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Fredric Jameson

Author: Sean Homer
Publisher: John Wiley & Sons
ISBN: 0745667236
Size: 11.54 MB
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This is the first comprehensive analysis of the work of Fredric Jameson, one of the most important cultural critics writing today. Homer provides a clear exposition and appraisal of Jameson's theories and an assessment of his contribution to contemporary cultural theory.

Postmodernism Or The Cultural Logic Of Late Capitalism

Author: Fredric Jameson
Publisher: Duke University Press
ISBN: 9780822310907
Size: 66.63 MB
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Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of “postmodernism” Jameson’s inquiry looks at the postmodern across a wide landscape, from “high”; art to “low,” from market ideology to architecture, from painting to “punk” film, from video art to literature.

Fredric Jameson

Author: Adam Charles Roberts
Publisher: Psychology Press
ISBN: 9780415215220
Size: 18.16 MB
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Widely recognised as one of today's most important cultural critics, Adam Roberts offers an engaging introduction to this crucial figure, which will convince any student of contemporary theory that Jameson must be read.

Fredric Jameson

Author: Adam Roberts
Publisher: Routledge
ISBN: 1134608837
Size: 56.36 MB
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An invaluable introduction to the life and work of one of today's most important cultural critics. Studied on most undergraduate literary and cultural studies courses, Fredric Jameson's writing targets subjects from architecture to science fiction, cinema to global capitalism. Of his works, The Political Unconscious remains one of the most widely cited Marxist literary-theoretical texts, and 'Postmodernism, or the cultural logic of late capitalism', is amongst the most influential statements on the nature of post-modernity ever published. Adam Roberts offers an `ngaging introduction to this crucial figure, which will convince any student of contemporary theory that Jameson must be read.

Marxism And Form

Author: Fredric Jameson
Publisher: Princeton University Press
ISBN: 9780691013114
Size: 38.59 MB
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Inspects the work and theories of such Hegelian-Marxists as Ernst Bloch, Georg Lukacs, Jean-Paul Sartre, and Herbert Marcuse

The Prison House Of Language

Author: Fredric Jameson
Publisher: Princeton University Press
ISBN: 9780691013169
Size: 32.54 MB
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Fredric Jameson's survey of Structuralism and Russian Formalism is, at the same time, a critique of their basic methodology. He lays bare the presuppositions of the two movements, clarifying the relationship between the synchronic methods of Saussurean linguistics and the realities of time and history.

Valences Of The Dialectic

Author: Fredric Jameson
Publisher: Verso Books
ISBN:
Size: 32.82 MB
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One of the most accomplished literary and cultural critics in the world, Fredric Jameson returns to the philosophy of the dialectic in a grand and nuanced study of the concept and those who have developed it. The question of the dialectic remains at the center of contemporary theoretical debates: Is it Hegelian and idealistic? To what degree is it central to Marxism? Is a materialist dialectic really possible? How damaging are the “poststructuralist” critiques of the dialectic by Deleuze, and Laclau and Mouffe? Valences of the Dialectic addresses these questions, and studies individual thinkers both dialectical and anti-dialectical, from Hegel and Fichte to Heidegger, Sartre, Derrida, Deleuze and Lacan.

The Political Unconscious

Author: Fredric Jameson
Publisher: Cornell University Press
ISBN: 0801471567
Size: 67.52 MB
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Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today. Jameson supports his thesis by looking closely at the nature of interpretation. Our understanding, he says, is colored by the concepts and categories that we inherit from our culture's interpretive tradition and that we use to comprehend what we read. How then can the literature of other ages be understood by readers from a present that is culturally so different from the past? Marxism lies at the foundation of Jameson's answer, because it conceives of history as a single collective narrative that links past and present; Marxist literary criticism reveals the unity of that uninterrupted narrative. Jameson applies his interpretive theory to nineteenth- and twentieth-century texts, including the works of Balzac, Gissing, and Conrad. Throughout, he considers other interpretive approaches to the works he discusses, assessing the importance and limitations of methods as different as Lacanian psychoanalysis, semiotics, dialectical analysis, and allegorical readings. The book as a whole raises directly issues that have been only implicit in Jameson's earlier work, namely the relationship between dialectics and structuralism, and the tension between the German and the French aesthetic traditions. The Political Unconscious is a masterly introduction to both the method and the practice of Marxist criticism. Defining a mode of criticism and applying it successfully to individual works, it bridges the gap between theoretical speculation and textual analysis.