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Museum Media Message

Author: Eilean Hooper-Greenhill
Publisher: Routledge
ISBN: 1134640749
Size: 68.91 MB
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Collecting together a group of talented writers, Museum, Media, Message considers, in depth, the most up-to-date approaches to museum communication including: museums as media; museums and audience; and the evaluation of museums. Addressing the need for museums to develop better knowledge of visitor experience, this volume introduces a broad range of issues, and presents the ultimate how, why and who of museum communication. Museum, Media, Message combines philosophical discussion, practical examples and case studies and examines museum communication in three sections: analyzing how museums and galleries construct and transmit complex systems of value through processes of collection and exhibition raising philosophical and management issues and exploration of work with specific audiences introducing methods for studying the audiences’ experiences of communication events in museums. Perfect for people who want to develop a more critical and informed professional museum practice, and for students looking to enhance their skills of analysis and reflection, this book is of value to anyone interested in the current debates and issues of this new and growing field.

Museums And The Interpretation Of Visual Culture

Author: Eilean Hooper-Greenhill
Publisher: Psychology Press
ISBN: 9780415086332
Size: 18.22 MB
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This is a multi-disciplinary study that adopts an innovative and original approach to a highly topical question, that of meaning-making in museums, focusing its attention on pedagogy and visual culture. This work explores such questions as: How and why is it that museums select and arrange artefacts, shape knowledge, construct a view? How do museums produce values? How do active audiences make meaning from what they experience in museums? This stimulating book provokes debate and discussion on these topics and puts forward the idea of a new museum - the post-museum, which will challenge the familiar modernist museum. A must for students and professionals in the field.

Exhibiting Madness In Museums

Author: Catharine Coleborne
Publisher: Routledge
ISBN: 1136660100
Size: 43.89 MB
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While much has been written on the history of psychiatry, remarkably little has been written about psychiatric collections or curating. Exhibiting Madness in Museums offers a comparative history of independent and institutional collections of psychiatric objects in Australia, New Zealand, Canada and the United Kingdom. Leading scholars in the field investigate collectors, collections, their display, and the reactions to exhibitions of the history of insanity. Linked to the study of medical museums this work broadens the study of the history of psychiatry by investigating the significance and importance of the role of twentieth-century psychiatric communities in the preservation, interpretation and representation of the history of mental health through the practice of collecting. In remembering the asylum and its different communities in the twentieth century, individuals who lived and worked inside an institution have struggled to preserve the physical character of their world. This collection of essays considers the way that collections of objects from the former psychiatric institution have played a role in constructions of its history. It historicises the very act of collecting, and also examines ethical problems and practices which arise from these activities for curators and exhibitions.

Reshaping Museum Space

Author: Suzanne Macleod
Publisher: Taylor & Francis
ISBN: 9780415343459
Size: 35.36 MB
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Reshaping Museum Space pulls together the views of an international group of museum professionals, architects, designers and academics highlights the complexity, significance and malleability of museum space, and provides reflections upon recent developments in museum architecture and exhibition design. Various chapters concentrate on the process of architectural and spatial reshaping, and the problems of navigating the often contradictory agendas and aspirations of the broad range of professionals and stakeholders involved in any new project. Contributors review recent new build, expansion and exhibition projects questioning the types of museum space required at the beginning of the twenty-first century and highlighting a range of possibilities for creative museum design. Essential reading for anyone involved in creating, designing and project managing the development of museum exhibits, and vital reading for students of the discipline.

Museum Revolutions

Author: Simon J. Knell
Publisher: Routledge
ISBN: 1134066260
Size: 62.35 MB
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This single-volume museum studies reference title explores the ways in which museums are shaped and configured and how they themselves attempt to shape and change the world around them. Written by a leading group of museum professionals and academics from around the world and including new research, the chapters reveal the diverse and subtle means by which museums engage and in so doing change and are changed. The authors span over 200 years discussing national museums, ecomuseums, society museums, provincial galleries, colonial museums, the showman’s museum, and science centres. Topics covered include: disciplinary practices, ethnic representation, postcolonial politics, economic aspiration, social reform, indigenous models, conceptions of history, urban regeneration, sustainability, sacred objects, a sense of place, globalization, identities, social responsibility, controversy, repatriation, human remains, drama, learning and education. Capturing the richness of the museum studies discipline, Museum Revolutions is the ideal text for museum studies courses, providing a wide range of interlinked themes and the latest thought and research from experts in the field. It is invaluable for those students and museum professionals who want to understand the past, present and future of the museum.

History Beyond The Text

Author: Sarah Barber
Publisher: Routledge
ISBN: 1135688710
Size: 57.98 MB
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Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches. In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book. Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.

Recoding The Museum

Author: Ross Parry
Publisher: Routledge
ISBN: 1134259662
Size: 32.55 MB
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Why has it taken so long to make computers work for the museum sector? And why are museums still having some of the same conversations about digital technology that they began back in the late 1960s? Does there continue to be a basic ‘incompatibility’ between the practice of the museum and the functions of the computer that explains this disconnect? Drawing upon an impressive range of professional and theoretical sources, this book offers one of the first substantial histories of museum computing. Its ambitious narrative attempts to explain a series of essential tensions between curatorship and the digital realm. Ultimately, it reveals how through the emergence of standards, increased coordination, and celebration (rather than fearing) of the ‘virtual’, the sector has experienced a broadening of participation, a widening of creative horizons and, ultimately, has helped to define a new cultural role for museums. Having confronted and understood its past, what emerges is a museum transformed – rescripted, re calibrated, rewritten, reorganised.

Understanding Interactions At Science Centers And Museums

Author: Eva Davidsson
Publisher: Springer Science & Business Media
ISBN: 9460917259
Size: 41.94 MB
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There is an increasing interest in understanding learning and knowledge development when visitors attend informal institutions, such as museums, science centers, aquariums and botanical gardens. But in what ways do visitors develop new knowledge, skills and awareness about displayed issues in these kinds of settings and how does the exhibition environment affect and scaffold learning processes? In this book, the authors turn their attention to visitors’ and staff members’ actions and dialogues during the visits in order to identify and study learning situations. A common approach is the use and development of socio-cultural and cultural-historical frameworks and theories as means for coming closer to the significance of interactions at different levels and in different contexts. The individual chapters cover learning interactions in relation to staff members’ roles and identities, family visits, exhibitions as resources for professional development and school visits.

Mirrors Of Clay

Author: Yumi Park
Publisher: Univ. Press of Mississippi
ISBN: 1617038199
Size: 22.37 MB
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Mirrors of Clay: Reflections of Ancient Andean Life in Ceramics from the Sam Olden Collection features photographs and descriptions of sixty ceramic vessels from ancient Andean American cultures, including the Cupisnique, Chavín, Vicús, Nazca, Moche, Tiwanaku, Lambayeque, and Chimú, which flourished between 1200 BCE and 1550 CE. These distinctive ceramic vessels, selected from the collection of Sam Olden, were given to the Mississippi Museum of Art and are included in a special exhibition presented by the museum and Jackson State University. The pieces reveal each culture's stylistic aesthetics, religious ideologies, and political roles. The Pre-Columbian ceramic vessels presented in this catalogue are mainly from the Andean region of South America, which includes the modern countries of Ecuador, Peru, and Bolivia. By analyzing technologies, forms, and decorative designs, author Yumi Park reveals the unique aesthetics, social stratifications, religious ideologies, and political roles within each culture. Ancient Andean potters expressed their native individualities by depicting the forms of warriors, deities, architecture, flora, fauna, and daily life on their ceramic vessels. Collector Sam Olden lived in Peru during the 1960s. After visiting various archaeological sites and museums, including the Rafael Larco Herrera Museum in Peru, he became enamored with the ceramic vessels of the ancient Andes. Olden later settled in Yazoo City, Mississippi, and began to build an extensive collection of ancient Andean ceramics, eventually making a large donation to the Mississippi Museum of Art. Because of his passion for these artifacts, the people of Mississippi are now afforded a window on the ancient Andean world. The Sam Olden Collection gives us tangible and visible evidence of the social activities, political events, and ideological beliefs of ancient Andean cultures.