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Letters And Literacy In Hollywood Film

Author: E. Gallafent
Publisher: Springer
ISBN: 1137022191
Size: 74.73 MB
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We are so used to images of words that it is easy to ignore the different ways in which they work in films. This book explores both the letters that come in the post and the many other kinds that are offered to us on screen.

Style In British Television Drama

Author: L. Cooke
Publisher: Springer
ISBN: 1137265922
Size: 50.63 MB
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This pioneering book provides detailed analysis of scenes from nine British television dramas produced between 1954 and 2001. Taking dinner table scenes as a recurring motif, the study analyses changes in televisual style with reference to production practices, technology, aesthetic preferences, and social and institutional change.

Texture In Film

Author: Lucy Fife Donaldson
Publisher: Springer
ISBN: 1137034807
Size: 31.90 MB
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Drawing on interdisciplinary perspectives of art, literature and music, Donaldson develops a stimulating understanding of a concept that has received little detailed attention in relation to film. Based in close analysis, Texture in Film brings discussion of style and affect together in a selection of case studies drawn from American cinema.

Breaking Bad And Dignity

Author: Elliott Logan
Publisher: Springer
ISBN: 113751373X
Size: 79.58 MB
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An ambitious interpretation of the critically celebrated and widely popular crime drama Breaking Bad , this book argues that not only should the series be understood as a show that revolves around the dramatic stakes of dignity, but that to do so reveals - in new ways - central aspects of serial television drama as an art form.

Adultery And The Female Star

Author: Edward Gallafent
Publisher: Springer
ISBN: 1137352248
Size: 33.87 MB
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This book provides an in-depth study of Bette Davis, Joan Fontaine, Kim Novak and Meryl Streep, and the treatment of adultery in their films. It avoids the near-impossible challenge of writing about the sheer volume of adultery in film by focusing on specific periods in the work of these four major Hollywood actresses who have each performed roles that share some features but also contain points of difference. The periods discussed cover Davis’s work in 1937 to 1943, Fontaine’s work between 1939 and 1950, Novak in 1954 to 1964, and finally Streep’s work between 1979 and 1985. Closely analysing both established classics and lesser known films, Edward Gallafent explores the work of a broad range of directors including Alfred Hitchcock, Max Ophüls, Sydney Pollack and Billy Wilder. Adultery and the Female Star explores topics such as motherhood, the significance of place, censorship, and adaptation, and is the first book of its kind to take on the topic of adultery in relation to these four actresses. It ultimately argues that our understanding of the adultery narrative is tightly bound up with our understanding of the Hollywood stars that depict it.

Mise En Sc Ne And Film Style

Author: A. Martin
Publisher: Springer
ISBN: 1137269952
Size: 68.10 MB
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Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.

Irony In Film

Author: James MacDowell
Publisher: Springer
ISBN: 1137329939
Size: 44.47 MB
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Irony in Film is the first book about ironic expression in this medium. We often feel the need to call films or aspects of them ironic; but what exactly does this mean? How do films create irony? Might certain features of the medium help or hinder its ironic potential? How can we know we are justified in dubbing any film or moment ironic? This book attempts to answer such questions, investigating in the process crucial and under-examined issues that irony raises for our understanding of narrative filmmaking. A much-debated subject in other disciplines, in film scholarship irony is habitually referred to but too seldom explored. Combining in-depth theorising with detailed close analysis, this pioneering study asks what ironic capacities films might possess, how film style may be used ironically, and what role intention should play in film interpretation. The proposed answers have significance for our understanding of not only ironic filmmaking, but the nature of expression in this medium.

The Writer On Film

Author: J. Buchanan
Publisher: Springer
ISBN: 113731723X
Size: 77.69 MB
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Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew – through acts of explicit configuration not adaptation.

Clint Eastwood

Author: Edward Gallafent
Publisher: Weidenfeld & Nicolson
ISBN: 9780289801505
Size: 75.76 MB
Format: PDF
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A critical survey of Clint Eastwood's film career to date.

The Films Of The Nineties

Author: W. Palmer
Publisher: Springer
ISBN: 023061955X
Size: 68.66 MB
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By breaking down classic films from the nineteen-nineties such as Forest Gump and Titanic, this book offers a reel-to-reel cultural analysis, chronicling the concept of 'spin' as a major sociopolitical persuasion strategy.