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Men And Masculinities In Irish Cinema

Author: D. Ging
Publisher: Springer
ISBN: 1137291931
Size: 73.44 MB
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Spanning a broad trajectory, from the New Gaelic Man of post-independence Ireland to the slick urban gangsters of contemporary productions, this study traces a significant shift from idealistic images of Irish manhood to a much more diverse and gender-politically ambiguous range of male identities on the Irish screen.

Masculinities And The Nation In The Modern World

Author: Simon Wendt
Publisher: Springer
ISBN: 1137536101
Size: 10.24 MB
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Masculinities and the Nation in the Modern World sheds new light on the interrelationship between gender and the nation, focusing on the role of masculinities in various processes of nation-building in the modern world between 1800 and the 1960s.

Masculinities In Literature Of The American West

Author: Lydia R. Cooper
Publisher: Springer
ISBN: 1137564776
Size: 58.61 MB
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The Western genre provides the most widely recognized, iconic images of masculinity in the United States - gun-slinging, laconic white male heroes who emphasize individualism, violence, and an idiosyncratic form of justice. This idealized masculinity has been fused with ideas of national identity and character. Masculinities in Literature of the American West examines how contemporary literary Westerns push back against the coded image of the Western hero, exposing pervasive anxieties about what it means to "act like a man." Contemporary Westerns critique assumptions about innate connections between power, masculinity, and "American" character that influence public rhetoric even in the late 20th and early 21st centuries. These novels struggle with the monumental challenge of all Westerns: the challenge of being human in a place where "being a man" is so strictly coded, so unachievable, so complicit in atrocity, and so desirable that it is worth dying for, worth killing for, or perhaps worth nothing at all.

Historical Dictionary Of Film Noir

Author: Andrew Spicer
Publisher: Scarecrow Press
ISBN: 9780810873780
Size: 67.37 MB
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The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.

Irish Masculinity On Screen

Author: Joseph Paul Moser
Publisher: McFarland
ISBN: 147660245X
Size: 26.58 MB
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Examining images of gender and violence, this book analyzes selected works of three influential artists of the Irish cinema—Ford, Sheridan and Greengrass—whose careers, taken together, span the period from 1939 to the present. These three explore fundamental questions about identity, patriarchy and violence within Irish and Irish-American contexts, and in the process upset conventional notions of masculine authority. Furthermore, Ford’s later films interestingly depart from the egalitarian ideals that distinguish his pre–World War II films.

Men And Masculinities Global Masculinities

Author: Stephen M. Whitehead
Publisher:
ISBN: 9780415402088
Size: 21.15 MB
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The sociology of masculinity began to assume real significance from the late 1980s onwards. Part of "Critical Concepts in Sociology" series, this five volume set brings together material in the field, and serves as a useful resource for scholars and students.

Male Trouble

Author: F. Walsh
Publisher: Springer
ISBN: 0230281753
Size: 77.50 MB
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A rich analysis of the discourses and figurations of 'crisis masculinity' around the turn of the twenty-first century, working at the intersection of performance and cultural studies and looking at film, television, drama, performance art, visual art and street theatre.

Masculinity In Contemporary New York Fiction

Author: Peter Ferry
Publisher: Routledge
ISBN: 1317743156
Size: 26.95 MB
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Masculinity in Contemporary New York Fiction is an interdisciplinary study that presents masculinity as a key thematic concern in contemporary New York fiction. This study argues that New York authors do not simply depict masculinity as a social and historical construction but seek to challenge the archetypal ideals of masculinity by writing counter-hegemonic narratives. Gendering canonical New York writers, namely Paul Auster, Bret Easton Ellis, and Don DeLillo, illustrates how explorations of masculinity are tied into the principal themes that have defined the American novel from its very beginning. The themes that feature in this study include the role of the novel in American society; the individual and (urban) society; the journey from innocence to awareness (of masculinity); the archetypal image of the absent and/or patriarchal father; the impact of homosocial relations on the everyday performance of masculinity; male sexuality; and the male individual and globalization. What connects these contemporary New York writers is their employment of the one of the great figures in the history of literature: the flâneur. These authors take the flâneur from the shadows of the Manhattan streets and elevate this figure to the role of self-reflexive agent of male subjectivity through which they write counter-hegemonic narratives of masculinity. This book is an essential reference for those with an interest in gender studies and contemporary American fiction.

Contemporary Irish Cinema

Author: James MacKillop
Publisher: Syracuse University Press
ISBN: 9780815627982
Size: 61.59 MB
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Movies from and about Ireland have attracted huge augiences, capturing top international prizes (The Crying Game) and an Academy Award (My Left Foot). In this text, contributors take a variety of approaches to the treatment of films and film makers. They probe cinema's rewriting of Irish history, from Michael Collins and In the Name of the Father to Lost Beginnings.