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Madrid S Forgotten Avant Garde

Author: Silvina Schammah Gesser
Publisher:
ISBN: 9781845197827
Size: 13.80 MB
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Madrid's Forgotten Avant-Garde explores the role played by artists and intellectuals who constructed and disseminated various competing images of national identity that polarized Spanish society prior to the Civil War. The convergence of modern and essentialist discourses and practices, especially in literature and poetry--in what is conventionally called in Spanish letters the Generation of '27--created fissures between competing views of aesthetics and ideology that cut across political affiliation. Author Silvina Schammah Gesser exposes the paradoxes facing Madrid's cultural vanguards, as they were torn by their ambition for universality, cosmopolitanism, and transcendence on the one hand and by the centripetal forces of nationalistic ideologies on the other. Taking upon themselves roles as disseminators and popularizers of radical positions and worldviews first elaborated and conducted by a young urban intelligentsia, their proposed aim of incorporating diverse identities embedded in different cultural constructions and discourse was to have very real and tragic consequences as political and intellectual lines polarized in the years prior to the Spanish Civil War.

Thinking About Art

Author: Penny Huntsman
Publisher: John Wiley & Sons
ISBN: 1118905172
Size: 40.26 MB
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Thinking about Art explores some of the greatest works of art and architecture in the world through the prism of themes, instead of chronology, to offer intriguing juxtapositions of art and history. The book ranges across time and topics, from the Parthenon to the present day and from patronage to ethnicity, to reveal art history in new and varied lights. With over 200 colour illustrations and a wealth of formal and contextual analysis, Thinking about Art is a companion guide for art lovers, students and the general reader, and is also the first A–level Art History textbook, written by a skilled and experienced teacher of art history, Penny Huntsman.

Epidemics And History

Author: Sheldon J. Watts
Publisher: Yale University Press
ISBN: 9780300080872
Size: 39.76 MB
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A study of the great epidemic scourges of humanity over the last six centuries. It examines the connections between the movement of epidemics and the manifestations of imperial power in the Americas, Asia, Africa, and Europe, showing how perceptions of whom a disease targeted changed over time.

A Companion To Spanish Cinema

Author: Jo Labanyi
Publisher: John Wiley & Sons
ISBN: 1119170133
Size: 74.82 MB
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A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in–depth textual analysis of specific films Explores Spanish cinema s cultural, artistic, industrial, theoretical and commercial contexts pre– and post–1975 and the notion of a national cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non–fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically–driven section designed to stimulate innovative research

Between Two Revolutions

Author: Peter Waldron
Publisher: Routledge
ISBN: 9781857286410
Size: 69.26 MB
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Why did the Tsarist regime fail to withstand the 1917 revolution? This research examines the key period between the failure of the 1905 revolution and the successes of 1917.

The Eagle And The Dragon

Author: Serge Gruzinski
Publisher: John Wiley & Sons
ISBN: 0745681344
Size: 69.35 MB
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In this important new book the renowned historian Serge Gruzinski returns to two episodes in the sixteenth century which mark a decisive stage in global history and show how China and Mexico experienced the expansion of Europe. In the early 1520s, Magellan set sail for Asia by the Western route, Cortes seized Mexico and some Portuguese based in Malacca dreamed of colonizing China. The Aztec Eagle was destroyed but the Chinese Dragon held strong and repelled the invaders - after first seizing their cannon. For the first time, people from three continents encountered one other, confronted one other and their lives became entangled. These events were of great interest to contemporaries and many people at the time grasped the magnitude of what was going on around them. The Iberians succeeded in America and failed in China. The New World became inseparable from the Europeans who were to conquer it, while the Celestial Empire became, for a long time to come, an unattainable goal. Gruzinski explores this encounter between civilizations that were different from one another but that already fascinated contemporaries, and he shows that our world today bears the mark of this distant age. For it was in the sixteenth century that human history began to be played out on a global stage. It was then that connections between different parts of the world began to accelerate, not only between Europe and the Americas but also between Europe and China. This is what is revealed by a global history of the sixteenth century, conceived as another way of reading the Renaissance, less Eurocentric and more in tune with our age.

Imaginal Machines

Author: Stevphen Shukaitis
Publisher: Autonomedia
ISBN: 9781570272080
Size: 42.74 MB
Format: PDF
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Drawing from autonomist politics, class composition analysis and avant-garde arts, Imaginal Machines explores the emergence, functioning and constant breakdown of the embodied forms of racial imagination.

International Encyclopedia Of Men And Masculinities

Author: Michael Flood
Publisher: Routledge
ISBN: 1134317069
Size: 28.93 MB
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The International Encyclopedia of Men and Masculinities offers a comprehensive guide to the current state of scholarship about men, masculinities, and gender around the world. The Encyclopedia's coverage is comprehensive across three dimensions: areas of personal and social life, academic disciplines, and cultural and historical contexts and formations. The Encyclopedia: examines every area of men's personal and social lives as shaped by gender covers masculinity politics, the men's groups and movements that have tried to change men's roles presents entries on working with particular groups of boys or men, from male patients to men in prison incorporates cross-disciplinary perspectives on and examinations of men, gender and gender relations gives comprehensive coverage of diverse cultural and historical formations of masculinity and the bodies of scholarship that have documented them. The Encyclopedia of Men and Masculinities is composed of over 350 free-standing entries written from their individual perspectives by eminent scholars in their fields. Entries are organized alphabetically for general ease of access but also listed thematically at the front of the encyclopedia, for the convenience of readers with specific areas of interest.

Not The Other Avant Garde

Author: James M. Harding
Publisher: University of Michigan Press
ISBN: 9780472025091
Size: 19.78 MB
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Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history. "Joins the growing field of critical and transnational theories on the arts. . . its grounding in live performance and its foregrounding of the performative human body presents a new theoretical paradigm that is pathbreaking." --Haiping Yan, University of California, Los Angeles James M. Harding is Associate Professor of English at Mary Washington University. He is author of Adorno and "A Writing of the Ruins": Essays on Modern Aesthetics and Anglo-American Literature and Culture and editor of Contours of the Theatrical Avant-Garde: Performance and Textuality. John Rouse is Associate Professor of Theater at the University of California, San Diego. He is author of Brecht and the West German Theatre.

The Academy And The Limits Of Painting In Seventeenth Century France

Author: Paul Duro
Publisher:
ISBN: 9780521495011
Size: 50.45 MB
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The Academy and the Limits of Painting in Seventeenth-Century France is the first study in over a century devoted to the creation of one of the most important European institutions of art, the French Académie Royale. Founded in the mid-1660s, the Academy institutionalised the discourse around painting and thus had an immediate impact on the making of art in France, becoming a decisive influence on painting until the close of the nineteenth century. In the process of forging an identity for itself, the Academy redefined almost every aspect of art - the nature of art training, the sources of patronage, the social standing of the artist, and the place of the arts in national life.