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How The War Was Remembered

Author: Albert Auster
Publisher: Praeger Publishers
ISBN:
Size: 20.17 MB
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One way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. How the War Was Remembered is the first book to analyze Vietnam War films. Auster and Quart create a typology of these films based on their connection to sociohistorical currents such as the "Wounded Hero," "Superman," "Hunter/Hero," and the "Survivor." They also combine aesthetic analysis with a social, historical, and cultural critique. "How the War Was Remembered by Albert Auster and Leonard Quart is a full-length treatment of filmic portrayals of the Vietnam War. From Samuel Fuller's China Gate to Francis Coppala's Apocalypse Now they examine the major works of an ever growing genre. The book is divided into four parts. The first deals with the genre, and the other three specific types within the genre. Notes, a bibliography, and an index complete the volume." Communication Booknotes

American Film And Society Since 1945

Author: Leonard Quart
Publisher: Greenwood Publishing Group
ISBN: 9780275967420
Size: 11.98 MB
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Although films rarely act as mirror reflections of everyday reality, they are, nevertheless, powerful cultural expressions of the dreams and desires of the American public. This work provides a complete post-World War II survey of American cinema and its often complex and contradictory values.

From Hanoi To Hollywood

Author: Linda Dittmar
Publisher: Rutgers University Press
ISBN: 9780813515878
Size: 77.85 MB
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Examines American films dealing with the Vietnam War and era, and the power these films possess in delivering political messages

American Animated Cartoons Of The Vietnam Era

Author: Christopher P. Lehman
Publisher: McFarland
ISBN: 0786451424
Size: 29.22 MB
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In the first four years of U.S. involvement in the Vietnam War (1961-64), Hollywood did not dramatize the current military conflict but rather romanticized earlier ones. Cartoons reflected only previous trends in U.S. culture, and animators comically but patriotically remembered the Revolutionary War, the Civil War, and both World Wars. In the early years of military escalation in Vietnam, Hollywood was simply not ready to illustrate America's contemporary radicalism and race relations in live-action or animated films. But this trend changed when US participation dramatically increased between 1965 and 1968. In the year of the Tet Offensive and the killings of the Rev. Martin Luther King, Jr., and Senator Robert Kennedy, the violence of the Vietnam War era caught up with animators. This book discusses the evolution of U.S. animation from militaristic and violent to liberal and pacifist and the role of the Vietnam War in this development. The book chronologically documents theatrical and television cartoon studios' changing responses to U.S. participation in the Vietnam War between 1961 and 1973, using as evidence the array of artistic commentary about the federal government, the armed forces, the draft, peace negotiations, the counterculture movement, racial issues, and pacifism produced during this period. The study further reveals the extent to which cartoon violence served as a barometer of national sentiment on Vietnam. When many Americans supported the war in the 1960s, scenes of bombings and gunfire were prevalent in animated films. As Americans began to favor withdrawal, militaristic images disappeared from the cartoon. Soon animated cartoons would serve as enlightening artifacts of Vietnam War-era ideology. In addition to the assessment of primary film materials, this book draws upon interviews with people involved in the production Vietnam-era films. Film critics responding in their newspaper columns to the era's innovative cartoon sociopolitical commentary also serve as invaluable references. Three informative appendices contribute to the work.

Invisible Enemies

Author: Edwin A. Martini
Publisher: Univ of Massachusetts Press
ISBN: 9781558496095
Size: 49.94 MB
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Drawing on a range of sources, from White House documents and congressional hearings to comic books and feature films, this text shows how the United States continued to wage war on Vietnam 'by other means' for another 25 years.

Understanding And Teaching The Vietnam War

Author: John Day Tully
Publisher: University of Wisconsin Pres
ISBN: 0299294137
Size: 62.28 MB
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Part One: Reflections on Teaching the Vietnam War. - Part Two: Methods and Sources. - Part Three: Understanding and Teaching Specific Content.

A Better War

Author: Lewis Sorley
Publisher: HMH
ISBN: 9780547417455
Size: 44.27 MB
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“A comprehensive and long-overdue examination of the immediate post–Tet offensive years [from a] first-rate historian.” —The New York Times Book Review Neglected by scholars and journalists alike, the years of conflict in Vietnam from 1968 to 1975 offer surprises not only about how the war was fought, but about what was achieved. Drawing from thousands of hours of previously unavailable (and still classified) tape-recorded meetings between the highest levels of the American military command in Vietnam, A Better War is an insightful, factual, and superbly documented history of these final years. Through his exclusive access to authoritative materials, award-winning historian Lewis Sorley highlights the dramatic differences in conception, conduct, and—at least for a time—results between the early and later years of the war. Among his most important findings is that while the war was being lost at the peace table and in the U.S. Congress, the soldiers were winning on the ground. Meticulously researched and movingly told, A Better War sheds new light on the Vietnam War.

Projections Of War

Author:
Publisher: Columbia University Press
ISBN: 9780231116350
Size: 28.49 MB
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In this lively cultural history, Doherty demonstrates that wartime Hollywood was not a rigidly controlled propaganda machine, as is often assumed, but an ad-hoc collaborative effort between the government and film industry.

Hollywood S Cold War

Author: Tony Shaw
Publisher: Univ of Massachusetts Press
ISBN: 9781558496125
Size: 19.23 MB
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At a moment when American film reflects a deepening preoccupation with the Bush administration's War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood's propaganda role during the defining ideological conflict of the twentieth century: the Cold War. In an analysis of films dating from America's first Red Scare in the wake of the 1917 Bolshevik Revolution to the collapse of the Berlin Wall in 1989, Tony Shaw examines the complex relationship between filmmakers, censors, politicians, and government propagandists. Movies, Shaw demonstrates, were at the center of the Cold War's battle for hearts and minds. Hollywood's comedies, love stories, musicals, thrillers, documentaries, and science fiction shockers played a critical dual role: on the one hand teaching millions of Americans why communism represented the greatest threat their country had ever faced, and on the other selling America's liberal-capitalist ideas around the globe. Drawing on declassified government documents, studio archives, and filmmakers' private papers, Shaw reveals the different ways in which cinematic propaganda was produced, disseminated, and received by audiences during the Cold War. In the process, he addresses subjects as diverse as women's fashions, McCarthyism, drug smuggling, Christianity, and American cultural diplomacy in India. Anyone seeking to understand wartime propaganda today will find striking contemporary resonance in his conclusions about Hollywood's versatility and power.

Film Genre Reader Iii

Author: Barry Keith Grant
Publisher: University of Texas Press
ISBN: 0292701853
Size: 60.96 MB
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More than 30 essays by some of film's most distinguished critics are included in this volume, which presents the latest developments in genre study, including teen films, genre hybridity, neo-noir & genre in the age of globalization, & an up-to-date bibliography.