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Cinema Technologies Of Visibility And The Reanimation Of Desire

Author: V. Hausmann
Publisher: Springer
ISBN: 023011850X
Size: 77.65 MB
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Exploring the dead/alive figure in such films as The Ring, American Beauty , and The Elephant Man , Vincent Hausmann charts the spectacular reduction of psychic life and assesses calls for shoring up psychic/social spaces that transfer bodily drives to language.

Arvo P Rt S White Light

Author: Laura Dolp
Publisher: Cambridge University Press
ISBN: 1107182891
Size: 63.20 MB
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One of the most frequently performed contemporary composers, Arvo Prt has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Prt's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Prt as a major cultural figure and reflect on the unprecedented impact of his music.

Between Film And Screen

Author: Garrett Stewart
Publisher: University of Chicago Press
ISBN: 9780226774121
Size: 54.13 MB
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What is the mysterious region between photography and the phenomenon of narrative cinema, between the photogram - a single film frame - and the illusion of motion we recognise as movies?

Death 24x A Second

Author: Laura Mulvey
Publisher: Reaktion Books
ISBN: 9781861892638
Size: 49.23 MB
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In Death 24 x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image and cinema’s narrative structure has also been fundamentally altered. These technologies give viewers the means to control both image and story, so that films produced to be seen collectively and followed in a linear fashion may be found to contain unexpected (even unintended) pleasures. The tension between the still frame and the moving image coincides with the cinema’s capacity to capture the appearance of life and preserve it after death. Mulvey proposes that with the arrival of new technologies and new ways of experiencing the cinematic image, film’s hidden stillness comes to the fore, thereby acquiring a new accessibility and visibility. The individual frame, the projected film’s best-kept secret, can now be revealed, by anyone, at the simple touch of a button. As Mulvey argues, easy access to repetition, slow motion and the freeze-frame may well shift the spectator’s pleasure to a fetishistic rather than a voyeuristic investment in the cinematic object. The manipulation of the cinematic image by the viewer also makes visible cinema’s material and aesthetic attributes. By exploring how new technologies can give new life to ‘old’ cinema, Death 24 x a Secondoffers an original re-evaluation of film’s history and also its historical usefulness.

Slow Cinema

Author: Tiago de Luca
Publisher: Edinburgh University Press
ISBN: 0748696059
Size: 59.15 MB
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Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.

Ovid S Lovers

Author: Victoria Rimell
Publisher: Cambridge University Press
ISBN: 0521862191
Size: 15.35 MB
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Compelling investigation of the question of the male/female relationship, which is central to Ovid's works.

Mapping Intermediality In Performance

Author: Sarah Bay-Cheng
Publisher: Amsterdam University Press
ISBN: 9089642552
Size: 68.70 MB
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This insightful book explores the relationship between theater and digital culture. The authors show that the marriage of traditional performance with new technologies leads to an upheaval of the implicit “live” quality of theatre by introducing media interfaces and Internet protocols, all the while blurring the barriers between theater-makers and their audience.

The Uncanny

Author: Sigmund Freud
Publisher: Penguin UK
ISBN: 0141930500
Size: 52.57 MB
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An extraordinary collection of thematically linked essays, including THE UNCANNY, SCREEN MEMORIES and FAMILY ROMANCES. Leonardo da Vinci fascinated Freud primarily because he was keen to know why his personality was so incomprehensible to his contemporaries. In this probing biographical essay he deconstructs both da Vinci's character and the nature of his genius. As ever, many of his exploratory avenues lead to the subject's sexuality - why did da Vinci depict the naked human body the way hedid? What of his tendency to surround himself with handsome young boys that he took on as his pupils? Intriguing, thought-provoking and often contentious, this volume contains some of Freud's best writing.

Carolee Schneemann

Author: Sabine Breitwieser
Publisher: Prestel
ISBN: 9783791355085
Size: 68.71 MB
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This fully illustrated monograph is devoted to the full range of Carolee Schneemann's pioneering work. Unapologetically incorporating her body into her works of art, Carolee Schneemann emerged as one of the leading forces in the feminist art movement of the 1970s. This wide-ranging book follows Schneemann's remarkable career in its entirety. The monograph shows the immense range of Schneemann's oeuvre: paintings, assemblages, performances, experimental films, and video installations. Including the controversial works for which she is most famous, such as Eye Body, Meat Joy, and Interior Scroll, this volume takes a critical look at various themes in the artist's career, focusing particularly on what the artist termed "kinetic painting." Essays on Schneemann's personal politics, her experimental film, and the purposeful ambiguities of her pieces offer clear-eyed perspectives on the brilliance of her work. Illustrations of her work are accompanied by Schneemann's own commentary. Schneemann's work emerges as a celebratory, liberating, and important aspect of creative expression that stands in its own right--and stands the test of time.