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Cultural Graphology

Author: Juliet Fleming
Publisher: University of Chicago Press
ISBN: 022639056X
Size: 44.40 MB
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“Cultural Graphology” could be the name of a new human science: this was Derrida’s speculation when, in the late 1960s, he imagined a discipline that combined psychoanalysis, deconstruction, and a commitment to the topic of writing. He never undertook the project himself but did leave two brief sketches of how he thought cultural graphology might proceed. In this book, Juliet Fleming picks up where Derrida left off. Using both his early and later thought, and the psychoanalytic texts to which it is addressed, to examine the print culture of early modern England, she drastically unsettles some key assumptions of book history. Fleming shows that the single most important lesson to survive from Derrida’s early work is that we do not know what writing is. Channeling Derrida’s thought into places it has not been seen before, she examines printed errors, spaces, and ornaments (topics that have hitherto been marginal to our accounts of print culture) and excavates the long-forgotten reading practice of cutting printed books. Proposing radical deformations to the meanings of fundamental and apparently simple terms such as “error,” “letter,” “surface,” and “cut,” Fleming opens up exciting new pathways into our understanding of writing all told.

The Singularity Of Literature

Author: Derek Attridge
Publisher: Routledge
ISBN: 135169796X
Size: 16.44 MB
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The Iliad and Beowulf provide rich sources of historical information. The novels of Henry Fielding and Henry James may be instructive in the art of moral living. Some go further and argue that Emile Zola and Harriet Beecher Stowe played a part in ameliorating the lives of those existing in harsh circumstances. However, as Derek Attridge argues in this outstanding and acclaimed book, none of these capacities is distinctive of literature. What is the singularity of literature? Do the terms "literature" and "the literary" refer to actual entities found in cultures at certain times, or are they merely expressions characteristic of such cultures? Attridge argues that this resistance to definition and reduction is not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art. Derek Attridge provides a rich new vocabulary for literature, rethinking such terms as "invention," "singularity," "otherness," "alterity," "performance" and "form." He returns literature to the realm of ethics, and argues for the ethical importance of literature, demonstrating how a new understanding of the literary might be put to work in a "responsible," creative mode of reading. The Singularity of Literature is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic. This Routledge Classics edition includes a new preface by the author.

Shakespeare S Hamlet In An Era Of Textual Exhaustion

Author: Sonya Freeman Loftis
Publisher: Routledge
ISBN: 1351967452
Size: 66.80 MB
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"Post-Hamlet: Shakespeare in an Era of Textual Exhaustion" examines how postmodern audiences continue to reengage with Hamlet in spite of our culture’s oversaturation with this most canonical of texts. Combining adaptation theory and performance theory with examinations of avant-garde performances and other unconventional appropriations of Shakespeare’s play, Post-Hamlet examines Shakespeare’s Hamlet as a central symbol of our era’s "textual exhaustion," an era in which the reader/viewer is bombarded by text—printed, digital, and otherwise. The essays in this edited collection, divided into four sections, focus on the radical employment of Hamlet as a cultural artifact that adaptors and readers use to depart from textual "authority" in, for instance, radical English-language performance, international film and stage performance, pop-culture and multi-media appropriation, and pedagogy.

The Ends Of Rhetoric

Author: John B. Bender
Publisher: Stanford University Press
ISBN: 9780804718189
Size: 73.98 MB
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His volume embodies the interdisciplinary character of rhetoric. The essays draw on wide-ranging conceptual resources, and combine historical, theoretical, and practical points of view. The contributors develop a variety of perspectives on the central concepts of rhetorical theory, on the work of some of its major proponents, and on the breaks and continuities of its history. The spectrum of thematic concern is broad, extending from the Greek polis to the multi-ethnic city of modern America, from Aristotle to poststructuralism, from questions of figural language to problems of persuasion and interaction. But a common interdisciplinary interest runs through all the essays: the effort to rethink rhetoric within the contemporary epistemological situation. In this sense, the book opens new possibilities for research within the human sciences.

Shakespeare Quarterly

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Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.

So Rich A Tapestry

Author: Ann Hurley
Size: 18.43 MB
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This interdisciplinary collection differs from other collections of essays on literature and the visual arts in its emphasis on the image as situated in cultural, as opposed to perceptual, contexts. Broadly speaking, the writers of these sixteen essays join those who, in a variety of fields, have been taking note of the ways in which communication relies on a matrix of social or cultural norms. From this point of view, cultural setting becomes not merely interesting background but intrinsic to comprehension. The selected essays range in chronological scope from the twelfth to the twentieth centuries, organized in sections according to the nature of the "text" each had chosen to address. The essays in the first section concern themselves in some way with paintings, which serve as a means by which the authors explore other genres, such as drama, poetry, and essays. The second section has as its common elements the book as a crossroads of genres, high and low culture, thought and action, addressing questions of gender, religion, and aesthetic value. The essays of the third section collapse the inherent sister arts orientation of the first two into artifacts loosely associated with the traditional distinction between "painting" and "poetry," but more popular or less distinct than these - film, maps, bridges, furniture, architecture, computers.

Relics And Remains

Author: Alexandra Walsham
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Edited by Alexandra Walsham, this wide-ranging collection of essays is the first to explore the relic as a religious and cultural phenomenon in a broad comparative and interdisciplinary perspective. It considers the ways in which human remains and material objects have become the focus of worship, celebrity, curiosity, and conflict in a range of eras and cultures stretching from antiquity to the twenty-first century, and from Western Europe to the Middle East, Africa, Latin America, the Indian subcontinent and China. The contributors assess when and why bodies and belongings are revered as sacred by the adherents of different faiths, alongside the dynastic, ideological and ethnic contests and rivalries they have served to stimulate in a range of past societies. They examine the politics and economics of the identification, creation and use of relics and remains and their significance and function in the spheres of memory, history, and heritage. Bringing together historians,archaeologists, anthropologists and scholars of religion, the volume seeks to stimulate further research on this neglected but intriguing theme.