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Cinema And Social Change In Latin America

Author: Julianne Burton
Publisher: University of Texas Press
ISBN: 0292791631
Size: 38.86 MB
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Since the late 1960s, films from Latin America have won widening audiences in North America and Europe. Until now, no single book has offered an introduction to the diverse personalities and practices that make up this important regional film movement. In Cinema and Social Change in Latin America, Julianne Burton presents twenty interviews with key figures of Latin American cinema, covering three decades and ranging from Argentina to Mexico. Interviews with pioneers Fernando Birri, Nelson Pereira dos Santos, and Glauber Rocha, renowned feature filmmakers Tomás Gutiérrez Alea and Carlos Diegues, prize-winning documentarists Patricio Guzmán and Helena Solberg-Ladd, among others, endeavor to balance personal achievement against the backdrop of historical, political, social, and economic circumstances that have influenced each director's career. Presented also are conversations that cast light on the related activities of acting, distribution, theory, criticism, and film-based community organizing. More than their counterparts in other regions of the world, Latin American artists and intellectuals acknowledge the degree to which culture is shaped by history and politics. Since the mid-1950s, a period of rising nationalism and regional consciousness, talented young artists and activists have sought to redefine the uses of the film medium in the Latin American context. Questioning the studio and star systems of the Hollywood industrial model, these innovators have developed new forms, content, and processes of production, distribution, and reception. The specific approaches and priorities of the New Latin American Cinema are far from monolithic. They vary from realism to expressionism, from observational documentary to elaborate fictional constructs, from "imperfect cinema" to a cinema that emulates the high production values of the developed sectors, from self-reflexive to "transparent" cinematic styles, from highly industrialized modes of production to purely artisanal ones. What does not vary is the commitment to film as a vehicle for social transformation and the expression of national and regional cultural autonomy. From early alternative cinema efforts in Argentina, Brazil, and Cuba to a contemporary perspective from within the Mexican commercial industry to the emerging cinema and video production from Central America, Cinema and Social Change in Latin America offers the most comprehensive look at Latin American film available today.

World Cinema

Author: W. John Hill
Publisher: Oxford University Press on Demand
ISBN: 0198742827
Size: 68.28 MB
Format: PDF
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'The contributors supply skilful overviews of the major critical approaches' Sight and Sound May 1998 international coverage ranges from pre-1930s Europe to contemporary 'Bollywood' musicals first class range of contributors from North America, Europe, Australia and Asia many chapters specially commissioned emphasis throughout on critical concepts, methods and debates learning aids include chapter summaries, critiques of individual films and further reading This text is an ideal course companion for undergraduate students studying film, media studies, cultural studies and literary theory. It is especially relevant to 2nd and 3rd year students taking options in World cinema, European cinema, and the impact of changing technologies.

Latin American Films 1932 1994

Author: Ronald Schwartz
Publisher: McFarland
ISBN: 1476621748
Size: 66.58 MB
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In 1931 Antonio Moreno completed Santa, Mexico's first true sound film. In it he established one of the foremost genres of Latin American cinema--the popular melodrama--which continues to this day. Latin American filmmakers came to the fore in the fifties and sixties and, as 1992's Como agua para chocolate (Like Water for Chocolate) showed, Latin American films continue to be a major part of the international film scene. In this work over 300 of the most significant films from Argentina, Brazil, Cuba, Mexico, Bolivia, Colombia, Ecuador, Peru and other Latin American countries are covered. Each entry includes the English title, director, year of release, running time, language, country and a detailed plot synopsis. Notes about the production and the filmmakers are also provided for many entries.

The Cinema Of Latin America

Author: Alberto Elena
Publisher: Wallflower Press
ISBN: 9781903364833
Size: 67.64 MB
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This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation.

Contemporary Cinema Of Latin America

Author: Deborah Shaw
Publisher: A&C Black
ISBN: 9780826414854
Size: 43.26 MB
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This book focuses on a selection of internationally known Latin American films. The chapters are organized around national categories, grounding the readings not only in the context of social and political conditions, but also in those of each national film industry. It is a very useful text for students of the region's cultural output, as well as for students of film studies who wish to learn more about the innovative and often controversial films discussed.

The Social Documentary In Latin America

Author: Julianne Burton
Publisher: University of Pittsburgh Pre
ISBN: 0822974444
Size: 29.15 MB
Format: PDF, ePub, Docs
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Twenty essays by major filmmakers and critics provide the first survey of the evolution of documentary film in Latin America. While acknowledging the political and historical weight of the documentary, the contributors are also concerned with the aesthetic dimensions of the medium and how Latin American practitioners have defined the boundaries of the form.

The New Latin American Cinema

Author: Zuzana M. Pick
Publisher:
ISBN:
Size: 34.73 MB
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During the historic 1967 festival of Latin American Cinema in Vina del Mar, Chile, a group of young filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has produced an impressive body of films, critical essays, and manifestos that uses social theory to inform filmmaking practices.