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Forensic Science In Contemporary American Popular Culture

Author: Lindsay Steenberg
Publisher: Routledge
ISBN: 1136177361
Size: 50.31 MB
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This book identifies, traces, and interrogates contemporary American culture's fascination with forensic science. It looks to the many different sites, genres, and media where the forensic has become a cultural commonplace. It turns firstly to the most visible spaces where forensic science has captured the collective imagination: crime films and television programs. In contemporary screen culture, crime is increasingly framed as an area of scientific inquiry and, even more frequently, as an area of concern for female experts. One of the central concerns of this book is the gendered nature of expert scientific knowledge, as embodied by the ubiquitous character of the female investigator. Steenberg argues that our fascination with the forensic depends on our equal fascination with (and suspicion of) women's bodies—with the bodies of the women investigating and with the bodies of the mostly female victims under investigation.

American Media And The Memory Of World War Ii

Author: Debra Ramsay
Publisher: Routledge
ISBN: 1317617894
Size: 22.97 MB
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For three generations of Americans, World War II has been a touchstone for the understanding of conflict and of America’s role in global affairs. But if World War II helped shape the perception of war for Americans, American media in turn shape the understanding and memory of World War II. Concentrating on key popular films, television series, and digital games from the last two decades, this book explores the critical influence World War II continues to exert on a generation of Americans born over thirty years after the conflict ended. It explains how the war was configured in the media of the wartime generation and how it came to be repurposed by their progeny, the Baby Boomers. In doing so, it identifies the framework underpinning the mediation of World War II memory in the current generation’s media and develops a model that provides insight into the strategies of representation that shape the American perspective of war in general.

International Perspectives On Shojo And Shojo Manga

Author: Masami Toku
Publisher: Routledge
ISBN: 131761075X
Size: 75.35 MB
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This collaborative book explores the artistic and aesthetic development of shojo, or girl, manga and discusses the significance of both shojo manga and the concept of shojo, or girl culture. It features contributions from manga critics, educators, and researchers from both manga’s home country of Japan and abroad, looking at shojo and shojo manga’s influence both locally and globally. Finally, it presents original interviews of shojo manga-ka, or artists, who discuss their work and their views on this distinct type of popular visual culture.

Neuroscience And Media

Author: Michael Grabowski
Publisher: Routledge
ISBN: 131760847X
Size: 71.14 MB
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This volume explores how advances in the fields of evolutionary neuroscience and cognitive psychology are informing media studies with a better understanding of how humans perceive, think and experience emotion within mediated environments. The book highlights interdisciplinary and transdisciplinary approaches to the production and reception of cinema, television, the Internet and other forms of mediated communication that take into account new understandings of how the embodied brain senses and interacts with its symbolic environment. Moreover, as popular media shape perceptions of the promises and limits of brain science, contributors also examine the representation of neuroscience and cognitive psychology within mediated culture.

Performing Memory In Art And Popular Culture

Author: Liedeke Plate
Publisher: Routledge
ISBN: 0415811406
Size: 79.53 MB
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This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory. They do memory, and in this doing of memory new questions about the cultural dimensions of memory arise: How do art objects and artistic practices perform the past in the present? What is their relationship to the archive? Does the past speak in the performed past (or do we speak to it)? To what purpose do objects "recall"? And for whom do they recollect? Here authors combine a methodological focus on memory as performance with a theoretical focus on art and popular culture as practices of remembrance. The essays in the book thus analyze what is at stake in the complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesis, that make up cultural memory.

Reading Beyond The Book

Author: Danielle Fuller
Publisher: Routledge
ISBN: 1135080372
Size: 14.10 MB
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Literary culture has become a form of popular culture over the last fifteen years thanks to the success of televised book clubs, film adaptations, big-box book stores, online bookselling, and face-to-face and online book groups. This volume offers the first critical analysis of mass reading events and the contemporary meanings of reading in the UK, USA, and Canada based on original interviews and surveys with readers and event organizers. The resurgence of book groups has inspired new cultural formations of what the authors call "shared reading." They interrogate the enduring attraction of an old technology for readers, community organizers, and government agencies, exploring the social practices inspired by the sharing of books in public spaces and revealing the complex ideological investments made by readers, cultural workers, institutions, and the mass media in the meanings of reading.

A History Of Forensic Science

Author: Alison Adam
Publisher: Routledge
ISBN: 1135005591
Size: 35.45 MB
Format: PDF
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How and when did forensic science originate in the UK? This question demands our attention because our understanding of present-day forensic science is vastly enriched through gaining an appreciation of what went before. A History of Forensic Science is the first book to consider the wide spectrum of influences which went into creating the discipline in Britain in the first part of the twentieth century. This book offers a history of the development of forensic sciences, centred on the UK, but with consideration of continental and colonial influences, from around 1880 to approximately 1940. This period was central to the formation of a separate discipline of forensic science with a distinct professional identity and this book charts the strategies of the new forensic scientists to gain an authoritative voice in the courtroom and to forge a professional identity in the space between forensic medicine, scientific policing, and independent expert witnessing. In so doing, it improves our understanding of how forensic science developed as it did. This book is essential reading for academics and students engaged in the study of criminology, the history of forensic science, science and technology studies and the history of policing.

The Routledge Companion To Media And Fairy Tale Cultures

Author: Pauline Greenhill
Publisher: Routledge
ISBN: 1317368797
Size: 50.83 MB
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From Cinderella to comic con to colonialism and more, this companion provides readers with a comprehensive and current guide to the fantastic, uncanny, and wonderful worlds of the fairy tale across media and cultures. It offers a clear, detailed, and expansive overview of contemporary themes and issues throughout the intersections of the fields of fairy-tale studies, media studies, and cultural studies, addressing, among others, issues of reception, audience cultures, ideology, remediation, and adaptation. Examples and case studies are drawn from a wide range of pertinent disciplines and settings, providing thorough, accessible treatment of central topics and specific media from around the globe.

Drugs And Popular Culture

Author: Paul Manning
Publisher: Taylor & Francis
ISBN: 1843922118
Size: 54.26 MB
Format: PDF
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The use of illegal drugs is so common that a number of commentators now refer to the ‘normalisation’ of drug consumption. It is surprising, then, that to date very little academic work has explored drug use as part of contemporary popular culture. This collection of readings applies an innovatory, multi-disciplinary approach to this theme, combining some of the most recent research on ‘the normalisation thesis’ with fresh work on the relationship between drug use and popular culture.The particular focus of the book is upon drug consumption as popular culture, and it offers new and important insights into the cultural significance of widespread drug consumption as a feature of contemporary society. In drawing upon criminological, sociological and cultural studies approaches,this book makes an important contribution to the newly emerging field positioned at the intersection of these disciplines. It provides an accessible collection of chapters and readings that explore drug use in popular culture in each of the main mass media, and in a way that is relevant to undergraduates and postgraduates studying a variety of courses, including criminology, sociology, media studies, health care and social work.

Moral Panics Social Fears And The Media

Author: Siân Nicholas
Publisher: Routledge
ISBN: 113673161X
Size: 39.42 MB
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The media have always played a central role in organising the way ideas flow through societies. But what happens when those ideas are disruptive to normal social relations? Bringing together work by scholars in history, media and cultural studies and sociology, this collection explores this role in more depth and with more attention paid to the complexities behind conventional analyses. Attention is paid to morality and regulation; empire and film; the role of women; authoritarianism; wartime and fears of treachery; and fears of cultural contamination. The book begins with essays that contextualise the theoretical and historiographical issues of the relationship between social fears, moral panics and the media. The second section provides case studies which illustrate the ways in which the media has participated in, or been seen as the source of, the creation of threats to society. Finally, the third section then shows how historical research calls into question simple assumptions about the relationship between the media and social disruption.