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Media Culture And Society In Iran

Author: Mehdi Semati
Publisher: Routledge
ISBN: 1135981558
Size: 73.54 MB
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By exploring topics such as the Internet, print press, advertising, satellite television, video, rock music, literature, cinema, gender, religious intellectuals, and secularism, this unique and wide-ranging volume explains Iran as a complex society that has successfully managed to negotiate and embody the tensions of tradition and modernity, democracy and theocracy, isolation and globalization, and other such cultural-political dynamics that escape the explanatory and analytical powers of all-too-familiar binary relations. Featuring contributions from among the best-known and emerging scholars on Iranian media, culture, society, and politics, this volume uncovers how the existing perspectives on post-revolutionary Iranian society have failed to appreciate the complexity, the paradoxes and the contradictions that characterize life in contemporary Iran, resulting in a general failure to explain and to anticipate its contemporary social and political transformations.

Iran

Author: Hamid Dabashi
Publisher: CRC Press
ISBN: 1351350587
Size: 26.41 MB
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Hamid Dabashi's 2007 Iran: A People Interrupted is simultaneously subtle, passionate, polarizing and polemical. A concise account of Iranian history from the early 19th-century onward, Dabashi's book uses his incisive analytical skills as a basis for creating a persuasive argument against the views of Iran that predominate in the West. In Dabashi's view, Western approaches to Iran have been colored time and time again by the assumption that it is somehow trapped between regressive 'tradition, ' and progressive 'modernity.' The reality, he argues, is quite the opposite: Iran has its own distinctive ideology of modernity, which is nevertheless opposed to many Western ideals. In order to prove his point, Dabashi draws on a lifetime's experience of literary criticism to analyse the relationship between Iran's intellectual and political elites over two centuries. His analysis provides the key evidence for his reasoning by teasing out the implicit assumptions that underly the texts and people he examines. Looking beneath the surface of the evidence, Dabashi finds - time and time again - the traces of a uniquely Iranian notion of modernity that is quite at odds with its Western counterpart.

Women And Politics In Iran

Author: Hamideh Sedghi
Publisher: Cambridge University Press
ISBN: 1139463721
Size: 47.25 MB
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Why were urban women veiled in the early 1900s, unveiled from 1936 to 1979, and reveiled after the 1979 revolution? This question forms the basis of Hamideh Sedghi's original and unprecedented contribution to politics and Middle Eastern studies. Using primary and secondary sources, Sedghi offers new knowledge on women's agency in relation to state power. In this rigorous analysis she places contention over women at the centre of the political struggle between secular and religious forces and demonstrates that control over women's identities, sexuality, and labor has been central to the consolidation of state power. Sedghi links politics and culture with economics to present an integrated analysis of the private and public lives of different classes of women and their modes of resistance to state power.

Gender In Contemporary Iran

Author: Roksana Bahramitash
Publisher: Taylor & Francis
ISBN: 113682426X
Size: 67.56 MB
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This book examines gender and the transformation of contemporary Iran.€In particular it documents the changes in women's lives, challenging the idea that the revolution put back the clock for women and showing€how they have now become agents of social change rather than victims.

Iranian Culture

Author: Nasrin Rahimieh
Publisher: Routledge
ISBN: 1317429354
Size: 71.23 MB
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Throughout modern Iranian history, culture has served as a means of imposing unity and cohesion onto society. The Pahlavi monarchs used it to project an image of Iran as an ancient civilisation, re-emerging as an equal to Western nations, while the revolutionaries deployed it to remake the country into an Islamic nation. Just as Iranian culture has been continually re-interpreted, the representations and avocations of Iranian identity vary amongst Iranians across the world. Iranian Culture: Representation and Identity demonstrates these fissures and the incompatibilities that refuse to be written out of national culture, analysing works of literature, popular music, graphic art and film, as well as oral narratives. Using works produced before and after the 1979 revolution, created both inside and outside of Iran, this study reveals neglected complexities and contradictions in the field of Iranian cultural production. It considers how contested claims to culture, whether they originated in Iran or the Iranian diaspora, shape our understanding of this culture and what spaces they create for new articulations of it, and in doing so offers an important re-examination of our collective concept of culture. This book would be an excellent resource for students and scholars of Middle East Studies and Iranian Studies, specifically Iranian culture including film and contemporary literature and the Iranian diaspora.

Iran

Author: Homa Katouzian
Publisher: Routledge
ISBN: 1136172904
Size: 79.34 MB
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This book offers a view of Iran through politics, history and literature, showing how the three angles combine. Iran, being a revolutionary society, experienced two great revolutions within the short span of just seventy years, from the 1900s to the 1970s. Both were massive revolts of the society against the state; the main objective of the first being to establish lawful government to make modernisation possible, and the second, to overthrow the absolute and arbitrary state, though this time mainly under the banner of religion and Marxism-Leninism and anti-Westernism. Neither of them succeeded in their lofty ideals for reasons that are explained and analysed within. The author also offers a detailed description of Iran’s short-term society, examining the political and intellectual lives of two of the most remarkable intellectuals-cum-politicians of the twentieth century. This book provides an overview of modern Persian literature, both poetry and prose, and discusses the works of three of the most remarkable Persian poets and writers of the period. It considers classical Persian literature through the great variety of its form and substance, and neo-classical literary developments in the nineteenth century, covering the whole history of Persian literature. This is crowned in the last chapter by the love poetry of one of the greatest Persian poets. Iran will be of interest to students and scholars of Iranian studies and Middle East Politics.

Being Modern In Iran

Author: Fariba Adelkhah
Publisher: Columbia University Press
ISBN: 0231119410
Size: 68.79 MB
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Since its 1979 revolution seized the world's attention, the Islamic Republic of Iran has remained a subject of misunderstanding, passion, and polemic. This book -- a study of Iran's political culture in the broadest and deepest sense -- examines the tremendous changes taking place in Iran today. Most studies of contemporary Iran overemphasize the revolution's radical break with the past and focus exclusively on the Republic's Islamic character as the decisive factor in its social reality. But modernity has not simply been banished and excluded from Iran; nor have the effects of globalization passed it by. Drawing on her extensive ethnographic fieldwork in Iran and an encyclopedic knowledge of contemporary Iranian politics and culture, anthropologist Fariba Adelkhah investigates modernity in the Islamic Republic of Iran by looking at the growth of individualism, the bureaucracy, commercial forces, and rationalization in post-revolution Iran.

Soundtrack Of The Revolution

Author: Nahid Siamdoust
Publisher: Stanford University Press
ISBN: 1503600963
Size: 18.98 MB
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Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. The state made use of music for its propaganda during the Iran–Iraq war. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians—a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper—each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran—about its future and identity, changing notions of religious belief, and the quest for political freedom. Siamdoust shows that even as state authorities resolve, for now, to allow greater freedoms to Iran's majority young population, they retain control and can punish those who stray too far. But music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public.

A Social History Of Iranian Cinema Volume 1

Author: Hamid Naficy
Publisher: Duke University Press
ISBN: 082234775X
Size: 43.15 MB
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A comprehensive social history of Iranian cinema address documentaries, popular genres, and art films and explores the role of film and media in shaping a modern national identity in Iran.

Cultural Revolution In Iran

Author: Annabelle Sreberny
Publisher: I.B.Tauris
ISBN: 0857734407
Size: 39.32 MB
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The Islamic Republic of Iran is several decades into its existence and the values and legacy of the Revolution upon which it was founded continue to have profound and contradictory consequences for everyday Iranian life. Despite a powerful system of surveillance and control, an extremely lively cultural milieu exists in the country, utilising many different forms of expression, including film, theatre, music and dance. Cultural Revolution in Iran examines the diverse areas of social and cultural innovation that are driving change and progress, both negotiating and resisting government policies and censorship. While religious conservatism remains the creed of the establishment, this volume uncovers a hidden world of new technologies, social media and entertainment that speaks both to women seeking a greater public role and to a restless younger generation that organises and engages with global trends online. In this volume, Annabelle Sreberny and Massoumeh Torfeh highlight the huge range of cultural activities which allow Iranians to express themselves, voice their coded opinions in between the ‘red lines’ of censorship and even engage in social and civil disobedience. From film to rock music and from painting to video games, there is a vast array of cultural expression and dissent that often eludes the international observer. For example, film production in Iran is highThe Islamic Republic of Iran is several decades into its existence and the values and legacy of the Revolution upon which it was founded continue to have profound and contradictory consequences for everyday Iranian life. Despite a powerful system of surveillance and control, an extremely lively cultural milieu exists in the country, utilising many different forms of expression, including film, theatre, music and dance. Cultural Revolution in Iran examines the diverse areas of social and cultural innovation that are driving change and progress, both negotiating and resisting government policies and censorship. While religious conservatism remains the creed of the establishment, this volume uncovers a hidden world of new technologies, social media and entertainment that speaks both to women seeking a greater public role and to a restless younger generation that organises and engages with global trends online. In this volume, Annabelle Sreberny and Massoumeh Torfeh highlight the huge range of cultural activities which allow Iranians to express themselves, voice their coded opinions in between the ‘red lines’ of censorship and even engage in social and civil disobedience. From film to rock music and from painting to video games, there is a vast array of cultural expression and dissent that often eludes the international observer. For example, film production in Iran is high and women directors, such as Rakhshan Bani-Etemad, Samira Makhmalbaf and Manijeh Hekmat, have come to the fore, making both popular but also prize-winning films. In addition to this, there is a vibrant music scene in Iran where many performances occur literally ‘underground’, in private basements, as illegal activity. Sometimes an audience has to wait patiently in the auditorium for the start of a public performance – for example, to hear Morteza Shafiei conducting the Isfahan Symphony Orchestra – whilst the organisers debate with the authorities as to whether the performance can go ahead or not. It is these activities and modes of communication and expression that are central to this volume, making Cultural Revolution in Iran essential for those researching the modern Iranian state as well as those looking at everyday life and popular culture under authoritarian governments and women directors, such as Rakhshan Bani-Etemad, Samira Makhmalbaf and Manijeh Hekmat, have come to the fore, making both popular but also prize-winning films. In addition to this, there is a vibrant music scene in Iran where many performances occur literally ‘underground’, in private basements, as illegal activity. Sometimes an audience has to wait patiently in the auditorium for the start of a public performance – for example, to hear Morteza Shafiei conducting the Isfahan Symphony Orchestra – whilst the organisers debate with the authorities as to whether the performance can go ahead or not. It is these activities and modes of communication and expression that are central to this volume, making Cultural Revolution in Iran essential for those researching the modern Iranian state as well as those looking at everyday life and popular culture under authoritarian governments