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Cinema At The End Of Empire

Author: Priya Jaikumar
Publisher: Duke University Press
ISBN: 9780822337935
Size: 19.95 MB
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DIVHistory of the relationship between government regulation of the film industry in the UK and the the developing film industry in India between the 1920s and 1940s./div

The Oxford Handbook Of The Ends Of Empire

Author: Martin Thomas
Publisher: Oxford University Press
ISBN: 0191022152
Size: 13.83 MB
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The Oxford Handbook of the Ends of Empire offers the most comprehensive treatment of the causes, course, and consequences of the ends of empire in the twentieth century. The volume's contributors convey the global reach of decolonization, with chapters analysing the empires of Western Europe, Eastern Europe, China and Japan. The Handbook combines broad, regional treatments of decolonization with chapter contributions constructed around particular themes or social issues. It considers how the history of decolonization is being rethought as a result of the rise of the 'new' imperial history, and its emphasis on race, gender, and culture, as well as the more recent growth of interest in histories of globalization, transnational history, and histories of migration and diaspora, humanitarianism and development, and human rights. The Handbook, in other words, seeks to identify the processes and commonalities of experience that make decolonization a unique historical phenomenon with a lasting resonance. In light of decades of historical and social scientific scholarship on modernization, dependency, neo-colonialism, 'failed state' architectures and post-colonial conflict, the obvious question that begs itself is 'when did empires actually end?' In seeking to unravel this most basic dilemma the Handbook explores the relationship between the study of decolonization and the study of globalization. It connects histories of the late-colonial and post-colonial worlds, and considers the legacies of empire in European and formerly colonised societies.

Cinema Transnationalism And Colonial India

Author: Babli Sinha
Publisher: Routledge
ISBN: 113676500X
Size: 44.52 MB
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Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism. The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm. Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.

Film And The End Of Empire

Author: Lee Grieveson
Publisher: British Film Institute
ISBN: 9781844574247
Size: 51.97 MB
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In these two volumes of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperalism, to moments of decolonization andthe ending of formal imperialism in the post-Second World War.

Narratives Of Indian Cinema

Author: Manju Jain
Publisher: Primus Books
ISBN: 8190891847
Size: 50.80 MB
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This collection of essays by subject specialists examines the politics of violence, communalism, and terrorism as negotiated in cinema; the representations of identitarian politics; and the complex ideological underpinnings of literary adaptations.

British Culture And The End Of Empire

Author: Stuart Ward
Publisher: Manchester University Press
ISBN: 9780719060489
Size: 48.86 MB
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The essays in this volume reflect on the fall of the British Empire, and its resonance in British popular culture. The demise of the Empire during the three decades following WWII transformed Britain's relationships with the wider world, and within Britain itself. The contributors argue that the social and cultural impact of decolinization had as significant an effect on the imperial centre as on the colonial periphery.

India In Britain

Author: Susheila Nasta
Publisher: Springer
ISBN: 0230392725
Size: 12.32 MB
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Moving away from orthodox narratives of the Raj and British presence in India, this book examines the significance of the networks and connections that South Asians established on British soil. Looking at the period 1858-1950, it presents readings of cultural history and points to the urgent need to open up the parameters of this field of study.

Cinema

Author: Gordon Gray
Publisher: Berg
ISBN: 1847887600
Size: 73.52 MB
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Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and texts of the most important approaches to the study of fiction film from around the world. The book examines ways to address film and film experience beyond the study of the audience. Cross-disciplinary in scope, Cinema uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in fiction film. Including selected, globally based case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this most interesting and vibrant of media, Cinema will be essential reading for students of anthropology and film.

Cinema At The Crossroads

Author: Hyon Joo Yoo
Publisher: Lexington Books
ISBN: 0739167820
Size: 53.76 MB
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What does it mean to rethink postcolonial studies through East Asian cinema and experience? Yoo pursues this question by bringing an East Asian postcolonial framework, the notion of film as a manifestation of national culture, and the methodology of psychoanalysis to bear on a failed hegemonic subject.

Projecting Empire

Author: James Chapman
Publisher: I.B.Tauris
ISBN: 085773220X
Size: 77.69 MB
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Projecting Empire, James Chapman and Nicholas J. Cull have written the first major study of imperialism and cinema for over thirty years. This welcome text maps the history of empire cinema in both Hollywood and Britain through a series of case studies of popular films, including adventures, biopics, literary adaptations, melodramas, comedies and documentaries. These range from the heyday of imperial adventure in the 1930s, such as Gunga Din and The Four Feathers, to the re-emergence of the genre in contemporary cinema, with Three Kings and the Indiana Jones series. They include the award-winning epics Lawrence of Arabia and Gandhi, innovative cult classics like The Naked Prey and the less reverent treatment of imperial themes in the Carry On films. Chapman and Cull consider industry-wide trends and place the films in their wider cultural and historical contexts. Using a range of primary sources, including private papers, they examine the work of key auteurs in the cinema of empire, including Alexander Korda, David Lean, John Huston and Richard Attenborough. They also explore the experiences of the actors who brought the stories to life, from Elizabeth Taylor to George Clooney. The supporting cast includes screenwriters, censors and the CIA. At a time when imperialism has a new significance in the world, this book will meet the needs of students and interested filmgoers alike