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Itv Cultures Independent Television Over Fifty Years

Author: Johnson, Catherine
Publisher: McGraw-Hill Education (UK)
ISBN: 033521729X
Size: 47.25 MB
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"Since breaking the BBC's monopoly in 1955, ITV has been at the centre of the British television landscape. To coincide with the fiftieth anniversary of the first ITV broadcast, this accessible book offers a range of perspectives on the complex and multifaceted history of Britain's first commercial broadcaster."--BOOK JACKET.

Independent Television Production In The Uk

Author: David Lee
Publisher: Springer
ISBN: 3319716700
Size: 12.62 MB
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This book is the first authoritative account of the UK’s independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the ‘indies’, the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.

A History Of Independent Television In Wales

Author: Jamie Medhurst
Publisher: University of Wales Press
ISBN: 0708323081
Size: 27.90 MB
Format: PDF, Kindle
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This book provides, for the first time, a detailed historical narrative and critical analysis of independent television (ITV) in Wales. Focusing primarily on the critical years of the 1950s and 1960s, and drawing on key archival sources from Wales and beyond, it locates the history of ITV within wider debates over national identity, language and culture in Wales. It also aims to redress an imbalance in media historiography where the more established BBC has ‘stolen the limelight’. The attention devoted to Wales, and commercial television in Wales in particular, in the broad spectrum of broadcasting historiography has been minimal. Seen by some as a more populist and sometimes ‘tacky’ alternative to the BBC, the book argues that in Wales ITV pioneered across a range of programming formats, including games shows and news in the Welsh language, and moved the television service forward in many ways. ITV in Wales provided nurture for creative talent in both English and Welsh languages and produced some ground-breaking programmes which changed the face of Welsh television. It also provided a degree of plurality within the media in Wales. Accessible to undergraduate and postgraduate students, it will also appeal to the general reader with an interest in the media in Wales, Welsh history and the cultural politics of broadcasting in a small nation.

Transnational Television History

Author: Andreas Fickers
Publisher: Routledge
ISBN: 1135760322
Size: 10.12 MB
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Although television has developed into a major agent of the transnational and global flow of information and entertainment, television historiography and scholarship largely remains a national endeavour, partly due to the fact that television has been understood as a tool for the creation of national identity. But the breaking of the quasi-monopoly of public service broadcasters all over Europe in the 1980s has changed the television landscape, and cross-border television channels - with the help of satellite and the Internet - have catapulted the relatively closed television nations into the universe of globalized media channels. At least, this is the picture painted by the popular meta-narratives of European television history. Transnational Television History asks us to re-evaluate the function of television as a medium of nation-building in its formative years and to reassess the historical narrative that insists that European television only became transnational with the emergence of more commercial services and new technologies from the 1980s. It also questions some common assumptions in television historiography by offering some alternative perspectives on the complex processes of transnational circulation of television technology, professionals, programmes and aesthetics. This book was originally published as a special issue of Media History.

An Introduction To Television Studies

Author: Jonathan Bignell
Publisher: Routledge
ISBN: 1136483268
Size: 59.35 MB
Format: PDF
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In this comprehensive textbook, now updated for its third edition, Jonathan Bignell provides students with a framework for understanding the key concepts and main approaches to Television Studies, including audience research, television history and broadcasting policy, and the analytical study of individual programmes. Features include: a glossary of key terms key terms defined in margins suggestions for further reading activities/assignments for use in class New and updated case studies feature: ‘Every Home Needs a Harvey’ ad approaches to news reporting television scheduling CSI Crime Scene Investigation animated cartoon series Individual chapters address: studying television, television histories, television cultures, television texts and narratives, television genres and formats, television production, television and quality, television realities, television you can’t see, television audiences, beyond television.

Transnational Television Drama

Author: Elke Weissmann
Publisher: Springer
ISBN: 1137283947
Size: 40.99 MB
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This history of British and American television drama since 1970 charts the increased transnationalisation of the two production systems. From The Forsyte Saga to Roots to Episodes , it highlights the close relationship that drives innovation and quality on both sides of the Atlantic.

Fandom

Author: Jonathan Gray
Publisher: NYU Press
ISBN: 0814732380
Size: 46.91 MB
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We are all fans. Whether we log on to Web sites to scrutinize the latest plot turns in Lost, “stalk” our favorite celebrities on Gawker, attend gaming conventions, or simply wait with bated breath for the newest Harry Potter novel—each of us is a fan. Fandom extends beyond television and film to literature, opera, sports, and pop music, and encompasses both high and low culture. Fandom brings together leading scholars to examine fans, their practices, and their favorite texts. This unparalleled selection of original essays examines instances across the spectrum of modern cultural consumption from Karl Marx to Paris Hilton, Buffy the Vampire Slayer to backyard wrestling, Bach fugues to Bollywood cinema ̧ and nineteenth-century concert halls to computer gaming. Contributors examine fans of high cultural texts and genres, the spaces of fandom, fandom around the globe, the impact of new technologies on fandom, and the legal and historical contexts of fan activity. Fandom is key to understanding modern life in our increasingly mediated and globalized world.

The Dream That Died

Author: Raymond Fitzwalter
Publisher: Troubador Publishing Ltd
ISBN: 1906221839
Size: 19.57 MB
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This title presents a unique insider account of the rise and fall of ITV, as seen through the fate of Granada Television, and the ripple effect on the standard of broadcasting we see on our screens today. It is the unfolding of the story of 25 years, in which "The best broadcasting system in the world" was turned into "Ignorance and self-interest, the idiocy and feeble mindedness that is 21st century ITV". It is a book based on more than 90 exclusive interviews with key players who had their hands on the money, and the power, behind commercial television, but who saw politicians, businessmen and broadcasters convert high quality public service broadcasting into a ratings driven commercial wasteland, undermining the BBC and Channel 4. Accompanied by a collection of original photographs, "The Dream That Died" is essential for anyone involved in, or learning about, the broadcasting industry.

Public Issue Television

Author: Peter Goddard
Publisher: Manchester University Press
ISBN: 9780719062568
Size: 31.24 MB
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Public issue television is a major contribution to understanding the relationship between television, politics, and society. Based on full access to the archives, it offers a fascinating historical account of how one television series--Granada's World in Action, celebrated for its tough journalism, visual directness, and public impact--functioned and developed over its run across 35 years between 1963 and 1998. This book gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades.