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The Medieval Theatre

Author: Glynne Wickham
Publisher: Cambridge University Press
ISBN: 9780521312486
Size: 53.38 MB
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This is a thoroughly revised edition of Glynne Wickham's important history of the development of dramatic art in Christian Europe. Professor Wickham surveys the foundations on which this dramatic art was built: the architecture, costumes and ceremonial of the imperial court at Byzantium, the liturgies of countires in the Eastern and Western Empires and the triumph of the Roman rite and the Romanesque style in Western art. Within this context Professor Wickham describes three major influences upon the drama: religion, recreation and commerce. The first produced the liturgical music drama rooted in praise of Christ the King, vernacular Corpus Christi drama, Saint Plays and Moralities centred on the humanity of Christ. The second gave rise to the secular theatres of social recreation based on the games and dances of village communities ad the more sophisticated sex and war games of the nobility. The section on commerce shows how the development of the drama was intimately related to questions of funding and management which led, during the sixteenth century, to the substitution of a professional for an amateur theatre, and to a growing emphasis on stage spectacle. For this third edition the author has added a substantial section on monastic reform and its effect on Biblical translation and the use of allegory; a final chapter charts the transition in different European countries from this medieval Gothic theatre to the neoclassical methods of play construction and representation which flourished for the next two hundred years. The book gorges a coherent pattern through a very large and complicated subject. It is an excellent introduction to medieval theatre for undergraduates and to the growing number of theatregoers who enjoy contemporary revivals of medieval plays. A large plate section gives a pictorial version of the story, using photographs of contemporary manuscript illuminations, mosaics, frescoes, paintings and sculptures.

Chronik Des Europ Ischen Theaters

Author: Wolfgang Beck
Publisher: Springer-Verlag
ISBN: 3476050246
Size: 60.32 MB
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Zweieinhalb Jahrtausende Theater in Europa. Die Chronik zeigt Schauspielkunst unter den verschiedensten politischen, historischen und ästhetischen Vorzeichen und enthält die wichtigsten Personen und Bühnenereignisse, kulturhistorische und politische Hintergründe sowie Daten zum Theaterwesen. Ein ideales Informationsmittel für alle, die praktisch und theoretisch, schreibend oder spielend mit Theater zu tun haben.

Die Welt Als B Hne

Author: Manfred Brauneck
Publisher: Springer-Verlag
ISBN: 3476000362
Size: 32.66 MB
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Band 6 deckt das Gesamtwerk mit Registern ab. Er enthält ein Titelregister, das sämtliche Titel der besprochenen Theaterstücke nennt, Namen- und Ortsregister der Bände 1 bis 5, eine Chronik und eine thematisch gegliederte Bibliografie. Ein unverzichtbares Arbeitsmittel.

The Cambridge Companion To Medieval English Theatre

Author: Richard Beadle
Publisher: Cambridge University Press
ISBN: 9780521459167
Size: 15.68 MB
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The mystery plays and other drama of the English Middle Ages are perennially popular with students and theater audiences alike. This book gives an up-to-date account of the field, aimed at students of English literature and theater, as well as showing how the plays can be appreciated by the theater-going public in modern productions. It introduces new readers to famous mystery cycles such as those of Chester and York, and to great morality plays such as Everyman. There is a strong emphasis on theatricality, with numerous illustrations and valuable reference material.

Medieval Theatre Performance

Author: Philip Butterworth
Publisher: Boydell & Brewer
ISBN: 1843844761
Size: 19.53 MB
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Investigations into the "realities" of staging dramatic performances, of a variety of kinds, in the middle ages.

Reader S Guide To Literature In English

Author: Mark Hawkins-Dady
Publisher: Routledge
ISBN: 1135314179
Size: 12.13 MB
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Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.

Medieval English Drama

Author: Katie Normington
Publisher: John Wiley & Sons
ISBN: 074565486X
Size: 26.76 MB
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Medieval English Drama provides a fresh introduction to the dramatic and festive practices of England in the late Middle Ages. The book places particular emphasis on the importance of the performance contexts of these events, bringing to life a period before permanent theatre buildings when performances took place in a wide variety of locations and had to fight to attract and maintain the attention of an audience. Showing the interplay between dramatic and everyday life, the book covers performances in convents, churches, parishes, street processions and parades, and in particular distinguishes between modes of outdoor and indoor performance. Katie Normington aids the reader to a fuller understanding of these early English dramatic practices by explaining the significance of the place of performance, the particularities of spectatorship for each event and how the conventions of the form of drama were manipulated to address its reception. Audiences considered range from cloistered members, congregations and parish members to urban citizens, nobles and royalty. Undergraduate students of literature of this period will find this an approachable and illuminating guide.

The Idea Of The Theater In Latin Christian Thought

Author: Donnalee Dox
Publisher: University of Michigan Press
ISBN: 9780472025152
Size: 28.49 MB
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"Through well-informed and nuanced readings of key documents from the fourth through fourteenth centuries, this book challenges historians' long-held beliefs about how concepts of Greco-Roman theater survived the fall of Rome and the Middle Ages, and contributed to the dramatic triumphs of the Renaissance. Dox's work is a significant contribution to the history of ideas that will change forever the standard narrative of the birth and development of theatrical activity in medieval Europe." ---Margaret Knapp, Arizona State University "...an elegantly concise survey of the way classical notions of theater have been interpreted in the Latin Middle Ages. Dox convincingly demonstrates that far from there being a single 'medieval' attitude towards theater, there was in fact much debate about how theater could be understood to function within Christian tradition, even in the so-called 'dark ages' of Western culture. This book makes an innovative contribution to studies of the history of the theater, seen in terms of the history of ideas, rather than of practice." ---Constant Mews, Director, Centre for the Study of Religion & Theology, University of Monash, Australia "In the centuries between St. Augustine and Bartholomew of Bruges, Christian thought gradually moved from a brusque rejection of classical theater to a progressively nuanced and positive assessment of its value. In this lucidly written study, Donnalee Dox adds an important facet to our understanding of the Christian reaction to, and adaptation of, classical culture in the centuries between the Church Fathers and the rediscovery of Aristotle." ---Philipp W. Rosemann, University of Dallas This book considers medieval texts that deal with ancient theater as documents of Latin Christianity's intellectual history. As an exercise in medieval historiography, this study also examines biases in modern scholarship that seek links between these texts and performance practices. The effort to bring these texts together and place them in their intellectual contexts reveals a much more nuanced and contested discourse on Greco-Roman theater and medieval theatrical practice than has been acknowledged. The book is arranged chronologically and shows the medieval foundations for the Early Modern integration of dramatic theory and theatrical performance. The Idea of the Theater in Latin Christian Thought will be of interest to theater historians, intellectual historians, and those who work on points of contact between the European Middle Ages and Renaissance. The broad range of documents discussed (liturgical treatises, scholastic commentaries, philosophical tracts, and letters spanning many centuries) renders individual chapters useful to philosophers, aestheticians, and liturgists as well as to historians and historiographers. For theater historians, this study offers an alternative reading of familiar texts which may alter our understanding of the emergence of dramatic and theatrical traditions in the West. Because theater is rarely considered as a component of intellectual projects in the Middle Ages, this study opens a new topic in the writing of medieval intellectual history.