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Identities In Motion

Author: Peter X Feng
Publisher: Duke University Press
ISBN: 9780822329961
Size: 55.22 MB
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DIVConsiders questions of Asian American Identity and issues of homeland and home in Asian American film./div

Making Asian American Film And Video

Author: Jun Okada
Publisher: Rutgers University Press
ISBN: 0813573955
Size: 50.41 MB
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The words “Asian American film” might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the “PBS style” unites these filmmakers, whether they are working within that system or setting themselves in opposition to its conventions. Making Asian American Film and Video explores how the genre has served as a flashpoint for debates about what constitutes Asian American identity. Tracing a history of how Asian American film was initially conceived as a form of public-interest media, part of a broader effort to give voice to underrepresented American minorities, Okada shows why this seemingly well-intentioned project inspired deeply ambivalent responses. In addition, she considers a number of Asian American filmmakers who have opted out of producing state-funded films, from Wayne Wang to Gregg Araki to Justin Lin. Okada gives us a unique behind-the-scenes look at the various institutions that have bankrolled and distributed Asian American films, revealing the dynamic interplay between commercial and state-run media. More than just a history of Asian Americans in film, Making Asian American Film and Video is an insightful meditation on both the achievements and the limitations of institutionalized multiculturalism.

Asian Americans And The Media

Author: Kent A. Ono
Publisher: Polity
ISBN: 0745642748
Size: 72.30 MB
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This volume provides an overview of the complex relationship between Asian Americans and the media. It looks at the involvement of Asian Americans in the media industries and how alternative and independent media counteract traditional stereotypes.

Chinese Connections

Author: Tan See Kam
Publisher: Temple Univ Pr
Size: 60.80 MB
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Chinese Connectionsis a valuable new anthology that provides a prismatic look at the cross-fertilization between Chinese film and global popular culture. Leading film scholars consider the influence of world cinema on China-related and Chinese-related cinema over the last five decades. Highlighting the neglected connections between Chinese films and American and European cinema, the editors and contributors examine popular works such as Ang Lee'sThe Hulkand Olivier Assayas'Irma Vepto show the nexus of international film production and how national, political, social and sexual identities are represented in the Chinese diaspora.With talent flowing back and forth between East and West,Chinese Connectionsexplores how issues of immigration, class, race and economic displacement are viewed on a global level, ultimately providing a greater understanding of the impact of Chinese filmmaking at home and abroad.Contributors include: Grace An, Aaron Anderson, Chris Berry, Evans Chan, Li-Mei Chang, Frances Gateward, Andrew Grossman, Peter Hitchcock, Chuck Kleinhans, Jenny Kwok Wah Lau, Helen Leung, Aaron Magnan-Park, Gayle Wald, Esther C.M. Yau, Emilie Yueh-yu Yeh, Xuelin Zhou and the editors.

Asian American Studies After Critical Mass

Author: Kent A. Ono
Publisher: John Wiley & Sons
ISBN: 140514680X
Size: 35.26 MB
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Asian American Studies After Critical Massis a dynamiccollection that showcases the most exciting scholarship in thefield from a critical and cultural studies perspective. Comprisedof ten original essays written by a group of scholars at thevanguard of the discipline, this collection takes on a range oftopics and concerns, including Asian American film and popularculture; Asian Americans at the dawn of the twenty-first century;globalization and transnational citizenship; and queer AsianAmerica. Addressing some of the most exciting issues and ideas inAsian American studies, this book strikes a bold new path for thefield. This book can be used in conjunction with the BlackwellCompanion to Asian American Studies.

Race Resistance

Author: Viet Thanh Nguyen
Publisher: Oxford University Press on Demand
ISBN: 9780195146998
Size: 66.29 MB
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Viet Nguyen argues that Asian American intellectuals need to examine their own assumptions about race, culture and politics, and makes his case through the example of literature.

Film Dialogue

Author: Jeff Jaeckle
Publisher: Columbia University Press
ISBN: 0231850425
Size: 38.53 MB
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Film Dialogue is the first anthology in film studies devoted to the topic of language in cinema, bringing together leading and emerging scholars to discuss the aesthetic, narrative, and ideological dimensions of film speech that have largely gone unappreciated and unheard. Consisting of thirteen essays divided into three sections: genre, auteur theory, and cultural representation, Film Dialogue revisits and reconfigures several of the most established topics in film studies in an effort to persuade readers that "spectators" are more accurately described as "audiences," that the gaze has its equal in eavesdropping, and that images are best understood and appreciated through their interactions with words. Including an introduction that outlines a methodology of film dialogue study and adopting an accessible prose style throughout, Film Dialogue is a welcome addition to ongoing debates about the place, value, and purpose of language in cinema.


Author: Darrell Y. Hamamoto
Publisher: Temple University Press
ISBN: 9781566397766
Size: 64.96 MB
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Spotlighting Asian Americans on both sides of the motion picture camera, Countervisions examines the aesthetics, material circumstances, and politics of a broad spectrum of films released in the last thirty years. This anthology focuses in particular on the growing presence of Asian Americans as makers of independent films and cross-over successes. Essays of film criticism and interviews with film makers emphasize matters of cultural agency--that is, the practices through which Asian American actors, directors, and audience members have shaped their own cinematic images. One of the anthology's key contributions is to trace the evolution of Asian American independent film practice over thirty years. Essays on the Japanese American internment and historical memory, essays on films by women and queer artists, and the reflections of individual film makers discuss independent productions as subverting or opposing the conventions of commercial cinema. But Countervisions also resists simplistic readings of "mainstream" film representations of Asian Americans and enumerations of negative images. Writing about Hollywood stars Anna May Wong and Nancy Kwan, director Wayne Wang, and erotic films, several contributors probe into the complex and ambivalent responses of Asian American audiences to stereotypical roles and commerical success. Taken together, the spirited, illuminating essays in this collection offer an unprecedented examination of a flourishing cultural production. Author note: Darrell Y. Hamamoto is Associate Professor in the Asian American Studies Program at the University of California, Davis. He is the author of Nervous Laughter: Television Situation Comedy and Liberal Democratic Ideology, Monitored Peril: Asian Americans and the Poltics of Television Representation, and New American Destinies: a Reader in Contemporary Asian and Latino Immigration. Sandra Liu is a Ph.D. candidate in the Department of Ethnic Studies, University of California, Berkeley.