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Cinema At The End Of Empire

Author: Priya Jaikumar
Publisher: Duke University Press
ISBN: 9780822337935
Size: 37.38 MB
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DIVHistory of the relationship between government regulation of the film industry in the UK and the the developing film industry in India between the 1920s and 1940s./div

Italian Fascism S Empire Cinema

Author: Ruth Ben-Ghiat
Publisher: Indiana University Press
ISBN: 0253015669
Size: 68.76 MB
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Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.

Colonial India And The Making Of Empire Cinema

Author: Prem Chowdhry
Publisher: Manchester University Press
ISBN: 9780719057250
Size: 34.68 MB
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This book is an empirico-historical inquiry into the empire cinema made in Hollywood and Britain during the turbulent 1930s and 1940s. It shows how the empire cinema constructed the colonial world, its rationale for doing so, and the manner in which such constructions were received by the colonized people.

Making Settler Cinemas

Author: P. Limbrick
Publisher: Springer
ISBN: 0230107915
Size: 35.33 MB
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Through a shrewd analysis of the historical experience of imperialism and settler colonialism, Limbrick draws new conclusions about their effect on cinematic production, distribution, reception and filmic discourse.

Allies At The End Of Empire

Author: David M. Anderson
Publisher: Routledge
ISBN: 1351664646
Size: 73.21 MB
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The wars of decolonization fought by European colonial powers after 1945 had their origins in the fraught history of imperial domination, but were framed and shaped by the emerging politics of the Cold War. In all the counter-insurgencies mounted against armed nationalist risings in this period, the European colonial powers employed locally recruited militias – styled as ‘loyalists’ – to fight their ‘dirty wars’. These loyalist histories have been neglected in the nationalist narratives that have dominated the post-decolonization landscape, and this book offers the first comparative assessment of the role played by these allies at the end of empire. Their experience illuminates the deeper ambiguities of the decolonization story: some loyalists were subjected to vengeful violence at liberation; others actually claimed the victory for themselves and seized control of the emergent state; while others still maintained a role as fighting units into the Cold War. The overlap between the history of decolonization and the emergence of the Cold War is a central theme in the studies presented here. The collection discusses the categorization of these ‘irregular auxiliary’ forces after 1945, and presents seven case studies from five European colonialisms, covering nine former colonies – Portugal (Angola), the Netherlands (Indonesia), France (Algeria), Belgium (Congo) and Britain (Cyprus, Kenya, Aden, South Yemen and Oman). This book was originally published as a special issue of the International History Review.

A Very Old Machine

Author: Sudhir Mahadevan
Publisher: SUNY Press
ISBN: 1438458304
Size: 28.46 MB
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Argues that Indian cinema’s deep nineteenth-century past continues to play a vital role in its twenty-first-century present. In A Very Old Machine, Sudhir Mahadevan shows how Indian cinema’s many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in its twenty-first-century present. He proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that was (and is) understood, experienced, and present in everyday life in myriad ways. Employing methods of media archaeology, close textual analysis, archival research, and cultural theory, Mahadevan digs into the history of photography, print media, practices of piracy and showmanship, and contemporary everyday imaginations of the cinema to offer an understanding of how the cinema came to be such a dominant force of culture in India. The result is an open-ended and innovative account of Indian cinema’s “many origins.” “Sudhir Mahadevan’s A Very Old Machine is a work of great theoretical sophistication and rigorous historical scholarship. A revisionist and definitive treatment of early Indian film, the book shows how prevailing attitudes toward technology, photography, empire, commodity, and mass culture made the cinema a socially and culturally distinct form in India. Drawing on a wealth of primary research, A Very Old Machine fills many gaps. Anyone who wants to know how Indian cinema became Indian will need to consult this book.” — James Morrison, editor of Hollywood Reborn: Movie Stars of the 1970s

Film And The End Of Empire

Author: Lee Grieveson
Publisher: British Film Institute
ISBN: 9781844574247
Size: 10.20 MB
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In these two volumes of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperalism, to moments of decolonization andthe ending of formal imperialism in the post-Second World War.

New Hollywood Cinema

Author: Geoff King
Publisher: I.B.Tauris
ISBN: 085773105X
Size: 51.93 MB
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What exactly is New Hollywood? - is the first question answered by Geoff King in his lively and accessible introduction to modern Hollywood cinema and its films. In the expanding literature on this area, New Hollywood Cinema fills a gap by offering a single, up-to-date volume covering the ground coherently and accessibly. From the radical gestures of the ‘Hollywood Renaissance’ of the late 1960s and early 1970s to the current dominance of the corporate blockbuster, this book focuses on the interactions between the different levels of the film industry. Studios are now merely one part of the broader ventures of huge media conglomerates. Hollywood is over-run by the demands of publicity and marketing. It also takes its cue from much TV and filmed advertising. How do these new developments shape the form and content of the films we see? King takes a look - bringing examples from all the different genres of Hollywood films to bear on the issues raised. Numerous case-studies of films, film-makers and production companies are used to illustrate these complex but very well-rendered ideas.

Postcolonial Film

Author: Rebecca Weaver-Hightower
Publisher: Routledge
ISBN: 1134747349
Size: 14.29 MB
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Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

Hungarian Cinema

Author: John Cunningham
Publisher: Wallflower Press
ISBN: 9781903364796
Size: 60.61 MB
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A keen observer of manners and mores, Mike Leigh has been hailed as a celebrator of "ordinary" people, yet it wasn't until relatively recently that audiences have been able to appreciate the full body of his work. In discussing all his films from Bleak Moments and High Hopes through Naked, the Oscar-nominated Secrets and Lies and Topsy Turvy, to All or Nothing, Garry Watson considers this claim, examining the films'influence and their effect. At the same time, he takes on the very concepts of "the real" and "the ordinary" in regard to Leigh's work, challenging much perceived thinking among critics and moviegoers alike. To what category does the director's work really belong? Is it British Realism? The avant garde? Through careful textual detail and wider social and literary comparison with the works of Charles Dickens and T. S. Eliot, he argues ultimately for the aritistic and cultural significance of Leigh's work as one of Britian's most respected filmmakers.