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Classical Myth Culture In The Cinema

Author: Martin M. Winkler
Publisher: Oxford University Press on Demand
ISBN: 9780195130041
Size: 57.55 MB
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This title comprises a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of classical literature. The book illustrates the continuing presence of antiquity in the most varied and influential medium of modern popular culture. The diversity of content and theoretical stances found in this work should make this volume required reading for scholars and students interested in the presence of Greece and Rome in modern popular culture.

Rom Und Seine Kaiser Im Historienfilm

Author: Martin Lindner
Publisher: Verlag Antike
ISBN: 3938032189
Size: 64.83 MB
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Der Film ist die popularste Form der Antikenrezeption. Er lockt Millionen von Zuschauern ins Kino oder vor den Bildschirm und bringt sie dazu, sich uber viele Stunden hinweg mit althistorischen Themen zu beschaftigen. Die Bewertung in den betroffenen Teildisziplinen ist zwiespaltig: Der Historienfilm irritiert und fasziniert zugleich, indem er sich stark von einer wissenschaftlichen Geschichtsdarstellung abhebt. Wie historisch ist die gezeigte Antike? Welche Traditionen liegen der lebendig gewordenen Vergangenheit zugrunde? Wie gestaltet der Historienfilm seine Erzahlung? Worin bestehen seine ubergreifenden und seine individuellen Merkmale? Welche methodischen Herausforderungen stellt der Film fur eine historische Untersuchung? Und wie kann der Antikenfilm in Forschung und Lehre eingesetzt werden? Die vorliegende Studie hinterfragt Konzepte wie Authentizitat und Legitimitat am Beispiel der romischen Kaiserzeit im Historienfilm. Auf der Basis mehrerer Hundert Produktionen wird eine interdisziplinare Perspektive entwickelt und ein Modell der filmischen Antike entworfen. Im Zentrum stehen die Herrscherfiguren und ihr Einsatz als Exponenten bestimmter Zeitabschnitte.

Classical Mythology

Author: William Hansen
Publisher: Oxford University Press, USA
ISBN: 0195300351
Size: 74.51 MB
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Originally published: Handbook of classical mythology. Santa Barbara, CA: ABC-CLIO, c2004.

The Fall Of The Roman Empire

Author: Martin M. Winkler
Publisher: John Wiley & Sons
ISBN: 1118589815
Size: 43.46 MB
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The essays collected in this book present the first comprehensiveappreciation of The Fall of the Roman Empire fromhistorical, historiographical, and cinematic perspectives. The bookalso provides the principal classical sources on the period. It isa companion to Gladiator: Film and History (Blackwell, 2004)and Spartacus: Film and History (Blackwell, 2007) andcompletes a triad of scholarly studies on Hollywood’sgreatest films about Roman history. A critical re-evaluation of the 1964 epic film The Fall ofthe Roman Empire, directed by Anthony Mann, fromhistorical, film-historical, and contemporary points of view Presents a collection of scholarly essays and classical sourceson the period of Roman history that ancient and modern historianshave considered to be the turning point toward the eventual fall ofRome Contains a short essay by director Anthony Mann Includes a map of the Roman Empire and film stills, as well astranslations of the principal ancient sources, an extensivebibliography, and a chronology of events

Return Of The Epic Film

Author: Elliot Andrew B R
Publisher: Edinburgh University Press
ISBN: 0748684034
Size: 65.83 MB
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The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twenty-first century.


Author: Martin M. Winkler
Publisher: Blackwell Publishing
ISBN: 9781405110426
Size: 11.43 MB
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This is the first book to analyze Ridley Scott’s film Gladiator from historical, cultural, and cinematic perspectives. The first systematic analysis of Ridley Scott’s film, Gladiator. Examines the film’s presentation of Roman history and culture. Considers its cinematic origins and traditions. Draws out the film’s modern social and political overtones. Includes relevant ancient sources in translation.

Ovid S Myth Of Pygmalion On Screen

Author: Paula James
Publisher: Bloomsbury Publishing
ISBN: 1441146776
Size: 73.84 MB
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Why has the myth of Pygmalion and his ivory statue proved so inspirational for writers, artists, philosophers, scientists, and directors and creators of films and television series? The 'authorised' version of the story appears in the epic poem of transformations, Metamorphoses, by the first-century CE Latin poet Ovid; in which the bard Orpheus narrates the legend of the sculptor king of Cyprus whose beautiful carved woman was brought to life by the goddess Venus. Focusing on screen storylines with a Pygmalion subtext, from silent cinema to Buffy the Vampire Slayer and Lars and the Real Girl, this book looks at why and how the made-over or manufactured woman has survived through the centuries and what we can learn about this problematic model of 'perfection' from the perspective of the past and the present. Given the myriad representations of Ovid's myth, can we really make a modern text a tool of interpretation for an ancient poem? This book answers with a resounding 'yes' and explains why it is so important to give antiquity back its future.

The Invisible Hand In Popular Culture

Author: Paul A. Cantor
Publisher: University Press of Kentucky
ISBN: 0813140838
Size: 18.47 MB
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Popular culture often champions freedom as the fundamentally American way of life and celebrates the virtues of independence and self-reliance. But film and television have also explored the tension between freedom and other core values, such as order and political stability. What may look like healthy, productive, and creative freedom from one point of view may look like chaos, anarchy, and a source of destructive conflict from another. Film and television continually pose the question: Can Americans deal with their problems on their own, or must they rely on political elites to manage their lives? In this groundbreaking work, Paul A. Cantor explores the ways in which television shows such as Star Trek, The X-Files, South Park, and Deadwood and films such as The Aviator and Mars Attacks! have portrayed both top-down and bottom-up models of order. Drawing on the works of John Locke, Adam Smith, Alexis de Tocqueville, and other proponents of freedom, Cantor contrasts the classical liberal vision of America -- particularly its emphasis on the virtues of spontaneous order -- with the Marxist understanding of the "culture industry" and the Hobbesian model of absolute state control. The Invisible Hand in Popular Culture concludes with a discussion of the impact of 9/11 on film and television, and the new anxieties emerging in contemporary alien-invasion narratives: the fear of a global technocracy that seeks to destroy the nuclear family, religious faith, local government, and other traditional bulwarks against the absolute state.

Sex Love And Romance In The Mass Media

Author: Mary-Lou Galician
Publisher: Routledge
ISBN: 1135616507
Size: 17.95 MB
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This accessible yet research-based text offers both foundational theories and practical applications of analysis and criticism of mass media portrayals of sex, love, and romance in a wide variety of mass media, from entertainment to advertising to news. The multidisciplinary methodological perspective comes out of a media literacy approach and embraces a variety of traditions along the quantitative-qualitative continuum. Focused on portrayals of male-female coupleship, the book is centered around the 12 major myths and stereotypes of Galician's Dr. FUN!'s Mass Media Love Quiz©, each of which has a corresponding Dr. Galician Prescription® that encapsulates healthy strategies--rarely found in the mass media--to counteract that myth or stereotype. Readers learn how to identify, illustrate, deconstruct, evaluate, and reframe the mass media's mythic and stereotypic portrayals of sex, love, and romance. They also learn how to use their own formal critical evaluations to clarify their own values and--as media consumers or mass communication creators--to share their insights with others. Thus, the learning objectives encompass all three major educational domains: cognitive, affective, and behavioral. Part I of this book covers the five foundations: *myths and stereotypes of love and coupleship; *models of realistic and constructive love and coupleship; *mass media storytelling approaches, techniques, and devices; *research and theories of mass media effects; and *strategies and skills of media literacy. Part II is devoted to exploring the myths and stereotypes identified in the Quiz. Following several brief case studies and a summary of related research and commentary, each chapter focuses on analyses and criticisms of portrayals of sex, love, and romance in the content of news and advertising, as well as entertainment using Galician's Seven-Step Dis-illusioning Directions. Each chapter concludes with a "Dis-illusion Digest." While critical of unrealistic portrayals and the damage they can cause unsuspecting media consumers, Galician--a media literacy advocate--is not anti-media. Rather, her goal is to empower consumers to use these portrayals with more awareness of their possible consequences, to resist adopting them as models for actual behavior, and to consciously reframe them into more realistic, productive scenarios. This unique text is an engaging classroom resource for media literacy, media and relationships, and media and society coursework.


Author: Martin M. Winkler
Publisher: John Wiley & Sons
ISBN: 140517854X
Size: 11.28 MB
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This is the first book systematically to examine Wolfgang Petersen’s epic film Troy from different archaeological, literary, cultural, and cinematic perspectives. The first book systematically to examine Wolfgang Petersen’s epic film Troy from different archaeological, literary, cultural, and cinematic perspectives. Examines the film’s use of Homer’s Iliad and the myth of the Trojan War, its presentation of Bronze-Age archaeology, and its place in film history. Identifies the modern political overtones of the Trojan War myth as expressed in the film and explains why it found world-wide audiences. Editor and contributors are archaeologists or classical scholars, several of whom incorporate films into their teaching and research. Includes an annotated list of films and television films and series episodes on the Trojan War. Contains archaeological illustrations of Troy, relevant images of ancient art, and stills from films on the Trojan War.