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Movies And The Reagan Presidency

Author: Chris Jordan
Publisher: Greenwood Publishing Group
ISBN: 9780275979676
Size: 38.89 MB
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"The 1980s were unique in both American history and the history of American cinema. It was a time when a United States present - a former B-movie actor and Cold War industry activist - served as a catalyst for the coalescence of trends in Hollywood's political structure, mode of production, and film content. Ronald Reagan championed a success ethos that recognized economic and moral self-governance as the basis of a democratic society. His agenda of tax reform and industry deregulation simultaneously promoted the absorption of Hollywood's major studios into tightly diversified media conglomerates, and concentrations of ownership promoted the production and release of movies with maximum revenue potential. Indeed, the most commercially successful movies of the decade put forth the ideologies of WASP America, nuclear family self-sufficiency, and conspicuous consumption." "Three genres in particular - the biracial buddy movie, the MTV music-video movie, and the yuppie movie - provide case studies of how Reagan-era cinema addressed issues of race, gender, and class in ways very much in tune with Reaganomics and the President's cultural policies. Author Chris Jordan provides a complete overview of both the influence of Reagan's presidency on the film industry and on the films themselves. Exploring '80s genres and movies with both a sociocultural and aesthetic eye, this book will be invaluable to historians, cinema scholars, and film buffs."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The American Success Myth On Film

Author: Julie Levinson
Publisher: Palgrave Macmillan
ISBN: 0230363369
Size: 44.50 MB
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Contemporary cultural narratives, like ancient myths, speak to our common aspirations, anxieties, and perplexities. These ritually retold stories help to create a sense of communal identity. The American Success Myth on Film considers how movies, as bearers of modern myths, have illuminated – if not resolved – the ideological contradictions at the heart of the American idea of success. In examining the enduring appeal that the success myth exerts on our collective imagination, it highlights the central role that films have played in the ongoing cultural conversation about success and work in America. Analyses of a range of movies from the late 1920s to the present are grounded in the history of rags-to-riches tales and in a consideration of the social functions of myth. This expansive analysis of the American success myth exposes the insistent, but sometimes implicit, attitudes toward success that infuse our cultural narratives and, not incidentally, underlie our national self-image, our public discourse, and our personal ideals.

Uncovering Stranger Things

Author: Kevin J. Wetmore, Jr.
Publisher: McFarland
ISBN: 1476633649
Size: 15.26 MB
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The Duffer Brothers’ award-winning Stranger Things exploded onto the pop culture scene in 2016. The Netflix original series revels in a nostalgic view of 1980s America while darkly portraying the cynical aspects of the period. This collection of 23 new essays explores how the show reduces, reuses and recycles '80s pop culture—from the films of Spielberg, Carpenter and Hughes to punk and synthwave music to Dungeons & Dragons—and how it shapes our understanding of the decade through distorted memory. Contributors discuss gender and sexual orientation; the politics, psychology and educational policies of the day; and how the ultimate upper-class teen idol of the Reagan era became Stranger Things' middle-aged blue-collar heroine.

Directory

Author: Modern Language Association of America
Publisher:
ISBN:
Size: 74.92 MB
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Media Minorities

Author: Stephanie Greco Larson
Publisher: Rowman & Littlefield Publishers
ISBN: 9780847694525
Size: 56.82 MB
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Media and Minorities looks at the media's racial tendencies with an eye to identifying the system supportive messages conveyed and offering challenges to them. The book covers all major media--including television, film, newspapers, radio, magazines, and the Internet--and systematically analyzes their representation of the four largest minority groups in the U.S. African Americans, Native Americans, Latinos, and Asian Americans. Entertainment media are compared and contrasted with news media, and special attention is devoted to coverage of social movements for racial justice and politicians of color.

A History Of Film

Author: Virginia Wright Wexman
Publisher: Allyn & Bacon
ISBN:
Size: 69.16 MB
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Substantially revised for this edition, "A History of Film" is a comprehensive international survey of film from its beginnings to the present. This text highlights the contributions of major film-producing countries, significant filmmakers, and their films within social, artistic, economic, and technological contexts. This Sixth Edition incorporates major revisions designed to improve the book's focus and provide more balanced coverage. New to the Sixth Edition Includes new chapters on Indian and Chinese cinemas, emphasizing the exploding film industry in these two countries. Adds a chapter on "The Digital Future" in American film, bringing the text up-to-date with latest technological and industrial developments. Discusses more women filmmakers throughout the text and adds a section on Asian-American filmmakers, expanding the diversity and inclusiveness of the text. Replaces many illustrations with new examples, most of them frame enlargements, and, specifically, keys all illustrations to discussions in the text, ensuring that the images will be valuable learning tools for students. Adds more extended analyses of individual films, helping students grasp large historical questions by presenting them within specific cases rather than in abstract generalities. Provides a new glossary, helping students understand the technical, foreign-language, and industry terms used in the text. Praise for "A History of Film" "The reason why I selected "A History of Film" over all of the other textbooks has to do with the basic approach of the subject of film as a developing art form while paying careful attention to film genres and history; the organizational structure of the chapters; a clear and authoritative writing style that explains the interconnectivity of film as a global phenomenon; and the use of judiciously selected stills in support of the text. . . . The structure, organization and content of "A History of Film" is so good that it is, to me, still the standard by which all other film textbooks must be measured." -"Stephen Ambra, New Hampshire Technical Institute" "The text concisely covers all of film history, and its size makes it particularly useful for film history courses taught in a single term. . . . It is typically quite insightful, yet not too dense for motivated introductory students." -"Mark Gallagher, University of Missouri"