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Conservation And Restoration Of Ceramics

Author: Susan Buys
Publisher: Routledge
ISBN: 1136000267
Size: 74.84 MB
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The Conservation and Restoration of Ceramics brings together the wide range of current information relevant to the practising conservator. The book opens with a discussion of the fundamental nature of the ceramic medium, information which is of primary importance when selecting treatments or considering preventive conservation measures. Details on techniques are given in a series of chapters covering the restoration and conservation processes, but the emphasis is on the basic principles involved in the choice of materials and methods. The nature and properties of materials commonly in use are fully discussed and guidance is given on the facilities and equipment needed. Also covered in the book are old restoration materials and methods, the ethics of ceramics conservation, examination and recording, display treatments and emergency procedures. Now in paperback, this book will be invaluable to practising conservators and readers of conservation as well as of interest to museum curators and collectors.

Architectural Tiles Conservation And Restoration

Author: Lesley Durbin
Publisher: Routledge
ISBN: 1136428739
Size: 23.30 MB
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Providing hands on advice for the conservator, Architectural Tiles: Conservation and Restoration is a unique and valuable guide. Topics covered offer practical guidance on conservation and restoration techniques including the problems of manufacture, cleaning, replacement or repair and mortars. Techniques are illustrated by comprehensive case studies, against a background of the role of past architects and designers in historic schemes.

Conservation And Restoration Of Glass

Author: Sandra Davison
Publisher: Routledge
ISBN: 1136415513
Size: 60.93 MB
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Conservation and Restoration of Glass is an in-depth guide to the materials and practices required for the care and preservation of glass objects. It provides thorough coverage of both theoretical and practical aspects of glass conservation. This new edition of Newton and Davison's original book, Conservation of Glass, includes sections on the nature of glass, the historical development and technology of glassmaking, and the deterioration of glass. Professional conservators will welcome the inclusion of recommendations for examination and documentation. Incorporating treatment of both excavated glass and historic and decorative glass, the book provides the knowledge required by conservators and restorers and is invaluable for anyone with glass objects in their care.

Science And Conservation For Museum Collection

Author: Bruno Fabbri
Publisher: Nardini Editore
ISBN: 8840442189
Size: 42.10 MB
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The idea of the book “Science and Conservation for Museum Collections” was born as a result of the experience made by CNR-ISTEC (Faenza) in the implementation of a course for Syrian restorers at the National Museum in Damascus. The book takes into consideration archaeological artefacts made out of the most common materials, like stones (both natural and artificial), mosaics, ceramics, glass, metals, wood and textiles, together with less diffuse artefacts and materials, like clay tablets, goldsmith artefacts, icons, leather and skin objects, bones and ivory, coral and mother of pearl. Each type of material is treated from four different points of view: composition and processing technology; alteration and degradation causes and mechanisms; procedures for conservative intervention; case studies and/or examples of conservation and restoration. Due to the high number of materials and to the great difference between their conservation problems, all the subjects are treated in a schematic, but precise and complete way. The book is mainly addressed to students, young restorers, conservators and conservation scientists all around the world. But the book can be usefully read by expert professionals too, because nobody can know everything and the experts often need to learn something of the materials not included in their specific knowledge. Twenty- two experts in very different fields of activity contributed with their experience for obtaining a good product. All they are Italian experts, or working in Italy, so that the book can be seen as an exemplification on how the conservation problem of Cultural Heritage is received and tackled in Italy. —————————————————— SCIENCE AND CONSERVATION FOR MUSEUM COLLECTIONS INTRODUCTION 1 – PREVENTIVE CONSERVATION 1.1 Introduction 1.2 International standards and guidelines 1.3 Environment-material interaction 1.4 Microclimate and monitoring 1.5 Handling works of art 1.6 Exhibition criteria 1.7 MUSA project: intermuseum network for conservation of artistic heritage Bibliography Acknowledgements 2 – STONE ARTEFACTS 2.1 What conservation means 2.2 Natural Stones 2.3 Artificial stones 2.4 Deterioration of the stone 2.5 Cleaning of stone artefacts 2.6 Consolidation and Protection 2.7 Case studies Bibliography 3 – MOSAICS 3.1 Manufacturing techniques 3.2 History of the mosaic 3.3 Degradation of mosaic 3.4 Restoration of mosaics 3.5 Case study Bibliography 4 – CERAMICS 4.1 Ceramic technology 4.2 Technological classification of ceramics 4.3 Alteration and degradation processes 4.4 Ceramic conservation and restoration 4.5 Case studies 4.6 Examples of restoration Bibliography Acknowledgements 5 – CLAY TABLETS 5.1 Defnition 5.2 Deterioration 5.3 Conservative intervention 5.4 Case study: Syrian tablets Bibliography Acknowledgements 6 – GLASS 6.1 General information 6.2 Processing techniques 6.3 Glass deterioration 6.4 Glass conservation and restoration 6.5 Case studies Bibliography Acknowledgements 7 – METALS 7.1 Origin of metals 7.2 Manufacturing techniques 7.3 Conservation state of metals 7.4 Conservative intervention for metals 7.5 Case studies: Recovery of metallic artefacts from terracotta containers Bibliography Acknowledgements 8 – GOLDSMITH ARTEFACTS 8.1 Goldsmith’s metals 8.2 Enamels 8.3 Precious stones 8.4 Alteration and degradation 8.5 Conservative intervention 8.6 Case studies Bibliography 9 – WOOD ARTEFACTS 9.1 Characteristics of the wood 9.2 Working techniques 9.3 Degradation of wood 9.4 How to start restoring 9.5 Restoration of a small inlaid table 9.6 Restoration of a commemorating wooden tablet 9.7 The restoration of a seventeenth-century wooden crucifix Bibliography 10 – ICONS 10.1 The construction of icons 10.2 Degradation and damages of icons 10.3 Methods of conservation and restoration of icons 10.4 Examples of conservative interventions Bibliography 11 – TEXTILE FINDS 11.1 Morphology, characteristics and properties of textiles 11.2 Decay of textile fibres 11.3 Conservation treatments of archaeological textiles 11.4 Conservation practice: two case histories Bibliography Acknowledgements 12 – LEATHER AND ANIMAL SKIN OBJECTS 12.1 Introduction 12.2 Skin 12.3 The tanning process 12.4 Parchment 12.5 Leather degradation 12.6 Conservative intervention 12.7 Examples of conservative interventions Bibliography 13 – INORGANIC MATERIALS OF ORGANIC ORIGIN 13.1 The materials 13.2 The restoration operations 13.3 Cases of study Bibliography Acknowledgements 14 – ANALYTICAL TECHNIQUES 14.1 General information 14.2 Optical microscopy 14.3 Spectroscopic techniques 14.4 Radiochemical techniques 14.5 Chromatography 14.6 Electron microscopy 14.7 Thermal analyses 14.8 Open porosity measurements 14.9 Analysis of microbial colonization Bibliography Acknowledgements

Conservation Of Earth Structures

Author: John Warren
Publisher: Routledge
ISBN: 9780750641913
Size: 50.40 MB
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This companion volume to 'Conservation of Brick' provides a fundamental understanding of the processes of repair and reconstruction of earth structures. The technical aspects of the study are treated from the non-scientist point of view to develop a working understanding of this relatively new field. This important subject is rarely recognized, but many peoples worldwide have built, lived in and treasured earth structures. Their cultures have evolved with them and, therefore, a great part of the human environment has been shaped by earths and earth building. The conservation of earth structures is, therefore, not merely a neglected facet of the vernacular architecture; it is bound to the artistic core of living communities. Earth construction and its conservation, like other 'green' issues, draws a dedicated level of commitment from its aficionados. The problem of conservation, however, is far wider. Planning authorities, research organizations and owners are using broad-ranging, sometimes desperate, measures to retain a meaningful part of the huge heritage of earth structures world-wide. John Warren is a Fellow of the Institute of Advanced Architectural Studies, University of York and is an Architect and Conservator with over 30 years experience in private practice, in the UK and abroad. His conservation work has extended as far afield as India. At home he has been responsible for, among many others, the recovery of Horace Walpole's mansion, Strawberry Hill. He was also a member of the British Standards Institution Committee on Historic Buildings and is currently Chairman of ICOMOS UK World Heritage Committee. International coverage and scope Current conservation philosophies are integrated with practice The only current work on this subject

Guide To The Literature Of Art History 2

Author: Max Marmor
Publisher: Amer Library Assn
ISBN:
Size: 29.59 MB
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Among the most engaging genres of scholarly literature, art history and architecture history publications appeal to the eye as well as the intellect. In the late 20th century the literature of art history has been documented by two standard reference bibliographies published by the American Library Association: Mary Chamberlin's Guide to Art Reference Books (ALA 1959), and Guide to the Literature of Art History by Etta Arntzen and Robert Rainwater (ALA Editions, 1980). Now, a new supplementary volume, Guide to the Literature of Art History 2 (ALA Editions, 2004) has arrived to record and annotate the best art and architecture books and journals published worldwide in the last two decades of the 20th century. supplement its predecessor by recording important publications produced primarily in western languages. Adopting the chapter and numbering system of the first volume, GLAH 2 will help art scholars keep abreast of more recent publications in art and architectural history. An expert team of 24 contributors has come together with editors Max Marmor and Alex Ross to produce this significant work, featuring new titles, volumes, editions, and reprints, while providing ample cross referencing to GLAH 1. and Cultural Heritage, which covers the literature of art preservation and art law. Librarians and scholars will welcome the new collection development information, including: The best electronic art and architectural history sources. Cumulative 40-year bibliography of art history literature, with GLAH 1. Critical selection of nearly all literature in art history, primarily in Western European languages, since 1977. Resources for art historians outside their areas of specialization. architectural literature for the last two decades of the 20th century, Guide to the Literature of Art History 2 is the authoritative, must-have resource for all art history students, institutions, and agencies.

Conserving Preserving And Restoring Your Heritage

Author: Kennis Kim
Publisher: Dundurn
ISBN: 1770705635
Size: 38.64 MB
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Here is all thats needed to determine what can be done to preserve precious articles for future generations. Topics include creating an accession list, the nature of conservation, restoration and preservation, and common threats such as light, humidity, insects, and rodents.

Reversibility Does It Exist

Author: W. A. Oddy
Publisher: British Museum Pubns Ltd
ISBN:
Size: 14.89 MB
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Following the 1994 conference Restoration - Is it acceptable?, the 1999 British Museum conference focused on the reversibility of the main processes of conservation: cleaning, stabilising, repair amd restoration. Twenty-seven papers discuss many different aspects of the argument, in both theory and practice, and with regard to different media and object types.