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Modern Theories Of Art From Impressionism To Kandinsky

Author: Moshe Barasch
Publisher: NYU Press
ISBN: 081471272X
Size: 39.55 MB
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"Bill Orr has produced a handy compendium of statistics, with cogent explanations, on the world economy in the 1990s. National incomes, output, trade, asset markets, debt, foreign aid and population are presented by nation, region and level of development. As a tool, it belongs in the office, study, or newsroom next to the dictionary, and the atlas." --Charles P. Kindleberger, Professor of Economics, Emeritus Massachusetts Institute of Technology The Global Economy in the 90s provides a broad statistical guide for all of us in an era of increasing international interdependence: a much-needed contribution. --Alfred J. Malabre, Jr., author of Within Our Means "Talk about timely! Like a light in the dark swamp of geo- political-governmental charts, graphs, and tables. [Orr] is there standing over your shoulder, showing you how he interprets each and every graph, and before you know it, you've got your calculator out, and you start to see things that you never saw before. It's addictive. No boring textbook, this book is a masterfully navigated experience through a very confusing jungle. Orr has taken the statistics from dozens of sources and recast them into graphs that are so easy to read. Try it yourself, open the book anywhere. This is a real gem." &#;Richard Barnaby, C.P.A., C.D.P.President, Business Support Services, Inc.Software for the Petroleum Trading Industry The Global Economy in the 1990s presents, in one comprehensive volume, essential facts and analyses of all aspects of an increasingly integrated global economy. Filled with hundreds of lively graphs that reveal trends and relationships, hundreds of tables that provide concrete numbers for individual research, and succinct short essays that put each facet of economic activity in its global context, this invaluable reference is derived and enhanced from over 20 official sources--including the World Bank, International Monetary Fund, GATT, United Nations, the U.S. Federal Reserve System, the U.S. Central Intelligence Agency, and the European Community.

Theories Of Art

Author: Moshe Barasch
Publisher: Routledge
ISBN: 1135199736
Size: 32.12 MB
Format: PDF
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First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Modern Theories Of Art 2

Author: Moshe Barasch
Publisher: NYU Press
ISBN: 0814739482
Size: 15.90 MB
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In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.

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Author: Moshe Barasch
Publisher: NYU Press
ISBN: 0814712142
Size: 80.58 MB
Format: PDF
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Howard S. Schwartz shows how American industry is in a process of decay unable to cope with foreign competition and stagnant in technological development. He attributes this Organizational Decay to a reluctance in the part of corporate members to deal with reality.

Theories Of Art

Author: Moshe Barasch
Publisher: Routledge
ISBN: 1135199795
Size: 59.55 MB
Format: PDF, ePub, Docs
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First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Beauty And Art

Author: Elizabeth Prettejohn
Publisher: OUP Oxford
ISBN: 0191516511
Size: 31.45 MB
Format: PDF, Kindle
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What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingres to Rossetti, C├ęzanne to Jackson Pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century?