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History Of British Film Volume 4

Author: Rachael Low
Publisher: Routledge
ISBN: 113620640X
Size: 43.63 MB
Format: PDF, ePub
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This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

The History Of The British Film 1918 1929

Author: Rachael Low
Publisher: Routledge
ISBN: 9780415604871
Size: 31.95 MB
Format: PDF
View: 1286
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This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

The History Of The British Film

Author: Rachael Low
Publisher:
ISBN: 9780415679886
Size: 73.17 MB
Format: PDF, ePub, Mobi
View: 627
Download and Read
This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

Film And History

Author: James Chapman
Publisher: Macmillan International Higher Education
ISBN: 1137367326
Size: 55.99 MB
Format: PDF, ePub, Docs
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Film is the pre-eminent mass medium of the modern age. It is a valuable source of evidence for the study of both the past and the contemporary world, and is a social practice that has affected the lives of millions. How can historians engage with this important and influential medium? Written for both students and teachers, Film and History: • provides a concise, accessible introduction to the use of film in historical enquiry and a summary of the main theoretical debates • charts the development of film history as a subject area and a discipline in its own right • considers different approaches to film history, including film as an art form, as ideology, as a historical source, and as a social practice • includes case studies to ground discussion of theories and approaches in specific examples. Wide-ranging and authoritative, Film and History equips students with the methods both to analyse film texts and to understand the place of film in history and culture.

Cinema And Cinema Going In Scotland 1896 1950

Author: Lecturer in Economic and Social History Trevor (University of Edinburgh) Griffiths
Publisher: Edinburgh University Press
ISBN: 0748668047
Size: 80.98 MB
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What did our Scottish grandparents and great grandparents see at the cinema? What thrilled them on the silver screen?. This is the first scholarly work to document the cinema habits of early twentieth-century Scots, exploring the growth of early cinema-going and integrating the study of cinema into wider debates in social and economic history. The author draws extensively on archival resources concerning the cinema as a business, on documentation kept by cinema managers, and on the diaries and recollections of cinema-goers. He considers patterns of cinema-going and attendance levels, as well as changes in audience preferences for different genres, stars or national origins of films. The thematic chapters broaden out the discussion of cinema-going to consider the wider social and cultural impact of this early form of mass leisure. Trevor GriffithsOCO book is a major contribution to the growing body of work on the history and significance of British film. Key Features: First major study of early Scottish film; New archives and research; Fascinating diary entries; Early cinema as business; Important addition to Scottish film studies. Key words: cinema, Scotland, history, cinema-going, society, films, Scottish

Past And Present

Author: James Chapman
Publisher: I.B.Tauris
ISBN: 9781850438076
Size: 75.45 MB
Format: PDF, Mobi
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Exploring throughout the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.

Avant Garde Film

Author: Michael O'Pray
Publisher: Columbia University Press
ISBN: 023185000X
Size: 77.44 MB
Format: PDF
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Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema and the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case-studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves - ranging from abstraction (Richter, Ruttmann) to surreal visions (Bunuel, Wyn Evans), underground subversion (Jack Smith, Warhol) to experimental narrative (Deren and Antonioni).

Close Up Cinema And Modernism

Author: James Donald
Publisher: Bloomsbury Publishing
ISBN: 1441116060
Size: 78.40 MB
Format: PDF, Kindle
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Between 1927 and 1933, the journal "Close Up" championed a European avant-garde in film-making. This volume republishes articles from the journal, with an introduction and a commentary on the lives of, and complex relationships between, its writers and editors.