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Cinema At The End Of Empire

Author: Priya Jaikumar
Publisher: Duke University Press
ISBN: 9780822337935
Size: 46.30 MB
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DIVHistory of the relationship between government regulation of the film industry in the UK and the the developing film industry in India between the 1920s and 1940s./div

Cinema Transnationalism And Colonial India

Author: Babli Sinha
Publisher: Routledge
ISBN: 113676500X
Size: 36.60 MB
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Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism. The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm. Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.

Narratives Of Indian Cinema

Author: Manju Jain
Publisher: Primus Books
ISBN: 8190891847
Size: 71.68 MB
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This collection of essays by subject specialists examines the politics of violence, communalism, and terrorism as negotiated in cinema; the representations of identitarian politics; and the complex ideological underpinnings of literary adaptations.

Italian Fascism S Empire Cinema

Author: Ruth Ben-Ghiat
Publisher: Indiana University Press
ISBN: 0253015669
Size: 71.75 MB
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Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.

British Culture And The End Of Empire

Author: Stuart Ward
Publisher: Manchester University Press
ISBN: 9780719060489
Size: 35.56 MB
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The essays in this volume reflect on the fall of the British Empire, and its resonance in British popular culture. The demise of the Empire during the three decades following WWII transformed Britain's relationships with the wider world, and within Britain itself. The contributors argue that the social and cultural impact of decolinization had as significant an effect on the imperial centre as on the colonial periphery.


Author: Tom Clancy
ISBN: 9783442454242
Size: 51.72 MB
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John Kelly trifft im Konflikt zwischen seinem privaten Rachefeldzug gegen die Mörder seiner Freundin und seiner militärischen Mission als Unterwasserexperte während des Vietnamkrieges auf übermächtige Gegner.

India In Britain

Author: Susheila Nasta
Publisher: Springer
ISBN: 0230392725
Size: 55.48 MB
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Moving away from orthodox narratives of the Raj and British presence in India, this book examines the significance of the networks and connections that South Asians established on British soil. Looking at the period 1858-1950, it presents readings of cultural history and points to the urgent need to open up the parameters of this field of study.


Author: Gordon Gray
Publisher: Berg
ISBN: 1847887600
Size: 53.28 MB
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Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and texts of the most important approaches to the study of fiction film from around the world. The book examines ways to address film and film experience beyond the study of the audience. Cross-disciplinary in scope, Cinema uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in fiction film. Including selected, globally based case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this most interesting and vibrant of media, Cinema will be essential reading for students of anthropology and film.