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Harold Prince

Author: Carol Ilson
Publisher: Hal Leonard Corporation
ISBN: 0879102969
Size: 18.72 MB
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"The story of Prince's career is inseparable from the history of the American musical theatre for the past 40 years...In-depth accounts of musicals Fiddler on the Roof, West Side Story, Cabaret, Company, and Sweeney Todd will be of interest to any musical theatre buff." -American Theatre

Directors And The New Musical Drama

Author: M. Lundskaer-Nielsen
Publisher: Springer
ISBN: 0230611249
Size: 37.44 MB
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This is one of the first books to offer a rigorous analysis of the enormous changes in the musical theatre during the 1980s and 90s. In addition, it focuses on the contribution of well-known, serious theatre directors to the mainstream Musical Theatre and it is the first book to offer a dual Anglo-American perspective on this subject.

Changed For Good

Author: Stacy Wolf
Publisher: Oxford University Press
ISBN: 0199831238
Size: 80.78 MB
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From Adelaide in "Guys and Dolls" to Nina in "In the Heights" and Elphaba in "Wicked," female characters in Broadway musicals have belted and crooned their way into the American psyche. In this lively book, Stacy Wolf illuminates the women of American musical theatre - performers, creators, and characters -- from the start of the cold war to the present day, creating a new, feminist history of the genre. Moving from decade to decade, Wolf first highlights the assumptions that circulated about gender and sexuality at the time. She then looks at the leading musicals to stress the key aspects of the plays as they relate to women, and often finds overlooked moments of empowerment for female audience members. The musicals discussed here are among the most beloved in the canon--"West Side Story," "Cabaret," "A Chorus Line," "Phantom of the Opera," and many others--with special emphasis on the blockbuster "Wicked." Along the way, Wolf demonstrates how the musical since the mid-1940s has actually been dominated by women--women onstage, women in the wings, and women offstage as spectators and fans.

A History Of Japanese Theatre

Author: Jonah Salz
Publisher: Cambridge University Press
ISBN: 1316395324
Size: 63.16 MB
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Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.

Show Boat

Author: Todd Decker
Publisher: Oxford University Press
ISBN: 0199968136
Size: 51.91 MB
Format: PDF
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Show Boat: Performing Race in an American Musical tells the full story of the making and remaking of the most important musical in Broadway history. Drawing on exhaustive archival research and including much new information from early draft scripts and scores, this book reveals how Oscar Hammerstein II and Jerome Kern created Show Boat in the crucible of the Jazz Age to fit the talents of the show's original 1927 cast. After showing how major figures such as Paul Robeson and Helen Morgan defined the content of the show, the book goes on to detail how Show Boat was altered by later directors, choreographers, and performers up to the end of the twentieth century. All the major New York productions are covered, as are five important London productions and four Hollywood versions. Again and again, the story of Show Boat circles back to the power of performers to remake the show, winning appreciative audiences for over seven decades. Unlike most Broadway musicals, Show Boat put black and white performers side by side. This book is the first to take Show Boat's innovative interracial cast as the defining feature of the show. From its beginnings, Show Boat juxtaposed the talents of black and white performers and mixed the conventions of white-cast operetta and the black-cast musical. Bringing black and white onto the same stage -- revealing the mixed-race roots of musical comedy -- Show Boat stimulated creative artists and performers to renegotiate the color line as expressed in the American musical. This tremendous longevity allowed Show Boat to enter a creative dialogue with the full span of Broadway history. Show Boat's voyage through the twentieth century offers a vantage point on more than just the Broadway musical. It tells a complex tale of interracial encounter performed in popular music and dance on the national stage during a century of profound transformations.

Harold Prince And The American Musical Theatre

Author: Foster Hirsch
Publisher: Hal Leonard Corporation
ISBN:
Size: 47.75 MB
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"Foster Hirsch has updated the original edition of this book adding new interviews with Prince. He analyzes Prince's more recent work, including Kiss of the Spider Woman, Parade, and the award-winning revival of Show Boat. He provides a detailed account of the creation and fortunes of Bounce, the 2003 musical that reunited Prince and Sondheim for the first time in twenty years. Illustrated with numerous rare photos, it is a must for any theatre fan."--BOOK JACKET.

Creating The New Musical

Author: Armin Geraths
Publisher: Peter Lang Pub Inc
ISBN:
Size: 61.86 MB
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This volume is a contribution to the aesthetics of the « new musical, which has developed into a high art form over the last thirty years. The decisive breakthrough occurred with Bernstein's West Side Story in 1957. It was the producer of this show, Harold Prince, whose subsequent epoch-making directorial and conceptual work created the basis on which the individual work of Kander, Sondheim and Lloyd Webber reached a unified level of the highest quality. The « new musical and its creator Harold Prince were the subjects of a symposium held at the Neukollner Oper in Berlin a few days after the World Premiere of Bounce in the presence of the Broadway Master. Contributors were academics and theatre practitioners offering a double perspective modeled on the outstanding example of the collaboration set by Foster Hirsch and Harold Prince.

The Rise And Fall Of The Broadway Musical

Author: Mark N. Grant
Publisher:
ISBN:
Size: 56.95 MB
Format: PDF, Kindle
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A history of the American Broadway musical examines its formative years and golden age and describes the reasons why many famous musicals became cultural icons, as well as looking at the decline the genre has suffered in more recent years.