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Letters And Literacy In Hollywood Film

Author: E. Gallafent
Publisher: Springer
ISBN: 1137022191
Size: 16.92 MB
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We are so used to images of words that it is easy to ignore the different ways in which they work in films. This book explores both the letters that come in the post and the many other kinds that are offered to us on screen.

Texture In Film

Author: Lucy Fife Donaldson
Publisher: Springer
ISBN: 1137034807
Size: 13.62 MB
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Drawing on interdisciplinary perspectives of art, literature and music, Donaldson develops a stimulating understanding of a concept that has received little detailed attention in relation to film. Based in close analysis, Texture in Film brings discussion of style and affect together in a selection of case studies drawn from American cinema.

Style In British Television Drama

Author: L. Cooke
Publisher: Springer
ISBN: 1137265922
Size: 21.74 MB
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This pioneering book provides detailed analysis of scenes from nine British television dramas produced between 1954 and 2001. Taking dinner table scenes as a recurring motif, the study analyses changes in televisual style with reference to production practices, technology, aesthetic preferences, and social and institutional change.

Breaking Bad And Dignity

Author: Elliott Logan
Publisher: Springer
ISBN: 113751373X
Size: 79.93 MB
Format: PDF
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An ambitious interpretation of the critically celebrated and widely popular crime drama Breaking Bad , this book argues that not only should the series be understood as a show that revolves around the dramatic stakes of dignity, but that to do so reveals - in new ways - central aspects of serial television drama as an art form.

Adultery And The Female Star

Author: Edward Gallafent
Publisher: Springer
ISBN: 1137352248
Size: 46.64 MB
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This book provides an in-depth study of Bette Davis, Joan Fontaine, Kim Novak and Meryl Streep, and the treatment of adultery in their films. It avoids the near-impossible challenge of writing about the sheer volume of adultery in film by focusing on specific periods in the work of these four major Hollywood actresses who have each performed roles that share some features but also contain points of difference. The periods discussed cover Davis’s work in 1937 to 1943, Fontaine’s work between 1939 and 1950, Novak in 1954 to 1964, and finally Streep’s work between 1979 and 1985. Closely analysing both established classics and lesser known films, Edward Gallafent explores the work of a broad range of directors including Alfred Hitchcock, Max Ophüls, Sydney Pollack and Billy Wilder. Adultery and the Female Star explores topics such as motherhood, the significance of place, censorship, and adaptation, and is the first book of its kind to take on the topic of adultery in relation to these four actresses. It ultimately argues that our understanding of the adultery narrative is tightly bound up with our understanding of the Hollywood stars that depict it.

Testing Coherence In Narrative Film

Author: Katerina Virvidaki
Publisher: Springer
ISBN: 3319621963
Size: 21.92 MB
Format: PDF, Mobi
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This book examines the concept of coherence in film studies. It asks if there are ways to appreciate the achievement of coherence in narrative films that are characterised by an eccentric or difficult style, as well as by an apparently confusing intelligibility. In order to answer this critical question, the author argues that we need to reconsider the predominant understanding of the concept of coherence in film studies. Virvidaki identifies how a general function of coherence is manifested through the aesthetic of transparency and unobtrusiveness of classical Hollywood film. The author then proceeds to a close analysis of stylistically perplexing narrative films, in order to demonstrate how we can broaden, expand and readjust the classical criteria of coherence. Testing Coherence in Narrative Film will appeal to film and philosophy scholars interested in aesthetics and narrative form.

Hollywood Heroines

Author: Helen Hanson
Publisher: I.B.Tauris
ISBN: 9781845115623
Size: 22.62 MB
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The endangered and dangerous female figures of Rebecca, of Jagged Edge and What Lies Beneath have a deserved and enduring fascination. Helen Hanson re-examines these gothic heroines of Hollywood and their meanings, in two of Hollywood's key generic cycles, film noir and the female gothic film. Starting at the beginning, with the origin of these cycles and the ways in which they represented women in the American film industry and culture of the 1940s, she traces their revival in neo-noir and neo-gothic films from the 1980s to the present. She also places the female figures of the femme fatale, female investigator and gothic heroine within the shifting contexts of the film industry and debates in feminist film criticism. Hanson examines a wide range of films from both periods, including Suspicion, Gaslight and Pacific Heights, and gives particular attention to their presentation of female stories, actions and perspectives. She reveals a diversity of female figures, representations and actions in film noir and the female gothic film, and argues that these women are part of a negotiation of female identities, desires and roles across a long historical period. Hollywood Heroines offers us new ways of thinking about classic and contemporary Hollywood heroines, and about the interrelationships of gender and genre.

Mise En Sc Ne And Film Style

Author: A. Martin
Publisher: Palgrave Macmillan
ISBN: 9781349444175
Size: 51.17 MB
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Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.

Film Television And The Psychology Of The Social Dream

Author: Robert W. Rieber
Publisher: Springer Science & Business Media
ISBN: 1461471753
Size: 27.47 MB
Format: PDF
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​This book demonstrates how social distress or anxiety is reflected, modified, and evolves through the medium of the motion picture. Tracing cinema from its earliest forms, the authors show how film is a perfect medium for generating and projecting dreams, fantasies, and nightmares, on the individual as well as the societal level. Arising at the same time as Freud’s influential ideas, cinema has been intertwined with the wishes and fears of the greater culture and has served as a means of experiencing those feelings in a communal and taming environment. From Munsterberg’s original pronouncements in the early 20th century about the psychology of cinema, through the pioneering films of Melies, the works of the German expressionists, to James Bond and today’s superheroes this book weaves a narrative highlighting the importance of the social dream. It develops the idea that no art form goes beyond the ordinary process of consciousness in the same way as film, reflecting, as it does, the cognitive, emotional, and volitional aspects of human nature.​

The Writer On Film

Author: J. Buchanan
Publisher: Springer
ISBN: 113731723X
Size: 49.92 MB
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Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew – through acts of explicit configuration not adaptation.