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Cinema Of Outsiders

Author: Emanuel Levy
Publisher: NYU Press
ISBN: 0814751245
Size: 75.63 MB
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Henry Jenkins at [email protected] (video) Henry Jenkins“s pioneering work in the early 1990s promoted the idea that fans are among the most active, creative, critically engaged, and socially connected consumers of popular culture and that they represent the vanguard of a new relationship with mass media. Though marginal and largely invisible to the general public at the time, today, media producers and advertisers, not to mention researchers and fans, take for granted the idea that the success of a media franchise depends on fan investments and participation. Bringing together the highlights of a decade and a half of groundbreaking research into the cultural life of media consumers, Fans, Bloggers, and Gamers takes readers from Jenkins's progressive early work defending fan culture against those who would marginalize or stigmatize it, through to his more recent work, combating moral panic and defending Goths and gamers in the wake of the Columbine shootings. Starting with an interview on the current state of fan studies, this volume maps the core theoretical and methodological issues in Fan Studies. It goes on to chart the growth of participatory culture on the web, take up blogging as perhaps the most powerful illustration of how consumer participation impacts mainstream media, and debate the public policy implications surrounding participation and intellectual property.

A Companion To American Indie Film

Author: Geoff King
Publisher: John Wiley & Sons
ISBN: 1118758013
Size: 11.90 MB
Format: PDF, ePub
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A Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. Takes a comprehensive and fresh new look at the topic of American indie film Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film and other indie media; and issues including class, gender, regional identity and stardom in in the indie field Includes studies of many types of indie films and film genres, along with various filmmakers and performers that have come to define the field

American Smart Cinema

Author: Claire Perkins
Publisher: Edinburgh University Press
ISBN: 0748654259
Size: 58.55 MB
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American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.

Indie

Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231513526
Size: 69.75 MB
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From Stranger than Paradise (1984) to Synecdoche, New York (2008), America's independent films often seem to defy classification. Their strategies of storytelling and representation vary widely, and they range from raw, no-budget productions to the more polished releases of Hollywood's "specialty" divisions. Understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences play a role in the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie in the historical context of the Sundance-Miramax era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality in these films and the function of festivals, art houses, and critical media in promoting them. He accounts for the power of audiences to distinguish indie films from mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art and sustain these films' appeal. In doing so, he not only binds these diverse works together within a cluster of distinct viewing strategies but also invites readers to reevaluate the difference of independent cinema, as well as its relationship to class and taste culture.

Battleground A N

Author: Robin Andersen
Publisher: Greenwood Publishing Group
ISBN: 9780313341687
Size: 44.52 MB
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Provides an overview of the many debates and controversial topics currently connected with our media, providing context, definitions, notable programs, important media events and their historical significance, and future trends.

Gay Directors Gay Films

Author: Emanuel Levy
Publisher: Columbia University Press
ISBN: 0231526539
Size: 32.31 MB
Format: PDF, Docs
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Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a new and poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews conducted with each director, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside the growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly comprehensive, up-to-date approach to gay filmmaking in particular and auteur cinema in general.

Far From Heaven

Author: Glyn Davis
Publisher: Edinburgh University Press
ISBN: 0748688706
Size: 21.32 MB
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This book is a study of Far from Heaven, a commercially successful film that nevertheless sits rather ambiguously on the boundary between independent and mainstream cinema, operating as an alternative to 'blockbuster' fare.

Fifty Contemporary Film Directors

Author: Yvonne Tasker
Publisher: Routledge
ISBN: 1136919465
Size: 23.93 MB
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This book provides an accessible overview of each director’s contribution to cinema, incorporating a discussion of their career, major works and impact.

Film Sequels

Author: Carolyn Jess-Cooke
Publisher: Edinburgh University Press
ISBN: 0748689478
Size: 48.75 MB
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A study of sequel production within recent Hollywood and beyond in terms of its industrial, cultural and global implications.

Hollywood S Indies

Author: Yannis Tzioumakis
Publisher: Edinburgh University Press
ISBN: 074866453X
Size: 80.30 MB
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Hollywood's Indies offers an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment of the first specialty label in 1980.