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Loot Legitimacy And Ownership

Author: Colin Renfrew
Publisher: Bristol Classical Press
ISBN: 9780715630341
Size: 58.12 MB
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Colin Renfrew argues that what is most precious in archaeology is the information that excavations can shed on our human past. Yet the clandestine and unpublished digging of archaeological sites for gain - looting - is destroying the context in which archaeological findings can be understood, as well as sabotaging the most valuable information. It is the source of most of the antiquities that appear on the art market today - unprovenanced antiquities, the product of illicit traffic financed, knowingly or not by the collectors and museums that buy them on a no-questions-asked basis. This trade has turned London as well as other international centres into a 'thieves kitchen' where greed triumphs over serious appreciation of the past. Unless a solution is found to this ethical crisis in archaeology, Renfrew argues that our record of the past will be vastly diminished, and his book lays bare the misunderstanding and hypocrisy that underlies that crisis.

Against Cultural Property

Author: John Carman
Publisher: Bristol Classical Press
ISBN:
Size: 73.63 MB
Format: PDF, Kindle
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This series of short volumes, each devoted to a theme which is the subject of contemporary debate in archaeology, ranges from issues in theory and method to aspects of world archaeology. If 'all property is theft', then cultural property is nothing less than the theft of culture. The term 'cultural property' is widespread in the field of heritage management and is a particularly powerful concept in legal approaches. The term and the concept it represents are never discussed, however. The idea that material that comes to us from the past should be considered 'property' accordingly seems to be taken for granted by those charged with its care. Any debate that does take place is limited to comparing private with state ownership, often under the pretence that the latter represents a form of 'stewardship'. This radical work seeks to challenge the dominance of these limiting ideas by looking for alternatives. Taking as a starting-point the four different types of property relation generally recognised by lawyers and economists, the book explores the implications for cultural objects of different property regimes.In presenting an argument that the concept of 'property' is inappropriate for the heritage, the book challenges much that is taken for granted and undiscussed in the field of heritage management.

Archaeological Ethics

Author: Karen D. Vitelli
Publisher: Rowman Altamira
ISBN: 0759114439
Size: 74.26 MB
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Looting. Reburial and repatriation. Relations with native peoples. Professional conduct. The second edition of Archaeological Ethics combines compelling articles on these topics written for a general audience with valuable teaching aids. The updated articles provide a fascinating introduction to the issues faced every day in archaeological practice. The article summaries, discussion questions, suggestions for further reading, and resource guide serve as excellent teaching aids and make this volume ideal for classroom use.

Stealing History

Author: Roger Atwood
Publisher: St. Martin's Press
ISBN: 9781429901352
Size: 37.41 MB
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Roger Atwood knows more about the market for ancient objects than almost anyone. He knows where priceless antiquities are buried, who is digging them up, and who is fencing and buying them. In this fascinating book, Atwood takes readers on a journey through Iraq, Peru, Hong Kong, and across America, showing how the worldwide antiquities trade is destroying what's left of the ancient sites before archaeologists can reach them, and thus erasing their historical significance. And it is getting worse. The discovery of the legendary Royal Tombs of Sipan in Peru started an epidemic. Grave robbers scouring the courntryside for tombs--and finding them. Atwood recounts the incredible story of the biggest piece of gold ever found in the Americas, a 2,000-year-old, three-pound masterpiece that cost one looter his life, sent two smugglers to jail, and wrecked lives from Panama to Pennsylvainia. Packed with true stories, this book not only reveals what has been found, but at what cost to both human life and history.

Who Owns Antiquity

Author: James Cuno
Publisher: Princeton University Press
ISBN: 9781400839247
Size: 23.93 MB
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Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.

Archaeology Cultural Heritage And The Antiquities Trade

Author: Neil Brodie
Publisher:
ISBN: 9780813033396
Size: 25.65 MB
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"The looting of archaeological sites and museums has recently been brought vividly to public attention. In this book, many of the world's experts on the subject examine the extent of the problem, how trafficking in illicit artifacts is carried out, and what can be done to save our cultural heritage."--Ellen Herscher, contributing editor, Archaeology magazine Archaeological artifacts have become a traded commodity in large part because the global reach of Western society allows easy access to the world's archaeological heritage. Acquired by the world's leading museums and private collectors, antiquities have been removed from archaeological sites, monuments, or cultural institutions and illegally traded. This collection of essays by world-recognized experts investigates the ways that com-modifying artifacts fuels the destruction of archaeological heritage and considers what can be done to protect it. Despite growing national and international legislation to protect cultural heritage, increasing numbers of archaeological sites--among them, war-torn Afghanistan and Iraq--are subject to pillage as the monetary value of artifacts rises. Offering comprehensive examinations of archaeological site looting, the antiquities trade, the ruin of cultural heritage resources, and the international efforts to combat their destruction, the authors argue that the antiquities market impacts cultural heritage around the world and is a burgeoning global crisis. Neil Brodie is research director of the Illicit Antiquities Research Centre at the McDonald Institute for Archaeological Research, University of Cambridge. Morag M. Kersel, a Ph.D. candidate at the University of Cambridge, is studying the legal trade of antiquities in the Middle East. Christina Luke is a research fellow in the department of archaeology at Boston University. Kathryn Walker Tubb is a lecturer in cultural heritage studies and conservation in the Institute of Archaeology, University College, London.

De Introducing The New Testament

Author: Todd Penner
Publisher: John Wiley & Sons
ISBN: 1118432967
Size: 38.90 MB
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In De-Introducing the New Testament, the authors argue for a renewed commitment to the defamiliarizing power of New Testament studies and a reclaiming of the discipline as one that exemplifies the best practices of the humanities. A new approach that asks us to ‘defamiliarize’ what we think we know about the New Testament, articulating themes and questions about its study that encourage further reflection and engagement Looks behind the traditional ways in which the NT is “introduced” to critically engage the conceptual framework of the field as a whole Provides a critical intervention into several methodological impasses in contemporary NT scholarship Offers an appraisal of the relationship between economics and culture in the production of NT scholarship Written in a style that is clear and concise, ideal for student readership

Whose Culture

Author: James Cuno
Publisher: Princeton University Press
ISBN: 1400833043
Size: 69.26 MB
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The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.

Debating The Archaeological Heritage

Author: Robin Skeates
Publisher: Bristol Classical Press
ISBN: 9780715629567
Size: 62.45 MB
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Throughout the world, competing interest groups lay claim to the material remains of the past. Archaeologists, developers, indigenous 'first peoples', looters, museum curators, national government officals, New Age worshippers, private collectors, tourists - all want their share. This introduction to contemporary debates surrounding their rival claims deals with defining, owning, protecting, managing, interpreting, and experiencing the archaeological heritage. Fundamental questions are considered: What is 'archaeological heritage'? Who should own and control the material culture of the past? How should these remains be protected? How should the archaeological heritage be presented to the public? Robin Skeates calls for greater communication and co-operation between archaeologists and other interest groups, urging archaeologists to increase the involvement of local people in the culturally valuable and vulnerable material remains of their past, and in archaeological research that attempts to be objective.