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John Dos Passos

Author: Barry Maine
Publisher: Routledge
ISBN: 1134723202
Size: 29.38 MB
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This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set complements the first 68 volume set of Critical Heritage published by Routledge in October 1995.

John Dos Passos S The Big Money Critical Perceptions Of The United States During The 1920s

Author: Julia Schubert
Publisher: GRIN Verlag
ISBN: 3638513734
Size: 45.19 MB
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Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,7, Martin Luther University (Institut für Anglistik und Amerikanistik), course: Modernism and Its Others: U.S.-American Literature and Culture in the 1920s, 18 entries in the bibliography, language: English, abstract: When the French philosopher, critic and writer Jean-Paul Sartre concluded an essay on the American novelist John Dos Passos in 1938 with the words “I regard Dos Passos as the greatest writer of our time” it was quite clear that the author of the trilogy U.S.A. had joined the class of the most important and influential writers in American literature. The three novels of the trilogy are critical documents and portraits of the history and life of the American nation during the first three decades of the 20 th century. U.S.A. is a social and political work that is shaped by the stylistic experimentation of the author who treats art in the service of history 1 and therefore leaves him in a literary outstanding position. This term paper aims to explain and justify this position of Dos Passos by examining and analyzing The Big Money which was the final novel of U.S.A. First of all, this work will give an overview and assessment of the trilogy as a whole to facilitate an analytical insight into its meaning and purpose. Secondly, the four different styles of narration will be discussed. The third part of the paper will deal with The Big Money: What is the historical context of the novel? Who are the main characters? Finally, the themes of the novel will be shortly summarized in the fourth part of this paper. [...]

Pop Modernism

Author: Juan Antonio Suárez
Publisher: University of Illinois Press
ISBN: 0252073924
Size: 10.52 MB
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Understanding the artistic bounty of modernist tensions over everyday life

Handbook Of The American Novel Of The Twentieth And Twenty First Centuries

Author: Timo Müller
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110422425
Size: 15.51 MB
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Increasing specialization within the discipline of English and American Studies has shifted the focus of scholarly discussion toward theoretical reflection and cultural contexts. These developments have benefitted the discipline in more ways than one, but they have also resulted in a certain neglect of close reading. As a result, students and researchers interested in such material are forced to turn to scholarship from the 1960s and 1970s, much of which relies on dated methodological and ideological presuppositions. The handbook aims to fill this gap by providing new readings of texts that figure prominently in the literature classroom and in scholarly debate − from James’s The Ambassadors to McCarthy’s The Road. These readings do not revert naively to a time “before theory.” Instead, they distil the insights of literary and cultural theory into concise introductions to the historical background, the themes, the formal strategies, and the reception of influential literary texts, and they do so in a jargon-free language accessible to readers on all levels of qualification.

Cinematic Fictions

Author: David Seed
Publisher: Liverpool University Press
ISBN: 1846318122
Size: 57.27 MB
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The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.

The Oxford Encyclopedia Of American Literature

Author: Jay Parini
Publisher: Oxford University Press on Demand
ISBN: 0195156536
Size: 46.31 MB
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Alphabetically arranged entries include discussions of individual authors, literary movements, institutions, notable texts, literary developments, themes, ethnic literatures, and "topic" essays.

A Companion To Twentieth Century United States Fiction

Author: David Seed
Publisher: John Wiley & Sons
ISBN: 9781444310115
Size: 49.31 MB
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Through a wide-ranging series of essays and relevant readings, A Companion to Twentieth-Century United States Fiction presents an overview of American fiction published since the conclusion of the First World War. Features a wide-ranging series of essays by American, British, and European specialists in a variety of literary fields Written in an approachable and accessible style Covers both classic literary figures and contemporary novelists Provides extensive suggestions for further reading at the end of each essay

The War That Used Up Words

Author: Hazel Hutchison
Publisher: Yale University Press
ISBN: 0300195028
Size: 34.25 MB
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"In this provocative study, Hazel Hutchison takes a fresh look at the roles of American writers in helping to shape national opinion and policy during the First World War. From the war's opening salvos in Europe, American writers recognized the impact the war would have on their society and sought out new strategies to express their horror, support, or resignation. By focusing on the writings of Henry James, Edith Wharton, Grace Fallow Norton, Mary Borden, Ellen La Motte, E. E. Cummings, and John Dos Passos, Hutchison examines what it means to be a writer in wartime, particularly in the midst of a conflict characterized by censorship and propaganda. Drawing on original letters and manuscripts, some never before seen by researchers, this book explores howthe essays, poetry, and novels of these seven literary figures influenced America's public view of events, from August 1914 through the Paris Peace Conference of 1919, and ultimately set the literary agenda for later, more celebrated texts about the war"--

John Dos Passos S U S A

Author: Donald Pizer
Publisher: Gale
Size: 55.84 MB
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Essay on John Dos Passos, and his collection of three novels into one work, U.S.A. The purpose of this volume is to make U.S.A. more accessible to readers of all kinds by offering documentary material bearing on various areas of importance and interest in the trilogy. Includes information on the relationship of the author's life and the intent, meaning and form of this trilogy, experimental forms used and principal sources and background on the aspects of American life.