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Film And Female Consciousness

Author: L. Bolton
Publisher: Springer
ISBN: 0230308694
Size: 18.61 MB
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Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness. Bolton's approach demonstrates how the encounter between the philosophy of Luce Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema.

Sportswomen In Cinema

Author: Nicholas Chare
Publisher: I.B.Tauris
ISBN: 1784530123
Size: 27.88 MB
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This trailblazing book provides an overview of films about women in sport and a timely critical analysis of their role in shaping perceptions of female athletic ability. It examines the themes of aggression, beauty, class, ethnicity, physical feminism, sexuality, synaesthesia and technology in relation to mainstream and art house cinematic depictions of sportswomen, from Pumping Iron 2 to Bend It like Beckham. Nicholas Chare investigates films across different forms of athletic activity, including aerobics, bodybuilding, boxing, cheerleading, climbing, football, surfing, swimming, tennis and track and field. He assesses their significance for female athletes' struggles for physical freedom through theoretically innovative close readings, achieving a sustained investigation of the varied ways in which sports films, and the kinaesthetic politics they embody, push directors to challenge the limits of cinema as a medium.

Political Animals

Author: Sophie Mayer
Publisher: I.B.Tauris
ISBN: 1784533726
Size: 41.56 MB
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Female filmmakers are hitting the headlines. The last five years have witnessed: the first Best Director Academy Award won by a woman; women filmmakers emerging from Saudi Arabia, Brunei, Iran, South Korea, Japan, Paraguay, Uruguay, Burkina Faso and Kenya; the first stirrings of a 'trans cinema', with the release of films that represent transgender characters and their experiences, challenging our understanding of gender and identity; feminist porn screened at public festivals; and Pussy Riot's online documentation of offline activism sending shockwaves around the world. Political Animals argues that a new wave of feminist cinema is speaking to a new audience hungry for intersectional accounts of women in the public sphere that are missing in the mainstream. It reveals how innovative production and distribution strategies are responding to urgent political situations (resulting in colourful guerrilla aesthetics exemplified in the rough, D.I.Y, online videos made by Pussy Riot, but equally found in recent documentaries and features by established filmmakers too) and tunes in to the transnational, transgenerational conversations that are taking place between filmmakers such as Sally Potter, Claire Denis, Barbara Hammer, Mania Akbari, Haifaa al-Mansour, Emily Jacir, Andrea Arnold and Clio Barnard. Courageous and complex, the new feminist cinema is a political animal that, while laying claim to the public sphere as its own, refuses to be domesticated by it.

The Body And The Screen

Author: Kate Ince
Publisher: Bloomsbury Publishing USA
ISBN: 1623566266
Size: 57.90 MB
Format: PDF, Kindle
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Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema†? series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.

Place Of Breath In Cinema

Author: Davina Quinlivan
Publisher: Edinburgh University Press
ISBN: 0748664742
Size: 10.34 MB
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This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship.

Meine Mutter

Author: Kathy Acker
Publisher: Milena Verlag
ISBN: 3902950617
Size: 61.16 MB
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Ausgehend von der Beziehung zwischen Colette Peignot und Georges Bataille, erzählt Meine Mutter: Dämonologie von den Verstrickungen einer Frau in die widersprüchlichen Impulse von Zuneigung und Einsamkeit: Zu Beginn ihres Lebens als Erwachsene gerät Laure in eine leidenschaftliche und alles verschlingende Affäre mit ihrem Gefährten B. Das lässt sie aber letztlich unbefriedigt, weil ihr die Notwendigkeit einer eigenen Identität - unabhängig von ihrem Geliebten - klar wird. Im Verlangen, zu entdecken, wer sie ist, begibt sie sich auf eine Reise der Selbstfindung: eine Odyssee in das Territorium ihrer Vergangenheit, in Erinnerungen und Phantasien ihrer Kindheit, in Zügellosigkeit und Hexerei. Kathy Acker ist eine Legende, ihre Werke sind Klassiker der postmodernen Literatur. Sie gilt immer noch als die einzig wahre Erbin William S. Burroughs. Ihre Arbeiten waren ebenso vielfältig und umfassten unterschiedlichste Textsorten. Die selbsternannte »Literaturterroristin« war der Inbegriff einer weiblich geprägten Punk-Literatur, die die Themengebiete Sexualität, Philosophie und Technologie produktiv aufnahm und in eigenständige literarische Arbeiten umwandelte. Ackers Werke, die von einer Haltung der Umschrift und der vorsätzlichen Piraterie geprägt sind, genießen zurecht Kultstatus und spiegeln Geschlechter- und Gesellschaftsverhältnisse ebenso kritisch wie unterhaltsam. Acker ist Kult.

T Chter Der Kupferfrau

Author: Anne Cameron
Publisher: Frauenfeld [Switzerland] : Im Waldgut
ISBN: 9783729400825
Size: 31.47 MB
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Belletristik : Kanada/Ojibwa ; Frau - Mythen.

Lasting Screen Stars

Author: Lucy Bolton
Publisher: Springer
ISBN: 1137407336
Size: 47.13 MB
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Lasting Stars examines the issue of stardom and longevity and investigates the many reasons for the persistence or disappearance of different star personas. Through a selection of chapters that look at issues such as inappropriate ageing, national identity and physical characteristics, this book will be the first volume to consider in depth and breadth the factors that affect the longevity of film stardom. The range of stars includes popular stars who are approached from fresh angles (Brando, Loren), less popular stars whose lower-profiles than their peers may be surprising (Taylor, Shearer) and stars whose national identity is integral to their perception as they age (Riva, Bachchan, Pavor). There are stars from the beginning of Hollywood (Valentino, Reid) to the present day (Jolie), and those who made uneasy transitions between countries (Mason), ages (Ringwald) and industrial eras (Keaton). The book examines the range of factors that affect how star images endure, including appropriate and inappropriate ageing (Griffith), race (Ice Cube) and digital technologies (Lee).