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Global Pop

Author: Timothy D Taylor
Publisher: Routledge
ISBN: 113525415X
Size: 21.98 MB
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Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these recent genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on a wide range of sources - academic, popular, cyber, interviews, and the music itself - Global Pop charts an accessible path through many of the issues and contradictions surrounding the contemporary movement of people and musics worldwide. Global Pop examines the range of discourses employed in and around world music, demonstrating how the central concept of authenticity is wielded by musicians, fans, and other listeners, and looks at some of these musics in detail, examining ways they are caught up in forms of domination and resistance. The book also explores how some cross-cultural collaborations may fashion new musics and identities through innovative combinations of sounds and styles.

Global Pop

Author: Claus Leggewie
Publisher: Springer-Verlag
ISBN: 3476054802
Size: 15.16 MB
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„Global Pop“ beschreibt in mehr als vierzig Beiträgen das Phänomen "Weltmusik" in seiner ganzen Breite, ordnet es historisch ein und schließt es an aktuelle kulturwissenschaftliche Diskussionen an. Das Buch führt in zentrale Begriffe ein und bietet eine anschauliche Beschreibung von charakteristischen Akteuren und musikalischen Genres. Neben den Künstlern gilt das Interesse auch exemplarischen Figuren, die für die Vermittlung von Weltmusik stehen. Darüber hinaus sind die kulturpolitischen sowie musikwirtschaftlichen Infrastrukturen von Weltmusik in Deutschland Thema. Auch der Name “Weltmusik” wird aus verschiedenen Perspektiven diskutiert, problematisiert und inklusive aktueller Entwicklungen einer “Weltmusik 2.0” verstanden, die durch Digitalisierung und Online-Kommunikation geprägt ist.

Continuum Encyclopedia Of Popular Music Of The World

Author:
Publisher: A&C Black
ISBN: 0826463215
Size: 42.87 MB
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Edited by distinguished scholars in the field of popular music studies, this encyclopedia set is THE authoritative reference guide to popular music from all corners of the globe, the ultimate reference work to do justice to this vibrant subject.

Music And Globalization

Author: Bob W. White
Publisher: Indiana University Press
ISBN: 0253223652
Size: 77.44 MB
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The musical heritage of slavery : from Creolization to "world music" / Denis-Constant Martin My life in the bush of ghosts : "world music" and the commodification of religious experience / Steven Feld A place in the world : globalization, music, and cultural identity in contemporary Vanuatu / Philip Hayward Musicality and environmentalism in the rediscovery of Eldorado : an anthropology of the Raoni-Sting encounter / Rafael Jose? de Menezes Bastos "Beautiful blue" : Rara?muri violin music in a cross-border space / Daniel Noveck World music producers and the cuban frontier / Ariana Hernandez-Reguant Trovador of the Black Atlantic : Laba Sosseh and the Africanization of Afro-Cuban music / Richard M. Shain Slave ship on the infosea : contaminating the system of circulation / Barbara Browning World music of today / Timothy D. Taylor The promise of world music : strategies for non-essentialist listening / Bob W. White. Rethinking globalization through music / Bob W. White 1: Structured encounters The musical heritage of slavery : from Creolization to "world music" / Denis-Constant Martin My life in the bush of ghosts : "world music" and the commodification of religious experience / Steven Feld A place in the world : globalization, music, and cultural identity in contemporary Vanuatu / Philip Hayward Musicality and environmentalism in the rediscovery of Eldorado : an anthropology of the Raoni-Sting encounter / Rafael Jose? de Menezes Bastos 2: Mediated encounters "Beautiful blue" : Rara?muri violin music in a cross-border space / Daniel Noveck World music producers and the cuban frontier / Ariana Hernandez-Reguant Trovador of the Black Atlantic : Laba Sosseh and the Africanization of Afro-Cuban music / Richard M. Shain 3: Imagined encounters Slave ship on the infosea : contaminating the system of circulation / Barbara Browning World music of today / Timothy D. Taylor The promise of world music : strategies for non-essentialist listening / Bob W. White.

Romani Routes

Author: Carol Silverman
Publisher: Oxford University Press
ISBN: 0199913358
Size: 56.48 MB
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Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stream of recordings, videos, feature films, festivals, and concerts has presented the music of Balkan Gypsies, or Roma, to Western audiences, who have greeted them with exceptional enthusiasm. Yet, as author Carol Silverman notes, Roma are revered as musicians and reviled as people. In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination. Focusing on southeastern Europe then moving to the diaspora, her book examines the music within Romani communities, the lives and careers of outstanding musicians, and the marketing of music in the electronic media and "world music" concert circuit. Silverman touches on the way that the Roma exemplify many qualities--adaptability, cultural hybridity, transnationalism--that are taken to characterize late modern experience. And rather than just celebrating these qualities, she presents the musicians as complicated, pragmatic individuals who work creatively within the many constraints that inform their lives.

The Globalization Reader

Author: Frank J. Lechner
Publisher: John Wiley & Sons
ISBN: 1118737024
Size: 17.99 MB
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Completely revised and updated, the fifth edition of thiswell-regarded textbook charts key topics and recent research inglobalization along with the latest complexities and controversiesin the field. Includes a new section on globalization and identity and newreadings on global inequality, mental illness, structural violence,microfinance, blood diamonds, world citizenship, the global justicemovement, and sumo wrestling Contains essential, thought-provoking readings by prominentscholars, activists, and organizations on the many dimensions ofglobalization, from political and economic issues to cultural andexperiential ones Examines foundational topics, such as the experience ofglobalization, economic and political globalization, the role ofmedia and religion in cultural globalization, women’s rights,environmentalism, global civil society, and the alternativeglobalization movement Retains the helpful student features from prior editions,including an accessible format, concise introductions to majortopics, stimulating examples, and discussion questions for eachselection and section

Cultural Globalization

Author: J. MacGregor Wise
Publisher: John Wiley & Sons
ISBN: 0470695935
Size: 77.15 MB
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Cultural Globalization: A User’s Guide is a personal and engaging journey through theories of culture and globalization. Drawing on extensive examples and interdisciplinary research, Wise explores concepts of culture, territory and identity in order to give students a new perspective on issues of globalization. Includes numerous examples from Asian, European, and North American youth culture and popular music Draws on interdisciplinary research from the fields of anthropology, cultural studies, cultural geography, and media studies Considers how global processes carry with them the ethical questions of how to act in the world and how to care for others Provides an original and stimulating overview of theories of culture and globalization, encouraging students think more broadly about the key issues

Acoustic Interculturalism

Author: Marcus Cheng Chye Tan
Publisher: Springer
ISBN: 1137016957
Size: 36.96 MB
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Acoustic Interculturalism is a study of the soundscapes of intercultural performance through the examination of sound's performativity. Employing an interdisciplinary approach, the book examines an akoumenological reception of sound to postulate the need for an acoustic knowing – an awareness of how sound shapes the intercultural experience.

Dub

Author: Michael Veal
Publisher: Wesleyan University Press
ISBN: 0819574422
Size: 32.55 MB
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Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.

Sound Tracks

Author: John Connell
Publisher: Routledge
ISBN: 1134699123
Size: 16.28 MB
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Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts. In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.