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Critical Race Theory And Copyright In American Dance

Author: Caroline Joan S. Picart
Publisher: Palgrave Macmillan
ISBN: 9781137321961
Size: 16.41 MB
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The effort to win federal copyright protection for dance choreography in the United States was a simultaneously racialized and gendered contest. Copyright and choreography, particularly as tied with whiteness, have a refractory history. This book examines the evolution of choreographic works from being federally non-copyrightable, unless they partook of dramatic or narrative structures, to becoming a category of works potentially copyrightable under the 1976 Copyright Act. Crucial to this evolution is the development of whiteness as status property, both as an aesthetic and cultural force and a legally accepted and protected form of property. The choreographic inheritances of Loíe Fuller, George Balanchine, and Martha Graham are particularly important to map because these constitute crucial sites upon which negotiations on how to package bodies of both choreographers and dancers - as racialized, sexualized, nationalized, and classed - are staged, reflective of larger social, political, and cultural tensions.

Choreographing Copyright

Author: Anthea Kraut
Publisher: Oxford University Press
ISBN: 0199360375
Size: 58.96 MB
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"Choreographing Copyright provides a historical and cultural analysis of U.S.-based dance-makers' investment in intellectual property rights. Although federal copyright law in the U.S. did not recognize choreography as a protectable class prior to the 1976 Copyright Act, efforts to win copyright protection for dance began eight decades earlier. In a series of case studies stretching from the late nineteenth century to the early twenty-first, the book reconstructs those efforts and teases out their raced and gendered politics. Rather than chart a narrative of progress, the book shows how dancers working in a range of genres have embraced intellectual property rights as a means to both consolidate and contest racial and gendered power. A number of the artists featured in Choreographing Copyright are well-known white figures in the history of American dance, including modern dancers Loie Fuller, Hanya Holm, and Martha Graham, and ballet artists Agnes de Mille and George Balanchine. But the book also uncovers a host of marginalized figures - from the South Asian dancer Mohammed Ismail, to the African American pantomimist Johnny Hudgins, to the African American blues singer Alberta Hunter, to the white burlesque dancer Faith Dane - who were equally interested in positioning themselves as subjects rather than objects of property, as possessive individuals rather than exchangeable commodities. Choreographic copyright, the book argues, has been a site for the reinforcement of gendered white privilege as well as for challenges to it. Drawing on critical race and feminist theories and on cultural studies of copyright, Choreographing Copyright offers fresh insight into such issues as: the raced and gendered hierarchies that govern the theatrical marketplace, white women's historically contingent relationship to property rights, legacies of ownership of black bodies and appropriation of non-white labor, and the tension between dance's ephemerality and its reproducibility"--

Post Apartheid Dance

Author: Sharon Friedman
Publisher: Cambridge Scholars Publishing
ISBN: 1443845647
Size: 40.58 MB
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The intention of this work is to present perspectives on post-apartheid dance in South Africa by South African authors. Beginning with an historical context for dance in SA, the book moves on to reflect the multiplicity of bodies, voices and stories suggested by the title. Given the diversity of conflicting realities experienced by artists in this country, contentious issues have deliberately been juxtaposed in an attempt to draw attention to the complexity of dancing on the ashes of apartheid. Although the focus is dance since 1994, all chapters are rooted in an historical analysis and offer a view of the field. This book is ground breaking as it is the first of its kind to speak of contemporary dance in South Africa and the first singular body of work to have emerged in any book form that attempts to provide a cohesive account of the range of voices within dance in post-apartheid South Africa. The book is scholarly in nature and has wide applications for colleges and universities, without alienating dance lovers or minds curious about dance in Africa. Mindful of its wide audience, the writing deliberately adopts an uncomplicated, reader-friendly tone, given the diversity of audiences including dance students, dance scholars, critics and general dance lovers that it will attract.

Where The Waters Divide

Author: Michael Mascarenhas, Rensselaer Polytechnic Institute
Publisher: Lexington Books
ISBN: 0739168282
Size: 10.87 MB
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Where the Waters Divide is one of the few book length studies that analyze contemporary forms of racism and white privilege in Canadian society. The book argues that neoliberalism represents a key moment in time for the racial formation in Canada, one that functions not through overt forms of state sanctioned racism, as in the past, but via the morality of the marketplace and the primacy of individual solutions to modern environmental and social problems.

The Oxford Handbook Of Dance And The Popular Screen

Author: Melissa Blanco Borelli
Publisher: Oxford University Press, USA
ISBN: 0199897824
Size: 69.99 MB
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This text offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and media studies. Through these arguments, it demonstrates how this dance in popular film, television, and online videos can be read and considered through the different bodies and choreographies being shown

The Derrick Bell Reader

Author: Derrick A. Bell
Publisher: NYU Press
ISBN: 0814719708
Size: 77.96 MB
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Lawyer, activist, teacher, writer: for over 40 years, Derrick Bell has provoked his critics and challenged his readers with uncompromising candor and progressive views on race and class in America. A founder of Critical Race Theory and pioneer of the use of allegorical stories as tools of analysis, Bell's groundbreaking work shatters conventional legal orthodoxies and turns comfortable majoritarian myths inside out. Edited and with an extensive introduction by leading critical race theorists Richard Delgado and Jean Stefancic, The Derrick Bell Reader reflects the tremendous breadth of issues that Bell has grappled with over his phenomenal career, including affirmative action, black nationalism, legal education and ethics. Together, the selections offer the most complete collection of Derrick Bell's writing available today.

Layers Of Blackness

Author: Deborah Gabriel
Publisher: Imani Media Ltd
ISBN: 0955721008
Size: 72.35 MB
Format: PDF
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This is the first book by an author in the UK to take an in-depth look at colourism - the process of discrimination based on skin tone among members of the same ethnic group, whereby lighter skin is more valued than darker complexions. The African Diaspora in Britain is examined as part of a global black community with shared experiences of slavery, colonization and neo-colonialism. The author traces the evolution of colourism within African descendant communities in the USA, Jamaica, Latin America and the UK from a historical and political perspective and examines its present impact on the global African Diaspora. This book is essential reading for educators and students and will appeal to anyone with an interest in the subject of race and identity who wants to understand why colourism - a psychological legacy of slavery still impacts people of African descent in the Diaspora today.

Transcending Racial Barriers

Author: Michael O. Emerson
Publisher: Oxford University Press on Demand
ISBN: 0199742685
Size: 18.71 MB
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Transcending Racial Barriers offers both a historical overview of racism in American society and an illuminating analysis of the common interests between races that can provide a powerful new approach towards ending racial inequality.It is a bold step forward in the debate about what sort of public policies can overcome the ethnocentrism inherent in so much of the racism we suffer from.

Balanchine A Biography

Author: Bernard Taper
Publisher: Univ of California Press
ISBN: 9780520206397
Size: 35.96 MB
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Written with wit, insight, and candor, Balanchine is a book that will delight lovers of biography as well as those with a special interest in dance. For this edition the author has added a thoughtful yet dramatic account of the working out of Balanchine's legacy, from the making of his controversial will to the present day. The author explores the intriguing legal, financial, and institutional subplots that unfolded after the death of the greatest choreographer of the century, but the central plot of his epilogue is the aesthetic issue: In the absence of their creator, can the ballets retain their wondrous vitality? Taper illuminates the fascinating transmission of Balanchine's masterworks from one generation to another, an unprecented legacy in the history of ballet, that most evanescent of the arts.