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Classical Myth In Four Films Of Alfred Hitchcock

Author: Mark William Padilla
Publisher: Lexington Books
ISBN: 149852916X
Size: 69.80 MB
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Classical Myth in Four Films of Alfred Hitchcock presents an original study of Alfred Hitchcock by considering how his classics-informed London upbringing marks some of his films. The Catholic and Irish-English Hitchcock (1899-1980) was born to a mercantile family and attended a Jesuit college preparatory, whose curriculum featured Latin and classical humanities. An important expression of Edwardian culture at-large was an appreciation for classical ideas, texts, images, and myth. Mark Padilla traces the ways that Hitchcock’s films convey mythical themes, patterns, and symbols, though they do not overtly reference them. Hitchcock was a modernist who used myth in unconscious ways as he sought to tell effective stories in the film medium. This book treats four representative films, each from a different decade of his early career. The first two movies were produced in London: The Farmer’s Wife (1928) and The Man Who Knew Too Much (1934); the second two in Hollywood: Rebecca (1940) and Strangers on a Train (1951). In close readings of these movies, Padilla discusses myths and literary texts such as the Judgment of Paris, The Homeric Hymn to Demeter, Aristophanes’s Frogs, Apuleius’s tale “Cupid and Psyche,” Homer’s Odyssey, and The Homeric Hymn to Hermes. Additionally, many Olympian deities and heroes have archetypal resonances in the films in question. Padilla also presents a new reading of Hitchcock’s circumstances as he entered film work in 1920 and theorizes why and how the films may be viewed as an expression of the classical tradition and of classical reception. This new and important contribution to the field of classical reception in the cinema will be of great value to classicists, film scholars, and general readers interested in these topics.

Classical Myth In Alfred Hitchcock S Wrong Man And Grace Kelly Films

Author: Mark William Padilla
Publisher: Rowman & Littlefield
ISBN: 1498563511
Size: 72.35 MB
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This book treats six beloved films of Hitchcock: The 39 Steps, Saboteur, and North by Northwest, plus Dial M for Murder, Rear Window, and To Catch a Thief. Padilla reviews their production histories with an eye to classical influences, and then analyzes their links with Greek art, poetry, and philosophy.

The Formal Center In Literature

Author: Richard Kopley
Publisher: Camden House
ISBN: 1640140328
Size: 43.58 MB
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An investigation of the phenomenon of the framed formal center in literature of the last 180 years, illuminating both the works and correspondences among works of different genres, periods, and nations.

Movie Greats

Author: Philip Gillett
Publisher: Berg
ISBN: 1847886159
Size: 57.87 MB
Format: PDF
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Why are some films regarded as classics, worthy of entry into the canon of film history? Which sorts of films make the cut and why? Movie Greats questions how cinema is ranked and, in doing so, uncovers a history of critical conflict, with different aesthetic positions battling for dominance. The films examined range across the history of cinema: The Battleship Potemkin, The 39 Steps, Modern Times, Citizen Kane, It's a Wonderful Life, Black Narcissus, The Night of the Hunter, Lawrence of Arabia, 8 1/2, 2001: A Space Odyssey, The Godfather, Raging Bull, The Piano and Kill Bill: Vol. 1.Each chapter opens with a brief summary of the film's plot and goes on to discuss the historical context, the key individuals who made the film, and initial and subsequent popular and critical responses. Students studying the history of film, canon formation or film aesthetics will find this book relevant, provocative and absorbing.

Britton On Film

Author: Andrew Britton
Publisher: Wayne State University Press
ISBN: 9780814333631
Size: 64.36 MB
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Collects all published film criticism by Andrew Britton, a singular voice in film studies whose promising career was cut short by his untimely death.

Ken Jennings S Trivia Almanac

Author: Ken Jennings
Publisher: Villard
ISBN: 9780345504722
Size: 71.76 MB
Format: PDF, ePub, Docs
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Ken Jennings’s Trivia Almanac is the ingeniously organized book where, for a change, the all-time Jeopardy! champ gets to ask the questions–and where every day of the year will give you the chance to test your trivia mettle. For example–February 21: In 1912, on this day, Teddy Roosevelt coined the political phrase “hat in the ring,” so Ken Jennings fires off a series of “ring” questions. What two NFL quarterbacks have four Super Bowl rings each?* What rings are divided by the Cassini Division?** Also on this date, in 1981, the “goth” music scene was born in London, so here’s a quiz on black-clad icons like Darth Vader, Johnny Cash, and Zorro. Do you know the secret identities of Ivanhoe’s Black Knight*** or Men in Black’s Agent M****? In this ultimate book for trivia buffs and other assorted know-it-alls, the 365 entries feature “This Day in History” factoids, trivia quizzes, and questions categorized by Jennings as “Easy,” “Hard,” and “Yeah, Good Luck.” Topics cover every subject under the sun, from paleontology to mixology, sports feats to Bach suites, medieval popes to daytime soaps. This addictive gathering of facts, oddities, devilishly clever quizzes, and other flights of fancy will make each day a fun and intriguing new challenge. From the Hardcover edition.

Ovid S Myth Of Pygmalion On Screen

Author: Paula James
Publisher: Bloomsbury Publishing
ISBN: 1441146776
Size: 20.55 MB
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Why has the myth of Pygmalion and his ivory statue proved so inspirational for writers, artists, philosophers, scientists, and directors and creators of films and television series? The 'authorised' version of the story appears in the epic poem of transformations, Metamorphoses, by the first-century CE Latin poet Ovid; in which the bard Orpheus narrates the legend of the sculptor king of Cyprus whose beautiful carved woman was brought to life by the goddess Venus. Focusing on screen storylines with a Pygmalion subtext, from silent cinema to Buffy the Vampire Slayer and Lars and the Real Girl, this book looks at why and how the made-over or manufactured woman has survived through the centuries and what we can learn about this problematic model of 'perfection' from the perspective of the past and the present. Given the myriad representations of Ovid's myth, can we really make a modern text a tool of interpretation for an ancient poem? This book answers with a resounding 'yes' and explains why it is so important to give antiquity back its future.

Rebecca

Author: Daphne du Maurier
Publisher: Suhrkamp Verlag
ISBN: 3458744827
Size: 57.21 MB
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In einem Hotel an der Côte d’Azur lernt Maxim de Winter eine junge Frau aus einfachen Verhältnissen kennen. Die beiden verlieben sich, und schon nach kurzer Zeit nimmt sie seinen Heiratsantrag an und folgt dem Witwer nach Cornwall auf seinen prachtvollen Landsitz Manderley. Doch das Glück der Frischvermählten währt nicht lange: Der Geist von Maxims toter Ehefrau Rebecca ist allgegenwärtig, und die ihr ergebene Haushälterin macht der neuen Herrin das Leben zur Hölle, sie droht nicht nur die Liebe des Paares zu zerstören. Als ein Jahr später plötzlich doch noch Rebeccas Leiche gefunden wird, gerät Maxim de Winter unter Mordverdacht ... Rebecca, Daphne du Mauriers berühmtester Roman, war bereits bei seinem Erscheinen 1938 ein Bestseller. Er wurde mehrfach verfilmt: 1940 entstand unter der Regie von Alfred Hitchcock die bekannteste Adaption, die mit zwei Oscars prämiert wurde.