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Ecosickness In Contemporary U S Fiction

Author: Heather Houser
Publisher: Columbia University Press
ISBN: 0231165145
Size: 21.99 MB
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The 1970s brought a new understanding of the biological and intellectual impact of environmental crises on human beings, and as efforts to prevent ecological and human degradation aligned, a new literature of sickness emerged. “Ecosickness fiction” imaginatively rethinks the link between ecological and bodily endangerment and uses affect and the sick body to bring readers to environmental consciousness. Tracing the development of ecosickness through a compelling archive of modern U.S. novels and memoirs, this study demonstrates the mode’s crucial role in shaping thematic content and formal and affective literary strategies. Examining works by David Foster Wallace, Richard Powers, Leslie Marmon Silko, Marge Piercy, Jan Zita Grover, and David Wojnarowicz, Heather Houser shows how these authors unite experiences of environmental and somatic damage through narrative affects that draw attention to ecological phenomena, organize perception, and convert knowledge into ethics. Traversing contemporary cultural studies, ecocriticism, affect studies, and literature and medicine, Houser juxtaposes ecosickness fiction against new forms of environmentalism and technoscientific innovations such as regenerative medicine and alternative ecosystems. Ecosickness in Contemporary U.S. Fiction recasts recent narrative as a laboratory in which affective and perceptual changes both support and challenge political projects.

Das Echo Der Erinnerung

Author: Richard Powers
Publisher: S. Fischer Verlag
ISBN: 3104037035
Size: 24.47 MB
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Nach seinem Bestseller ›Der Klang der Zeit‹ erforscht Richard Powers, was Familien im Innersten zusammenhält: das zerbrechliche Geflecht aus Gefühl und Erinnerung. Die ergreifende Geschichte eines Geschwisterpaares und ein Panorama des heutigen Amerikas vereinen sich hier in seinem neuen großen Roman. Kearney ist die geographische Mitte der USA - und die Mitte von Nirgendwo. In einer Winternacht überschlägt sich Mark mit dem Auto. Als er wieder ins Leben zurückfindet, hält er seine Schwester Karin für eine feindliche Doppelgängerin. Sie hingegen versucht alles, um ihm ein normales Leben zu ermöglichen. Auf einer bewegenden Reise in das Innerste einer Familie macht uns Richard Powers mit dem größten Geschichtenerzähler bekannt: unserer Erinnerung. Sie schafft das Echo unseres Lebens, das uns trägt, umfängt und bisweilen grausam täuscht.

Orhan Pamuk And The Good Of World Literature

Author: Gloria Fisk
Publisher: Columbia University Press
ISBN: 0231544820
Size: 59.74 MB
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When Orhan Pamuk won the Nobel Prize for Literature in 2006, he was honored as a builder of bridges across a dangerous chasm. By rendering his Turkish characters and settings familiar where they would otherwise seem troublingly foreign, and by speaking freely against his authoritarian state, he demonstrated a variety of literary greatness that testified also to the good literature can do in the world. Gloria Fisk challenges this standard for canonization as “world literature” by showing how poorly it applies to Pamuk. Reading the Turkish novelist as a case study in the ways Western readers expand their reach, Fisk traces the terms of his engagement with a literary market dominated by the tastes of its Anglophone publics, who received him as a balm for their anxieties about Islamic terrorism and the stratifications of global capitalism. Fisk reads Pamuk’s post-9/11 novels as they circulated through this audience, as rich in cultural capital as it is far-flung, in the American English that is global capital’s lingua franca. She launches a polemic against Anglophone readers’ instrumental use of literature as a source of crosscultural understanding, contending that this pervasive way of reading across all manner of borders limits the globality it announces, because it serves the interests of the Western cultural and educational institutions that produce it. Orhan Pamuk and the Good of World Literature proposes a new way to think about the uneven processes of translation, circulation, and judgment that carry contemporary literature to its readers, wherever they live.

The Digital Banal

Author: Zara Dinnen
Publisher: Columbia University Press
ISBN: 0231545401
Size: 41.53 MB
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Contemporary culture is haunted by its media. Yet in their ubiquity, digital media have become increasingly banal, making it harder for us to register their novelty or the scope of the social changes they have wrought. What do we learn about our media environment when we look closely at the ways novelists and filmmakers narrate and depict banal use of everyday technologies? How do we encounter our own media use in scenes of waiting for e-mail, watching eBay bids, programming as work, and worrying about numbers of social media likes, friends, and followers? Zara Dinnen analyzes a range of prominent contemporary novels, films, and artworks to contend that we live in the condition of the “digital banal,” not noticing the affective and political novelty of our relationship to digital media. Authors like Jennifer Egan, Dave Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson Whitehead, Mark Amerika, Ellen Ullman, and Danica Novgorodoff and films such as The Social Network and Catfish critique and reveal the ways in which digital labor isolates the individual; how the work of programming has become an operation of power; and the continuation of the “Californian ideology,” which has folded the radical into the rote and the imaginary into the mundane. The works of these writers and artists, Dinnen argues, also offer ways of resisting the more troubling aspects of the effects of new technologies, as well as timely methods for seeing the digital banal as a politics of suppression. Bridging the gap between literary studies and media studies, The Digital Banal recovers the shrouded disturbances that can help us recognize and antagonize our media environment.

Beyond Bola O

Author: HŽctor Hoyos
Publisher: Columbia University Press
ISBN: 023116842X
Size: 39.29 MB
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Through a comparative analysis of the novels of Roberto Bola–o and the fictional work of CŽsar Aira, Mario Bellatin, Diamela Eltit, Chico Buarque, Alberto Fuguet, and Fernando Vallejo, among other contemporaries, HŽctor Hoyos defines new trends in how we read and write in a globalized era. Calling attention to fresh innovations in form, voice, perspective, and representation, he also affirms the lead role of Latin American authors in reshaping world literature. Focusing on post-1989 Latin American novels and their representation of globalization, Hoyos considers the narrative techniques and aesthetic choices Latin American authors make to assimilate the conflicting forces at work in our increasingly interconnected world. Challenging the assumption that globalization leads to cultural homogenization, his book identifies the rich textual strategies that estrange and re-mediate power relations both within literary canons and across global cultural hegemonies. Hoyos shines a light on the unique, avant garde phenomena that animate these works, such as modeling literary circuits after the dynamics of the art world, imagining counterfactual ÒNaziÓ histories, exposing the limits of escapist narratives, and formulating textual forms that resist worldwide literary consumerism. These experiments help reconfigure received ideas about global culture and advance new, creative articulations of world consciousness.

In Stereotype

Author: Mrinalini Chakravorty
Publisher: Columbia University Press
ISBN: 023153776X
Size: 11.97 MB
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In Stereotype confronts the importance of cultural stereotypes in shaping the ethics and reach of global literature. Mrinalini Chakravorty focuses on the seductive force and explanatory power of stereotypes in multiple South Asian contexts, whether depicting hunger, crowdedness, filth, slums, death, migrant flight, terror, or outsourcing. She argues that such commonplaces are crucial to defining cultural identity in contemporary literature and shows how the stereotype's ambivalent nature exposes the crises of liberal development in South Asia. In Stereotype considers the influential work of Salman Rushdie, Aravind Adiga, Michael Ondaatje, Monica Ali, Mohsin Hamid, and Chetan Bhagat, among others, to illustrate how stereotypes about South Asia provide insight into the material and psychic investments of contemporary imaginative texts: the colonial novel, the transnational film, and the international best-seller. Probing circumstances that range from the independence of the Indian subcontinent to poverty tourism, civil war, migration, domestic labor, and terrorist radicalism, Chakravorty builds an interpretive lens for reading literary representations of cultural and global difference. In the process, she also reevaluates the fascination with transnational novels and films that manufacture global differences by staging intersubjective encounters between cultures through stereotypes.

Das Gr Ere Gl Ck

Author: Richard Powers
Publisher: S. Fischer Verlag
ISBN: 3104038309
Size: 39.90 MB
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Eine junge Frau in Chicago, die vor Glück nur so strahlt. Sie lebt völlig ohne Zorn, alle Freunde und Bekannte kreisen nur um sie. Doch sie stammt aus Algerien, einem Hexenkessel aus Gewalt und Gegengewalt, dem sie nur knapp entging. Kennt sie das Geheimnis des Glücks, besitzt sie gar das »Glücks-Gen«? Laboratorien und Fernsehshows reißen sich um sie, ein Karussell, das sich immer schneller dreht, bis sie alles zu verlieren droht. Meisterhaft ist Richard Powers ein großer Roman gelungen über die Frage, was unser Leben bestimmt – die Sterne, die Eltern, oder liegt alles in den Genen? Mit einer zärtlichen Liebesgeschichte sucht er die Antwort: Greift die Zukunft nach uns oder wir nach der Zukunft?

Sinneswechsel

Author: Zadie Smith
Publisher: Kiepenheuer & Witsch
ISBN: 3462309269
Size: 49.51 MB
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Essays über Literatur, Kino, Kunst, Familie und alles dazwischen Zadie Smith wirft in diesem Band einen Blick auf das Leben – in kultureller und persönlicher Hinsicht. Ihre leidenschaftlichen und präzisen Essays handeln von großer Literatur und schlechten Filmen, von ihrer eigenen Familie und der Welt der Philosophie, von Comedians und Diven. Wie hat George Eliots Liebesleben ihr Schreiben beeinflusst? Warum hat Kafka morgens um fünf geschrieben? Worin ähneln sich Barack Obama und Eliza Doolittle? Kann man bei einer Oscar-Verleihung overdressed sein? Was ist italienischer Feminismus? Wenn Roland Barthes den Autor getötet hat, kann Nabokov ihn dann wieder zum Leben erwecken? Und ist »Date Movie« der schlechteste Film aller Zeiten? Journalistische Arbeiten im weitesten Sinne: vom Feinsten, intelligent und lustig, ein Geschenk für Leser. Ein Essay ist mehr als eine Kolumne, in der jemand eine Meinung kundtut: Hier wird er zu einem hellen Raum, in dem frei gedacht wird.