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East Asian Cinemas

Author: V. Lee
Publisher: Springer
ISBN: 0230307183
Size: 53.32 MB
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This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea. A timely and important contribution to existing scholarship in the field.

The Gothic World

Author: Glennis Byron
Publisher: Routledge
ISBN: 1135053065
Size: 17.32 MB
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The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.

Coming To Terms With The Nation

Author: Thomas Mullaney
Publisher: Univ of California Press
ISBN: 0520262786
Size: 46.29 MB
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Studies China's "Ethnic classification project" (minzu shibie) of 1954, conducted in Yunnan province.

Overseas Chinese Ethnic Minorities And Nationalism

Author: Elena Barabantseva
Publisher: Routledge
ISBN: 1136927360
Size: 10.57 MB
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Elena Barabantseva looks at the close relationship between state-led nationalism and modernisation, with specific reference to discourses on the overseas Chinese and minority nationalities. The interplay between modernisation programmes and nationalist discourses has shaped China’s national project, whose membership criteria have evolved historically. By looking specifically at the ascribed roles of China’s ethnic minorities and overseas Chinese in successive state-led modernisation efforts, This book offers new perspectives on the changing boundaries of the Chinese nation. It places domestic nation-building and transnational identity politics in a single analytical framework, and examines how they interact to frame the national project of the Chinese state. By exploring the processes taking place at the ethnic and territorial margins of the Chinese nation-state, the author provides a new perspective on China’s national modernisation project, clarifying the processes occurring across national boundaries and illustrating how China has negotiated the basis for belonging to its national project under the challenge to modernise amid both domestic and global transformations. This book will be of interest to students and scholars of Asian politics, Chinese politics, nationalism, transnationalism and regionalism.

Hong Kong Cinema Since 1997

Author: Vivian P. Y. Lee
Publisher: Palgrave MacMillan
Size: 47.33 MB
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"Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics -- the post-nostalgic imagination -- in Hong Kong cinema in the first decade of Chinese rule"--Provided by publisher.

Global Cinema Networks

Author: Elena Gorfinkel
Publisher: Media Matters
ISBN: 9780813592725
Size: 73.70 MB
Format: PDF
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Global Cinema Networks brings together internationally acclaimed film scholars to investigate the evolving forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection examines shifting sites of global filmmaking in an era of digital reproduction, amidst new modes of circulation and aesthetic convergence.

The Pusan International Film Festival South Korean Cinema And Globalization

Author: SooJeong Ahn 安秀晶
Publisher: Hong Kong University Press
ISBN: 9888083589
Size: 48.69 MB
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This book provides a political and cultural exploration of the Pusan International Film Festival in South Korea since its inception in 1996. By paying a particular attention to the organizers' use of an Asian regionalization strategy, SooJeong Ahn reveals how the festival staked out a unique and influential position within a rapidly changing global landscape. Very little primary empirical research has been conducted to date on non-Western film festivals, though PIFF and Tokyo and Hong Kong have swiftly grown more exciting and influential as testing grounds for global cinema innovations. The initiation, development and growth of PIFF should be understood as resulting from productive tensions in the festival's efforts to serve local, regional and national constituencies. The book also reflects the complexities of rapid transformation in the South Korean film industry as it has reached out to the global market since the late 1990s. SooJeong Ahn worked for the Pusan International Film Festival between 1998 and 2002 and has completed a Ph.D. on film festivals at the University of Nottingham. Her recent publications include "Re-imagining the Past: Programming South Korean Retrospectives at PIFF," in Film International (Vol. 6, 2008), "Placing South Korean Cinema into Pusan International Film Festival: Programming Strategy in the Global/Local Context," in What a Difference a Region Makes: Cultural Studies and Cultural Industries in North-East Asia (2009); "Re-mapping Asian Cinema: The Tenth Anniversary of PIFF in 2005" in Cinemas, Identities and Beyond (2010).

Complicated Currents

Author: Daniel Black
Publisher: Monash Univ Pub
ISBN: 9780980464887
Size: 64.83 MB
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"This volume addresses transnational production and consumption of media products such as cinema, television dramas, popular music, comics and animation in Japan, South Korea and China. Its multidisciplinary approaches include Cultural Studies, Gender Studies, Media Studies, and a content analysis of the popular discourse of otherness in the East Asian context. While suggesting the emergence of a shared East Asian popular consumer culture, it critically examines the proposition that such a shared popular culture can resolve tensions between nation-states, and highlights the appropriation of popular culture by nation-states in an attempt to exercise soft power"--P. [4] of cover.

Japanese Cinema In The Digital Age

Author: Mitsuyo Wada-Marciano
Publisher: University of Hawaii Press
Size: 54.67 MB
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This book deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal Japanese B movie genres.

Economies Of Recycling

Author: Catherine Alexander
Publisher: Zed Books Ltd.
ISBN: 178032197X
Size: 14.19 MB
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For some, recycling is a big business; for others a moralised way of engaging with the world. But, for many, this is a dangerous way of earning a living. With scrap now being the largest export category from the US to China, the sheer scale of this global trade has not yet been clearly identified or analysed. Combining fine-grained ethnographic analysis with overviews of international material flows, Economies of Recycling radically changes the way we understand global and local economies as well as the new social relations and identities created by recycling processes. Following global material chains, this groundbreaking book reveals astonishing connections between persons, households, cities and global regions as objects are reworked, taken to pieces and traded. With case studies from Africa, Latin America, South Asia, China, the former Soviet Union, North America and Europe, this timely collection debunks common linear understandings of production, exchange and consumption and argues for a complete re-evaluation of North-South economic relationships.