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Feminism And Film Theory

Author: Constance Penley
Publisher: Routledge
ISBN: 1135201056
Size: 53.75 MB
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First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Feminist Film Theorists

Author: Shohini Chaudhuri
Publisher: Routledge
ISBN: 1134346689
Size: 16.60 MB
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View: 2008
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Focusing on the ground-breaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis and Barbara Creed, this book explores how, since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood. Examining the new and distinctive approaches of each of these thinkers, this book provides the most detailed account so far of their ideas. It illuminates the six key concepts and demonstrates their value as tools for film analysis: the male gaze the female voice technologies of gender queering desire the monstrous-feminine masculinity in crisis. Testing their ideas with a number of other examples from contemporary cinema and TV, Shohini Chaudhuri shows how these four thinkers construct their theories through their reading of films. An excellent study companion for all students of film theory and women’s studies.

Femmes Fatales

Author: Mary Ann Doane
Publisher: Psychology Press
ISBN: 9780415903202
Size: 42.58 MB
Format: PDF
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In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. Femmes Fatales examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Doane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to the form and technology of the cinema. Working through and against the intellectual frameworks of post-structuralist and psychoanalytic theory, Doane interrogates cinematic and theoretical claims to truth about women which rely on judgements about vision and its stability or instability. Reflecting the shift in conceptual priorities within feminist film theory over the last decade,

Feminist Film Theory And Cl O From 5 To 7

Author: Hilary Neroni
Publisher: Bloomsbury Publishing USA
ISBN: 1501313703
Size: 37.63 MB
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The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cléo from 5 to 7. Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman's body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen.

Feminist Film Theory And Pretty Woman

Author: Mari Ruti
Publisher: Bloomsbury Publishing USA
ISBN: 1501319434
Size: 70.66 MB
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In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of "girlyÂ?? femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial "feminineÂ?? concerns such as love and shopping. The book's lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.

What Is Film Theory

Author: Rushton, Richard
Publisher: McGraw-Hill Education (UK)
ISBN: 0335234232
Size: 51.75 MB
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'What is Film Theory? is an introduction to the key elements of film theory. So, what is film theory as a subject? Film studies is divided in to key subjects and themes: there's film art which looks at the aesthetics of film; cinema studies which looks at institutions, films themeselves and the industry; film theory which looks at the concepts, philosophies and disciplines which underline film studies. As such, the book will look at subjects including semiotics and strucutalism, psychoanalysis, formalist film theory, cognitive approaches and neoformalism. In the light of the readers' reports it will also address more 'cultural' issues such as queer theory, ethnicity, postcolonialism and world cinema..

Feminist Theories For Dramatic Criticism

Author: Gayle Austin
Publisher: University of Michigan Press
ISBN: 9780472064298
Size: 68.66 MB
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Looks at post-war American drama by women, bridging the gap between theatrical theory and feminist theory

Looking For The Other

Author: E. Ann Kaplan
Publisher: Routledge
ISBN: 1135208751
Size: 22.88 MB
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What happens when white people look at non-whites? What happens when the gaze is returned? Looking for the Other responds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race. It focuses attention on the male gaze across cultures, as illustrated by women filmmakers of color whose films deal with travel. Looking relations are determined by history, tradition, myth; by national identity, power hierarchies, politics, economics, geographical and other environment. Travel implicitly involves looking at, and looking relations with, peoples different from oneself. Featured films include Birth of a Nation, The Cat People, Home of the Brave, Black Narcissus, Chocolat, and Warrior Marks. Featured filmmakers include D.W.Griffith, Jacques Tourneur, Michael Powell, Julie Dash, Pratibha Parmar, Trinh T. Min-ha, and Claire Denis.

Aftershocks Of The New

Author: Patrice Petro
Publisher: Rutgers University Press
ISBN: 9780813529967
Size: 44.42 MB
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Essays exploring the debates over the place of cinema within the culture of modernity by a leading cultural critic.

Feminism And The Arts

Author: Source Wikipedia
ISBN: 9781230593531
Size: 30.36 MB
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 88. Chapters: Feminist film theory, Annie Sprinkle, Feminist literary criticism, Kaja Silverman, Tactical frivolity, Womyn, Women artists, Riot grrrl, The Dinner Party, Lilith Fair, Protofeminism, Grendel's mother, Female body shape, Donna Haraway, Portrayal of women in comics, Australian Feminist Art Timeline, Medea, Phallus, List of feminist literature, Ecriture feminine, Michigan Womyn's Music Festival, Cyberfeminism, Woman's Building, Virginie Bovie, Elisabeth Scott, Feminist art movement, Kentucky Foundation for Women, Seriality, Womanhouse, Paula Gunn Allen, French structuralist feminism, The Magdalene Sisters, Feminist theory in composition studies, Hadon of Ancient Opar, Joan E. Biren, Hawksian woman, Jane Grant, Depiction of women artists in art history, Los Angeles Women's Music Festival, Feminism and modern architecture, Feminist criticism, Ladyfest, Rock Against Sexism, Carol J. Clover, Women Surrealists, Carla Harryman, Radical cheerleading, Art School Cheerleaders, Bad Girrls Studios, Virago, Celluloid ceiling, Elizabeth A. Sackler Center for Feminist Art, Women in Music, Freewoman, Cinesexuality, Joissance, Lip Magazine, La Voix des Femmes, Elizabeth Cunningham, Afternoon, Hecate.