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Film Faith And Cultural Conflict

Author: Robin Riley
Publisher: Greenwood Publishing Group
ISBN: 9780275973575
Size: 68.98 MB
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Fresh insights reopen the debate surrounding Scorsese's 1988 film, the surrounding controversy, and its volatile reception.

Martin Scorsese

Author: Dana Poppenberg
Publisher: Verlag Wilhelm Fink
ISBN: 3846757667
Size: 58.37 MB
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Martin Scorsese ist einer der bedeutendsten Regisseure der Gegenwart. Von Taxi Driver bis hin zu The Wolf of Wall Street hat er Filmklassiker geschaffen, die höchste künstlerische, ja spirituelle Ansprüche stellen, zugleich aber wunderbar unterhalten. Scorseses Filme sind historisch klar situiert. Bis auf wenige Ausnahmen, wie zuletzt Silence, spielen sie in den USA, vor allem in New York, vom 19. Jahrhundert bis in die Gegenwart. Im Vordergrund stehen Gewalt und Kriminalität, doch auch hier existiert eine spirituelle Ebene – nicht als erbauliche Botschaft, sondern als eine mythische Parallelwelt, die dem Alltag eine besondere Dimension verleiht. Es ist die Welt von Kampf und Sport, Kunst und Politik, eine Welt widerstreitender moralischer Kräfte. Diese schillernde "Oberflächlichkeit aus Tiefe" hat nichts mit Nietzsche oder den Griechen zu tun, sie erklärt sich ganz aus dem Katholizismus, der den Sohn italienischer Einwanderer tief geprägt hat: "I'm a lapsed Catholic. But I'm Roman Catholic, there's no way out of it."

Encyclopedia Of Religion And Film

Author: Eric Michael Mazur
Publisher: ABC-CLIO
ISBN: 0313330727
Size: 46.87 MB
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Presents alphabetically arranged reference entries on religion and its role in modern film, covering such topics as religious themes, symbols, well-known films that deal with religious topics, and noted directors.

Wicked Cinema

Author: Daniel S. Cutrara
Publisher: University of Texas Press
ISBN: 0292754728
Size: 50.35 MB
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From struggles over identity politics in the 1990s to current concerns about a clash of civilizations between Islam and Christianity, culture wars play a prominent role in the twenty-first century. Movies help to define and drive these conflicts by both reflecting and shaping cultural norms, as well as showing what violates those norms. In this pathfinding book, Daniel S. Cutrara employs queer theory, cultural studies, theological studies, and film studies to investigate how cinema represents and often denigrates religion and religious believers—an issue that has received little attention in film studies, despite the fact that faith in its varied manifestations is at the heart of so many cultural conflicts today. Wicked Cinema examines films from the United States, Europe, and the Middle East, including Crimes and Misdemeanors, The Circle, Breaking the Waves, Closed Doors, Agnes of God, Priest, The Last Temptation of Christ, and Dogma. Central to all of the films is their protagonists' struggles with sexual transgression and traditional belief systems within Christianity, Judaism, or Islam—a struggle, Cutrara argues, that positions believers as the Other and magnifies the abuses of religion while ignoring its positive aspects. Uncovering a hazardous web of ideological assumptions informed by patriarchy, the spirit/flesh dichotomy, and heteronormativity, Cutrara demonstrates that ultimately these films emphasize the "Otherness" of the faithful through a variety of strategies commonly used to denigrate the queer, from erasing their existence, to using feminization to make them appear weak, to presenting them as dangerous fanatics.

Hollywood Under Siege

Author: Thomas R Lindlof
Publisher: University Press of Kentucky
ISBN: 0813138620
Size: 18.63 MB
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In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable -- a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures -- Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe -- to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.

The Religion And Film Reader

Author: Jolyon P. Mitchell
Publisher:
ISBN:
Size: 30.29 MB
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Film is now widely studied in theology and religious studies departments. This volume explores key topics including, early responses to film, directors, films and audiences, cultural and social contexts, biblical connections, theological approaches and religious studies perspectives, amongst others.