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Hyperobjects

Author: Timothy Morton
Publisher: Posthumanities
ISBN: 9780816689231
Size: 17.20 MB
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A Quake in Being: An Introduction to Hyperobjects Part I. What Are Hyperobjects? Viscosity Nonlocality Temporal Undulation Phasing Interobjectivity Part II. The Time of Hyperobjects The End of the World Hypocrisies The Age of Asymmetry.

Alien Phenomenology Or What It S Like To Be A Thing

Author: Ian Bogost
Publisher: U of Minnesota Press
ISBN: 0816678979
Size: 62.71 MB
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Examines the author's idea of object-oriented philosophy, wherein things, and how they interact with one another, are the center of philosophical interest.

The Ecological Thought

Author: Timothy Morton
Publisher: Harvard University Press
ISBN: 0674056736
Size: 67.15 MB
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In this passionate, lucid, and surprising book, Timothy Morton argues that all forms of life are connected in a vast, entangling mesh. This interconnectedness penetrates all dimensions of life. No being, construct, or object can exist independently from the ecological entanglement, Morton contends, nor does “Nature” exist as an entity separate from the uglier or more synthetic elements of life.

Ecology Without Nature

Author: Timothy Morton
Publisher: Harvard University Press
ISBN: 9780674024342
Size: 17.80 MB
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In Ecology without Nature, Timothy Morton argues that the chief stumbling block to environmental thinking is the image of nature itself. Ecological writers propose a new worldview, but their very zeal to preserve the natural world leads them away from the "nature" they revere. The problem is a symptom of the ecological catastrophe in which we are living. Morton sets out a seeming paradox: to have a properly ecological view, we must relinquish the idea of nature once and for all. Ecology without Nature investigates our ecological assumptions in a way that is provocative and deeply engaging. Ranging widely in eighteenth-century through contemporary philosophy, culture, and history, he explores the value of art in imagining environmental projects for the future. Morton develops a fresh vocabulary for reading "environmentality" in artistic form as well as content, and traces the contexts of ecological constructs through the history of capitalism. From John Clare to John Cage, from Kierkegaard to Kristeva, from The Lord of the Rings to electronic life forms, Ecology without Nature widens our view of ecological criticism, and deepens our understanding of ecology itself. Instead of trying to use an idea of nature to heal what society has damaged, Morton sets out a radical new form of ecological criticism: "dark ecology."

Humanesis

Author: David Cecchetto
Publisher: PostHumanities (Paperback)
ISBN: 9780816679638
Size: 40.40 MB
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Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human-technology coupling is explained. Specifically, it interrogates three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto's investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against. His study frontally desublimates the previously unseen presumptions that underlie each of the three thought lines and offers incisive appraisals of the work of three prominent thinkers: Ollivier Dyens, Katherine Hayles, and Mark Hansen. To materially ground the problematic of posthumanism, Humanesis interweaves its theoretical chapters with discussions of artworks. These highlight the topos of sound, demonstrating how aurality might produce new insights in a field that has been dominated by visualization. Cecchetto, a media artist, scrutinizes his own collaborative artistic practice in which he elucidates the variegated causal chains that compose human-technological coupling. Humanesis advances the posthumanist conversation in several important ways. It proposes the term "technological posthumanism" to focus on the discourse as it relates to technology without neglecting its other disciplinary histories. It suggests that deconstruction remains relevant to the enterprise, especially with respect to the performative dimension of language. It analyzes artworks not yet considered in the light of posthumanism, with a particular emphasis on the role of aurality. And the form of the text introduces a reflexive component that exemplifies how the dialogue of posthumanism might progress without resorting to the types of unilateral narratives that the book critiques.

Nothing

Author: Marcus Boon
Publisher: University of Chicago Press
ISBN: 022623326X
Size: 36.69 MB
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Though contemporary European philosophy and critical theory have long had a robust engagement with Christianity, there has been no similar engagement with Buddhism—a surprising lack, given Buddhism's global reach and obvious affinities with much of Continental philosophy. This volume fills that gap, bringing together three scholars to offer individual, distinct, yet complementary philosophical takes on Buddhism. Focused on “nothing”—essential to Buddhism, of course, but also a key concept in critical theory from Hegel and Marx through deconstruction, queer theory, and contemporary speculative philosophy—the book explores different ways of rethinking Buddhism's nothing. Through an elaboration of “sunyata,” or emptiness, in both critical and Buddhist traditions; an examination of the problem of praxis in Buddhism, Marxism, and psychoanalysis; and an explication of a “Buddaphobia” that is rooted in modern anxieties about nothingness, Marcus Boon, Eric Cazdyn, and Timothy Morton open up new spaces in which the radical cores of Buddhism and critical theory are renewed and revealed.

Dark Ecology

Author: Timothy Morton
Publisher:
ISBN: 9780231177535
Size: 28.76 MB
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Timothy Morton explores the foundations of the ecological crisis to reestablish our ties to nonhuman beings and rediscover playfulness and joy. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think.

Vibrant Matter

Author: Jane Bennett
Publisher: Duke University Press
ISBN: 0822391627
Size: 47.99 MB
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In Vibrant Matter the political theorist Jane Bennett, renowned for her work on nature, ethics, and affect, shifts her focus from the human experience of things to things themselves. Bennett argues that political theory needs to do a better job of recognizing the active participation of nonhuman forces in events. Toward that end, she theorizes a “vital materiality” that runs through and across bodies, both human and nonhuman. Bennett explores how political analyses of public events might change were we to acknowledge that agency always emerges as the effect of ad hoc configurations of human and nonhuman forces. She suggests that recognizing that agency is distributed this way, and is not solely the province of humans, might spur the cultivation of a more responsible, ecologically sound politics: a politics less devoted to blaming and condemning individuals than to discerning the web of forces affecting situations and events. Bennett examines the political and theoretical implications of vital materialism through extended discussions of commonplace things and physical phenomena including stem cells, fish oils, electricity, metal, and trash. She reflects on the vital power of material formations such as landfills, which generate lively streams of chemicals, and omega-3 fatty acids, which can transform brain chemistry and mood. Along the way, she engages with the concepts and claims of Spinoza, Nietzsche, Thoreau, Darwin, Adorno, and Deleuze, disclosing a long history of thinking about vibrant matter in Western philosophy, including attempts by Kant, Bergson, and the embryologist Hans Driesch to name the “vital force” inherent in material forms. Bennett concludes by sketching the contours of a “green materialist” ecophilosophy.

Parallel Presents

Author: Amelia Barikin
Publisher: MIT Press
ISBN: 0262017806
Size: 43.92 MB
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Over the past two decades, French artist Pierre Huyghe has produced an extraordinarybody of work in constant dialogue with temporality. Investigating the possibility of a hypotheticalmode of timekeeping--"parallel presents"-- Huyghe has researched the architecture of theincomplete, directed a puppet opera, founded a temporary school, established a pirate televisionstation, staged celebrations, scripted scenarios, and journeyed to Antarctica in search of amythological penguin. In this first book-length art historical examination of Huyghe and his work,Amelia Barikin traces the artist's continual negotiation with the time codes of contemporarysociety. Offering detailed analyses of Huyghe's works and drawing on extensive interviews withHuyghe and his associates, Barikin finds in Huyghe's projects an alternate way of thinking abouthistory--a "topological historicity" that deprograms (or reprograms) temporal formats.Huyghe once said, "It is through the montage, the way we combine and relate images, that we cancreate a representation of an event that is perhaps more precise than the event itself."Barikinoffers pioneering analyses of Huyghe's lesser-known early works as well as sustained readings oflater, critically acclaimed projects, including No Ghost Just a Shell (2000),L'Expédition scintillante (2002), and A Journey That Wasn't(2005). She emphasizes Huyghe's concepts of "freed time" and "the openpresent," in which anything might happen. Bringing together an eclectic array of subjects andcharacters--from moon walking to situationist practices, from Snow White to Gilles Deleuze--Parallel Presents offers a highly original account of the driving forces behindHuyghe's work

Poetry And The Anthropocene

Author: Sam Solnick
Publisher: Taylor & Francis
ISBN: 135197453X
Size: 11.42 MB
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This book asks what it means to write poetry in and about the Anthropocene, the name given to a geological epoch where humans have a global ecological impact. Combining critical approaches such as ecocriticism and posthumanism with close reading and archival research, it argues that the Anthropocene requires poetry and the humanities to find new ways of thinking about unfamiliar spatial and temporal scales, about how we approach the metaphors and discourses of the sciences, and about the role of those processes and materials that confound humans’ attempts to control or even conceptualise them. Poetry and the Anthropocene draws on the work of a series of poets from across the political and poetic spectrum, analysing how understandings of technology shape literature about place, evolution and the tradition of writing about what still gets called Nature. The book explores how writers’ understanding of sciences such as climatology or biochemistry might shape their poetry’s form, and how literature can respond to environmental crises without descending into agitprop, self-righteousness or apocalyptic cynicism. In the face of the Anthropocene’s radical challenges to ethics, aesthetics and politics, the book shows how poetry offers significant ways of interrogating and rendering the complex relationships between organisms and their environments in a world increasingly marked by technology.