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Le Marteau Sans Ma Tre

Author: René Char
Publisher: Gallimard Education
ISBN:
Size: 78.37 MB
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"Ce recueil, publié en 1934 puis 1945, témoigne de la proximité de Char avec le mouvement surréaliste, auquel il n'a appartenu que quelques années, par amitié pour Eluard. Cependant il n'a pas adhéré à la doctrine surréaliste, et n'en a pas utilisé la méthode d'écriture automatique. A la fois une proximité et un passage.

French Music Since Berlioz

Author: Caroline Potter
Publisher: Routledge
ISBN: 1351566474
Size: 46.17 MB
Format: PDF, Kindle
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French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D?dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur?Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an

Encyclopedia Of Literary Translation Into English A L

Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Size: 10.42 MB
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This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

Modern French Poets

Author: Jean-François Leroux
Publisher: Gale / Cengage Learning
ISBN: 9780787652524
Size: 64.56 MB
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Essays on French poets of the twentieth-century discusses collective creations, open-ended storytelling, Cubism, surrealism, avant-garde poetry, symbolism, as well as reflections on the various creative processes employed by these French poets.

Pierre Boulez Studies

Author: Edward Campbell
Publisher: Cambridge University Press
ISBN: 1107062659
Size: 16.43 MB
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This collection explores the works, influence, reception and legacy of one of the most important composers in contemporary musical life.

Six French Poets Of Our Time

Author: Robert W. Greene
Publisher: Princeton University Press
ISBN: 140086920X
Size: 40.98 MB
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During the last sixty to seventy years avant-garde poetry in France has evolved in two directions: one toward poetry conceived as a means to an end, the other toward poetry as an end in itself. Focusing on Pierre Reverdy, Francis Ponge, René Char, André du Bouchet, Jacques Dupin, and Marcelin Pleynet as the modern French poets who most faithfully reflect these directions, Robert Greene's chronological study allows us to follow the two-pronged evolution of French poetry since 1910. Situating his argument in a detailed historical context and basing it on comparisons with artistic movements and the poets' own writings on art, and on extended analyses of selected representative poems, the author is able to establish a new intellectual-historical perspective on contemporary poetry. Professor Greene finds that whereas Reverdy, Char, du Bouchet, and Dupin all embrace a conception of poetry as quest, as a search for the absolute, as the Way of beauty or truth, Ponge and Pleynet hold to a view of poetry as jête, as a celebration of the relative, as the play and display of language in action. What knits them together, he concludes, is the way in which each poet sums up his era as a stage in the development of twentieth-century French poetry. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.