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Race In An Era Of Change

Author: Heather M. Dalmage
Publisher: Oxford University Press, USA
ISBN:
Size: 62.12 MB
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Featuring a wide range of classic and contemporary selections, Race in an Era of Change: A Reader is an affordable and timely collection of articles on race and ethnicity in the United States today. Opening with coverage of racial formation theory, it goes on to cover "racial thinking" (including the challenging and compelling concept of "whiteness") and the idea of "assigned and claimed" racial identities. The book also discusses the relationships between race and a variety of institutions--including healthcare, economy and work, housing and environment, education, policing and prison, the media, and the family--and concludes with a section on issues of globalization, immigration, and citizenship. Editors Heather Dalmage and Barbara Katz Rothman have carefully edited the selections so that they will be easily accessible to students. A detailed introduction to each article contains questions designed to help students focus as they begin reading. In addition, each article is followed by a "journaling question" that encourages students to share their responses to the piece. Offering instructors great flexibility for course use--the selections can be used in any combination and in any order--Race in an Era of Change: A Reader is ideal for any undergraduate course on race and ethnicity.

The Post Racial Mystique

Author: Catherine R. Squires
Publisher: NYU Press
ISBN: 0814762891
Size: 13.88 MB
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Despite claims from pundits and politicians that we now live in a post-racial America, people seem to keep finding ways to talk about race—from celebrations of the inauguration of the first Black president to resurgent debates about police profiling, race and racism remain salient features of our world. When faced with fervent anti-immigration sentiments, record incarceration rates of Blacks and Latinos, and deepening socio-economic disparities, a new question has erupted in the last decade: What does being post-racial mean? The Post-Racial Mystique explores how a variety of media—the news, network television, and online, independent media—debate, define and deploy the term “post-racial” in their representations of American politics and society. Using examples from both mainstream and niche media—from prime-time television series to specialty Christian media and audience interactions on social media—Catherine Squires draws upon a variety of disciplines including communication studies, sociology, political science, and cultural studies in order to understand emergent strategies for framing post-racial America. She reveals the ways in which media texts cast U.S. history, re-imagine interpersonal relationships, employ statistics, and inventively redeploy other identity categories in a quest to formulate different ways of responding to race.

Postcolonial Whiteness

Author: Alfred J. Lopez
Publisher: SUNY Press
ISBN: 9780791483725
Size: 47.79 MB
Format: PDF, Kindle
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Explores the undertheorized convergence of postcoloniality and whiteness.

Constituent Imagination

Author: Stevphen Shukaitis
Publisher: AK Press
ISBN: 9781904859352
Size: 68.66 MB
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From the ivory tower to the barricades! Radical intellectuals explore the relationship between research and resistance.

Propaganda And Mass Persuasion

Author: Nicholas John Cull
Publisher: ABC-CLIO
ISBN: 1576078205
Size: 22.62 MB
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Entries provide information on the history, key propagandists, and techniques and concepts of propaganda.

Tactical Biopolitics

Author: Beatriz Da Costa
Publisher: MIT Press
ISBN: 0262514915
Size: 22.55 MB
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Scientists, scholars, and artists consider the political significance of recent advances in the biological sciences.

Israeli Cinema

Author: Miri Talmon
Publisher: University of Texas Press
ISBN: 0292725604
Size: 13.66 MB
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With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors' illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.

Black Labor White Sugar

Author: Philip A. Howard
Publisher: LSU Press
ISBN: 0807159530
Size: 24.84 MB
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Early in the twentieth century, the Cuban sugarcane industry faced a labor crisis when Cuban and European workers balked at the inhumane conditions they endured in the cane fields. Rather than reforming their practices, sugar companies gained permission from the Cuban government to import thousands of black workers from other Caribbean colonies, primarily Haiti and Jamaica. Black Labor, White Sugar illuminates the story of these immigrants, their exploitation by the sugarcane companies, and the strategies they used to fight back. Philip A. Howard traces the socioeconomic and political circumstances in Haiti and Jamaica that led men to leave their homelands to cut, load, and haul sugarcane in Cuba. Once there, the field workers, or braceros, were subject to marginalization and even violence from the sugar companies, which used structures of race, ethnicity, color, and class to subjugate these laborers. Howard argues that braceros drew on their cultural identities-from concepts of home and family to spiritual worldviews-to interpret and contest their experiences in Cuba. They also fought against their exploitation in more overt ways. As labor conditions worsened in response to falling sugar prices, the principles of anarcho-syndicalism converged with the Pan-African philosophy of Marcus Garvey to foster the evolution of a protest culture among black Caribbean laborers. By the mid-1920s, this identity encouraged many braceros to participate in strikes that sought to improve wages as well as living and working conditions. The first full-length exploration of Haitian and Jamaican workers in the Cuban sugarcane industry, Black Labor, White Sugar examines the industry's abuse of thousands of black Caribbean immigrants, and the braceros' answering struggle for power and self-definition.