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Cinema After Fascism

Author: S. Craig
Publisher: Springer
ISBN: 0230109748
Size: 31.46 MB
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Cinema After Fascism considers how postwar European films glance ambivalently backward from the postwar period to the fascist era and delves into issues of gender certainties and spectatorship. In this period of film, familiar structures of epistemology and historiography reappear as ghostly imprints on postwar celluloid, and the remnants of fascist subjectivity walk the streets of postwar cities. Through new perspectives on the films of Roberto Rossellini, Billy Wilder, Carol Reed, Alain Resnais, and Marguerite Duras, this book examines the ways in which filmmakers acknowledge the fascist past. Siobhan S. Craig reveals that the attempts to reconfigure the idioms of cinema are never fully naturalized and remain highly precarious constructions.

New Takes In Film Philosophy

Author: H. Carel
Publisher: Springer
ISBN: 0230294855
Size: 70.39 MB
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This collection displays a range of approaches and contemporary developments in the expanding field of film-philosophy. The essays explore central issues surrounding the conjunction of film and philosophy, presenting a varied yet coherent reflection on the nature of this conjunction.

Weimar Cinema And After

Author: Thomas Elsaesser
Publisher: Psychology Press
ISBN: 9780415012355
Size: 51.89 MB
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"Weinar Cinema and After: Germany's Historical Imaginary offers a fresh perspective on this most 'national' of national cinemas, re-evaluating such labels as 'Expressionist film' and 'The New Sobriety' and even putting 'fascination fascism' and film noir in a different, international context. Thomas Elsaesser questions the conventional readings which link these genres and movements solely to the legacy of German romanticism and nationalism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry'."--BOOK JACKET.

Broken Time Fragmented Space

Author: Anna Maria Torriglia
Publisher: University of Toronto Press
ISBN: 9780802036049
Size: 26.86 MB
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Examines how the artists and intellectuals of post-war Italy dealt with the 'shameful' heritage of their fascist upbringing and education by trying to craft a new cultural identity for themselves and the country.

The Oxford Handbook Of Film And Media Studies

Author: Robert Kolker
Publisher: Oxford University Press, USA
ISBN: 9780195175967
Size: 16.47 MB
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The Oxford Handbooks are a major new cross-disciplinary initiative from Oxford University Press. Each volume offers a state-of-the-art survey of current thinking and research. Specially commissioned, original essays from leading international figures give critical examination to the progress and direction of debates in vital areas of scholarship. Oxford Handbooks provide scholars and graduate students with a valuable new tool for understanding a wide range of scholarly approaches toward subjects in the humanities and social sciences. The Oxford Handbook of Film and Media Studiesi is a major new reference work that provides the best single-volume source of original scholarship on the intersection of film and media studies available. Comprised of twenty chapters by leading scholars and industry professionals, this expansive collection yields unique, fresh perspectives on a vast array of topics across these two vibrant fields. Covering film and media in the U.S., Latin America, Asia, and the Middle East, this wide-ranging compendium surveys such topics as the changing concept of "realism" in film, the European political documentary, genre theory, and more. Also exploring recent developments in media studies, with special attention to new media, the Handbook features chapters that thoroughly examine topics as diverse as copyright, globalization, television programming, video game genres, the ideologies of media, and movie-going in India. Comprehensive, current, and in-depth--The Oxford Handbook of Film and Media Studies combines cutting-edge scholarship on cinema and media in their many forms to present an authoritative assessment of developments in the U.S. and abroad.

Writing Beyond Fascism

Author: Carole C. Galluci
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638293
Size: 50.89 MB
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This collection of essays, the first of its kind in English or Italian, examines de Cespedes's major texts, asking how the author wrote against Fascism and beyond it. The essays engage current interpretive and heuristic tools and take on a matrix of issues ranging from semiotic to psychoanalytic, from feminist to historical, from a concern for mass culture to cultural studies.