distinctiveness persisted and even became accentuated in the Soviet era and also describes the position of Jews in Soviet and post-Soviet society and some of the dilemmas they face. This book will be crucial reading for anyone interested not only in the general situation of the Jews of the former Soviet Union but also in their perceptions, worldviews, and plans for the future.

Prophets Of The Hood

Author: Imani Perry
Publisher: Duke University Press
ISBN: 0822386151
Size: 24.20 MB
Format: PDF
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At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.