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Legacies Of Ewan Maccoll

Author: Giovanni Vacca
Publisher: Routledge
ISBN: 131710644X
Size: 47.56 MB
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Ewan MacColl is widely recognized as a key figure in the English folk revival, who tried to convey traditional music to a mass audience. Dominant in the movement during the 1950s and much of the 1960s, his position has come under attack in more recent years from some scholars. While it would be arrogant to claim to 'set the record straight', this book will contribute significantly to the debate surrounding MacColl's importance. MacColl gave two extended interviews with co-editor Giovanni Vacca in 1987 and 1988, not long before his death, and these provide the impetus for a re-examination of his methods, his politics and his aesthetic aims. The book also provides critical overviews of MacColl's activities in the revival and of his practices, particularly as writer and singer. The time is ripe for such a contribution, following Peter Cox's study of the Radio Ballads, and in the context of biographies by Joan Littlewood and Frankie Armstrong. The contributions locate MacColl in his own historical context, attempting to understand some of the characteristic techniques through which he was able to write and sing such extraordinary songs, which capture so well for others the detail and flavour of their lives. Great emphasis is placed on the importance of seeing MacColl as not only a British, but a European folk activist, through discussion of his hitherto barely known work in Italy, enabling a re-contextualization of his work within a broader European context. The interviews themselves are fluent and fascinating narrations in which MacColl discusses his life, music, and experiences in the theatre and in the folk music revival as well as with a series of issues concerning folk music, politics, history, language, art and other theoretical issues, offering a complete description of all the repertories of the British Isles. Peggy Seeger contributes a Foreword to the collection.

Folk City

Author: Stephen Petrus
Publisher: Oxford University Press, USA
ISBN: 0190231025
Size: 48.98 MB
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From Washington Square Park and the Gaslight Cafe(c) to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the famous folk music revival of the 1950s and '60s. 'Folk City', by Stephen Petrus and Ronald Cohen, explores New York's central role in fueling the nationwide craze for folk music in postwar America. The musical form blossomed particularly in Greenwich Village, the famed neighborhood that had long nurtured unconventional art, progressive politics, and countercultural trends. But the phenomenon was not inevitable. After all, folk music was largely rural in origins, the songs of peasants in the Old World and then of sailors, cowboys, lumberjacks, coal miners, chain gangs, and others across the United States. How it became urban and modern is a fascinating story, one that involves the efforts of record company producers and executives, club owners, concert promoters, festival organizers, musicologists, agents and managers, editors and writers-not to mention the musicians and their audiences.0In this account, Petrus and Cohen capture the exuberance of the times and introduce readers to a host of characters who brought a new style to the biggest audience in the history of popular music. Among the savvy New York entrepreneurs committed to promoting folk music were Izzy Young of the Folklore Center, Mike Porco of Gerde's Folk City, and John Hammond of Columbia Records. While these and other businessmen developed commercial networks for musicians, the performance venues provided the artists spaces to test their mettle. The authors portray Village coffee houses not simply as lively venues but as incubators of a burgeoning counterculture, where artists from diverse backgrounds honed their performance techniques and challenged social convention in the era of Eisenhower, Kennedy, and Johnson.

Post War French Popular Music Cultural Identity And The Brel Brassens Ferr Myth

Author: Adeline Cordier
Publisher: Routledge
ISBN: 1317077148
Size: 55.38 MB
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Jacques Brel, Georges Brassens and Léo Ferré are three emblematic figures of post-war French popular music who have been constantly associated with each other by the public and the media. They have been described as the epitome of chanson, and of 'Frenchness'. But there is more to the trio than a musical trinity: this new study examines the factors of cultural and national identity that have held together the myth of the trio since its creation. This book identifies the combination of cultural and historical circumstances from which the works of these three singers emerged. It presents an innovative analysis of the correlation between this iconic trio and the evolution of national myths that nurtured the cultural aspirations of post-war French society. It explores the ways in which Brel, Brassens and Ferré embody the myth of the left-wing intellectual and of the authentic 'Gaul' spirit, and it discusses the ambiguous attitude of post-war French society towards gender relations. The book takes an original look at the trio by demonstrating how it illustrates the popular representation of a key issue of French national identity: the paradoxical aspiration to both revolution and the maintenance of the status quo.

Work And Society

Author: Tim Strangleman
Publisher: Routledge
ISBN: 1134327781
Size: 43.99 MB
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Work and Society is an important new text about the sociology of work and employment. It provides both undergraduate and postgraduate students of sociology, business and politics, with a firm and enjoyable foundation to this fascinating area of sociology, giving comprehensive coverage of traditional areas of the sub-discipline as well as new trends and developments. The book is divided into three complementary and interconnected sections – investigating work, work and social change and understanding work. These sections allow readers to explore themes, issues and approaches by examining how sociologists have thought about, and researched work and how the sub-discipline has been influenced by wider society itself. Novel features include separate chapters on researching work, domestic work, unemployment and work, and the representation of work in literary and visual media.

The Essential Ewan Maccoll Songbook

Author: Peggy Seeger
Publisher:
ISBN: 9781935243120
Size: 31.67 MB
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Best known as author of the song "First Time Ever I Saw Your Face," Ewan McColl played a vital role in the "folk song revival" in Britain. 200 of his songs are included in this unique collection, compiled by Peggy Seeger, his companion for over three decades.

Cultivating Political And Public Identity

Author: Rodney Barker
Publisher: Oxford University Press
ISBN: 1526114585
Size: 20.36 MB
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Throughout the twentieth century, everyone from Marxists to economic individualists assumed that social and political activity was driven by the rational pursuit of material gain. Today, the fundamental importance of the cultivation and preservation of identity is finally re-emerging. In this book, Rodney Barker explores the rich fabric of speech, dress, diet and the built environment from which human identity is made. The colour of a scarf or the accent of a conversation can unite people or divide them, and the smallest detail can play its part in signalling who are allies and who are enemies. Identity simultaneously generates equality and inequality - it is both the engine of public life and the cause of its confusion and conflict - and a better understanding of its subtleties is crucial if we are to confront the tensions that it produces in society. Synthesising methods and ideas from numerous disciplines - including history, political science, anthropology, law and sociology - Barker presents a picture of human life as more than just a collection of material interests. His ultimate aim is to show that no human activity is trivial or meaningless, that everything counts and plumage matters.

Countercultures And Popular Music

Author: Sheila Whiteley
Publisher: Routledge
ISBN: 1317158911
Size: 46.49 MB
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’Counterculture’ emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of ’counterculture’ and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematise theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective identity. Not least, the heady mixture of genres provided a socio-cultural-political backdrop for distinctive musical practices and innovations which, in relation to counterculture ideology, provided a rich experiential setting in which different groups defined their relationship both to the local and international dimensions of the movement, so providing a sense of locality, community and collective identity.

Out Of Circulation

Author: Miranda James
Publisher: Penguin
ISBN: 1101619112
Size: 15.48 MB
Format: PDF
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Everyone in Athena, Mississippi, knows Charlie Harris, the librarian with a rescued Maine coon cat named Diesel. He's returned to his hometown to immerse himself in books, but when a feud erupts between the town's richest ladies, the writing on the wall spells murder. The Ducote sisters are in a tiff with Vera Cassity over the location of this year's library fundraising gala, and Charlie would rather curl up in a corner than get into the fray. It seems everyone--even his housekeeper Azalea--has it in for Vera. And at the gala, she gives them good reason, with a public display of rancor aimed at anyone who gets in her way. But those bitter words wind up being her last. When Charlie discovers Azalea standing over Vera's dead body, it's up to him--with a little help from Diesel--to clear Azalea's name, and catch a killer before his last chapter is finished.

Anyone Can Do It Empowerment Tradition And The Punk Underground

Author: Pete Dale
Publisher: Routledge
ISBN: 1317180240
Size: 72.68 MB
Format: PDF
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For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.