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Cinematic Chronotopes

Author: Pepita Hesselberth
Publisher: Bloomsbury Publishing USA
ISBN: 1623566479
Size: 36.26 MB
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The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.

Compact Cinematics

Author: Pepita Hesselberth
Publisher: Bloomsbury Publishing USA
ISBN: 1501322281
Size: 10.31 MB
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Compact Cinematics challenges the dominant understanding of cinema to focus on the various compact, short, miniature, pocket-sized forms of cinematics that have existed from even before its standardization in theatrical form, and in recent years have multiplied and proliferated, taking up an increasingly important part of our everyday multimedia environment. Short films or micro-narratives, cinematic pieces or units re-assembled into image archives and looping themes, challenge the concepts that have traditionally been used to understand cinematic experience, like linear causality, sequentiality, and closure, and call attention to complex and modular forms of cinematic expression and perception. Such forms, in turn, seem to meet the requirements of digital convergence, which has pushed the development of more compact and mobile hardware for the display and use of audiovisual content on laptops, smartphones, and tablets. Meanwhile, contemporary economies of digital content acquisition, filing, and sharing equally require the shrinking of cinematic content for it to be recorded, played, projected, distributed, and installed with ease and speed. In this process, cinematic experience is shortened and condensed as well, so as to fit the late-capitalist attention economy. The essays in this volume ask what this changed technical, socio-economic and political situation entails for the aesthetics and experience of contemporary cinematics, and call attention to different concepts, theories and tools at our disposal to analyze these changes.

The Cinema Of Me

Author: Alisa Lebow
Publisher: Columbia University Press
ISBN: 0231850166
Size: 43.45 MB
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When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

Postcolonial Theory And Avatar

Author: Gautam Basu Thakur
Publisher: Bloomsbury Publishing USA
ISBN: 1628925639
Size: 55.83 MB
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"An explanation of postcolonial film theory and how it explicates James Cameron's film"--

Bakhtin And The Movies

Author: M. Flanagan
Publisher: Springer
ISBN: 0230252044
Size: 12.26 MB
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Martin Flanagan uses Bakhtin's notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.


Author: Geoff Dyer
Publisher: Canongate Books
ISBN: 0857861689
Size: 35.93 MB
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In this spellbinding book, the man described by the Daily Telegraph as 'possibly the best living writer in Britain' takes on his biggest challenge yet: unlocking the film that has obsessed him all his adult life. Like the film Stalker itself, it confronts the most mysterious and enduring questions of life and how to live.

American Cinema In Transition

Author: Martin Holtz
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631619124
Size: 19.11 MB
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Using the example of the fundamental American film genre, the Western, this book sets out to evaluate modern Hollywood on the basis of aesthetic, industrial, and ideological factors by the comparison of its formative stage -New Hollywood- (1967-1976) with its contemporary make up -Hollywood Now- (2001-now). The centerpiece of the book is the analysis of a broad range of Westerns, incorporating roughly 100 films and presenting fresh perspectives on classics like <I>The Wild Bunch and <I>Little Big Man, but also discussing neglected films like <I>Billy Two Hats and <I>Bad Company, and modern films such as <I>Brokeback Mountain and <I>No Country for Old Men. A main argument is that the Western has developed from a predominantly conservative genre in classical Hollywood to a medium for artistic innovation and subversive political implications in -New Hollywood- to a cultural artifact that bespeaks a self-reflexive scrutiny of cinematic artifice in -Hollywood Now-."

Technology And Culture The Film Reader

Author: Andrew Utterson
Publisher: Psychology Press
ISBN: 9780415319850
Size: 34.71 MB
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Technology and Culture: The Film Reader brings together key theoretical texts from more than a century of writing on film and technology. It begins by exploring the intertwined technologies of cinematic representation, reproduction, distribution and reception, before locating the technological history of cinema as one component of an increasingly complex technological culture. The selected articles encompass a range of disciplines, perspectives and methodologies, reflecting the multiplicity of contemporary approaches to technology. They are grouped into four thematic sections, each with an introduction by the editor. Origins and Evolution - examines the lineage of cinema's machines, while challenging the received notion that cinema began with a discrete moment of invention Definitions and Determinism - redefines technology, moving beyond an isolated description of cinema's physical tools to consider the forces that play a part in shaping their form and function Projections and Aesthetics - analyzes the exchange between cinematic and other technologies, in terms of cinema's capacity to reflect on and negotiate technologies other than its own Contexts and Consequences - situates the technologies of cinema within a broader framework, charting their engagement with the spheres of discourse at work within society

The Dialogic Imagination

Author: M. M. Bakhtin
Publisher: University of Texas Press
ISBN: 0292782861
Size: 78.83 MB
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These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.