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Body Trade

Author: Barbara Creed
Publisher: Routledge
ISBN: 1136713018
Size: 61.87 MB
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Body Trade exposes myths surrounding the trade in heads, cannibalism, captive white women, the display of indigenous people in fairs and circuses, the stolen generations, the 'comfort' women and the making of the exotic/erotic body. This is a lively and intriguiung comtribution to the study of the postcolonial body.

Violence And Colonial Dialogue

Author: Tracey Banivanua-Mar
Publisher: University of Hawaii Press
ISBN: 0824830253
Size: 11.31 MB
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During the post-abolition period a trade in cheap and often cost-neutral labor flourished in the western Pacific. For more than forty years, it supplied tens of thousands of indentured laborers to the sugar industry of northeastern Australia. Violence and Colonial Dialogue tells the story of its impact on the people who were traded. From the beaches and shallows of the Pacific s frontiers to the plantations and settlements of Queensland and beyond, a collective tale of the pioneers of today s Australian South Sea Island community is told through an abundant and effective use of materials that characterize the colonial record, including police registers, court records, prison censuses, administrative reports, legislative debates, and oral histories. With a thematic focus on the physical violence that was central to the experience of people who were voluntarily or involuntarily recruited, the history that emerges is a powerful tale that is at once both tragic and triumphant. Violence and Colonial Dialogue also tells a more universal story of colonization. Set mostly in the British settler-colony of Queensland during the last forty years of the nineteenth century, it explores the brutality embedded in the structures of a colonial state, while attempting to recover the stories that such processes obscured. "

Cannibal Talk

Author: Gananath Obeyesekere
Publisher: Univ of California Press
ISBN: 9780520938311
Size: 47.92 MB
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In this radical reexamination of the notion of cannibalism, Gananath Obeyesekere offers a fascinating and convincing argument that cannibalism is mostly "cannibal talk," a discourse on the Other engaged in by both indigenous peoples and colonial intruders that results in sometimes funny and sometimes deadly cultural misunderstandings. Turning his keen intelligence to Polynesian societies in the early periods of European contact and colonization, Obeyesekere deconstructs Western eyewitness accounts, carefully examining their origins and treating them as a species of fiction writing and seamen's yarns. Cannibalism is less a social or cultural fact than a mythic representation of European writing that reflects much more the realities of European societies and their fascination with the practice of cannibalism, he argues. And while very limited forms of cannibalism might have occurred in Polynesian societies, they were largely in connection with human sacrifice and carried out by a select community in well-defined sacramental rituals. Cannibal Talk considers how the colonial intrusion produced a complex self-fulfilling prophecy whereby the fantasy of cannibalism became a reality as natives on occasion began to eat both Europeans and their own enemies in acts of "conspicuous anthropophagy."

Photographing Papua

Author: Max Quanchi
Publisher: Cambridge Scholars Publishing
ISBN: 1443806749
Size: 43.68 MB
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Photographing Papua is a study of photography in the public domain in the late nineteenth and early twentieth centuries. It argues that southeastern New Guinea, known as British New Guinea and then as Papua when it became an Australian colony, was created as a geographical place through visual representation in illustrated magazines and newspapers, lavishly illustrated travelogues and mission hagiography, serial encyclopedia, lantern slides and postcards. Readers :knew" Papua because many thousands of black and white photographs of Papuans, villages and material culture rapidly swamped the reading public once the process of halftone, newsprint reproduction became possible. In an innovative and breakthrough fashion Photographing Papua switches attention from a few well known prints in museums and archives, in some cases repeatedly reproduced, but mostly rarely seen outside of scientific and scholarly circles. It deals instead with thousands of photographs, often used in ways not intended when the photograph was taken, but which editors and publishers (and subsequent photographers) gradually made conform to an iconographic imperative, a sort of abbreviated visual gallery of "natives" and a quick-access pathway to the actual and imagined lives of Papuans in the "last Unknown" as New Guinea was titled. It is a study of representation, colonialism, cross-cultural encounters and the early world of illustrated media and photo-journalism.

Entsetzen Ber Westafrika Kannibalismus Und Sexuelle Ausschweifung Als Koloniales Missverst Ndnis

Author: Patrick Hehmann
Publisher: GRIN Verlag
ISBN: 3638755746
Size: 37.96 MB
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Studienarbeit aus dem Jahr 2007 im Fachbereich Geschichte - Afrika, Note: 1,7, Universität Osnabrück, 28 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Aus rassistichen Vorurteilen wuchsen Vorwürfe, die sich teilweise hartnäckig bis in die Gegenwart gehalten haben. Woher kommen die ethnischen Vorurteile und welchen Einfluss hatten sie auf die Kolonialpolitik Englands? Woher kam das Unwissen über das Innenland Westafrikas? Was war die Hottentottenvenus und gibt es tatsächlich Indizien, die für Kannibalismus oder ausschweifende Sexualpraktiken der Westafrikaner im 19. Jahrhundert sprechen? Diese und andere Fragen werden in der vorliegenden Arbeit geklärt.

Empire Of Love

Author: Matt K. Matsuda
Publisher: Oxford University Press
ISBN: 9780195347470
Size: 28.27 MB
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In this broad-ranging survey of Paris, Tahiti, Indochina, Japan, New Caledonia, and the South Pacific generally, Matt Matsuda illustrates the fascinating interplay that shaped the imaginations of both colonizer and colonized. Drawing on a wealth of primary sources, Matsuda describes the constitution of a "French Pacific" through the eyes of Tahitian monarchs, Kanak warriors, French politicos and prisoners, Asian revolutionaries and Central American laborers, among others. He argues that French imperialism in the Pacific, both real and imagined, was registered most forcefully in languages of desire and love--for lost islands, promised wealth and riches, carnal and spiritual pleasures--and political affinities. Exploring the conflicting engagements with love for and against the empire in the Pacific, this book is an imaginative and ground-breaking work in global imperial and colonial histories, as well as Pacific histories.


Author: Massimo Mastrogregori
Publisher: Walter de Gruyter
ISBN: 3110932989
Size: 69.57 MB
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Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.

Chinese Women S Cinema

Author: Lingzhen Wang
Publisher: Columbia University Press
ISBN: 0231527446
Size: 40.21 MB
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The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. Chinese Women's Cinema is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, altogether remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema, and brief history of women's cinematic practices in modern China, encourage the reader to reposition gender and cinema within a transnational feminist configuration, such that power and knowledge are reexamined among and across cultures and nation-states.

Foreign Bodies

Author: Bronwen Douglas
Publisher: Anu E Press
ISBN: 9781921313998
Size: 28.66 MB
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From the 18th century, Oceania became the principal laboratory of raciology for scholars, voyagers, and colonizers alike. By juxtaposing encounters and theory, this magisterial book explores the semantics of human difference in all its emotional, intellectual, religious, and practical dimensions. The argument developed is subtle, engrossing, and gives the paradigm of 'race' its full use value. Foreign Bodies is a model of analysis and erudition from which historians of science and everyone interested in intercultural relations will greatly profit.