Download music technology and education amplifying musicality in pdf or read music technology and education amplifying musicality in pdf online books in PDF, EPUB and Mobi Format. Click Download or Read Online button to get music technology and education amplifying musicality in pdf book now. This site is like a library, Use search box in the widget to get ebook that you want.



Music Technology And Education

Author: Andrew Brown
Publisher: Routledge
ISBN: 1317935004
Size: 40.81 MB
Format: PDF, ePub
View: 7435
Download and Read
Music Technology in Education lays out the principles of music technology and how they can be used to enhance musical teaching and learning in primary and secondary education. Previously published as Computers in Music Education, this second edition has been streamlined to focus on the needs of today’s music education student. It has been completely updated to reflect mobile technologies, social networks, rich media environments, and other technological advances. Topics include: Basic audio concepts and recording techniques Enhanced music instruction with interactive systems, web-based media platforms, social networking, and musicianship software Administration and management of technology resources Distance education and flexible learning Music Technology in Education provides a strong theoretical and philosophical framework for examining the use of technology in music education while outlining the tools and techniques for implementation in the classroom. Reflective Questions, Teaching Tips, and Suggested Tasks link technology with effective teaching practice. The companion website provides resources for deeper investigation into the topics covered in each chapter, and includes an annotated bibliography, website links, tutorials, and model projects.

Computers In Music Education

Author: Andrew Brown
Publisher: Routledge
ISBN: 1135865981
Size: 79.56 MB
Format: PDF
View: 1551
Download and Read
Computers in Music Education addresses the question of how computer technologies might best assist music education. For current and preservice music teachers and designed as a development tool, reference resource, and basic teaching text, it addresses pedagogical issues and the use of computers to aid production and presentation of students’ musical works. Written by a music educator and digital media specialist, it cuts through the jargon to present a concise, easy-to-digest overview of the field, covering: notation software MIDI sound creation downloading music posting personal MP3s for mass distribution. While there are many more technical books, few offer a comprehensive, understandable overview of the field. Computers in Music Education is an important text for the growing number of courses in this area.

Music Technology And Education

Author: Andrew King
Publisher: Routledge
ISBN: 1317091507
Size: 34.50 MB
Format: PDF
View: 1435
Download and Read
The use of technology in music and education can no longer be described as a recent development. Music learners actively engage with technology in their music making, regardless of the opportunities afforded to them in formal settings. This volume draws together critical perspectives in three overarching areas in which technology is used to support music education: music production; game technology; musical creation, experience and understanding. The fourteen chapters reflect the emerging field of the study of technology in music from a pedagogical perspective. Contributions come not only from music pedagogues but also from musicologists, composers and performers working at the forefront of the domain. The authors examine pedagogical practice in the recording studio, how game technology relates to musical creation and expression, the use of technology to create and assess musical compositions, and how technology can foster learning within the field of Special Educational Needs (SEN). In addition, the use of technology in musical performance is examined, with a particular focus on the current trends and the ways it might be reshaped for use within performance practice. This book will be of value to educators, practitioners, musicologists, composers and performers, as well as to scholars with an interest in the critical study of how technology is used effectively in music and music education.

The Routledge Companion To Music Technology And Education

Author: Andrew King
Publisher: Routledge
ISBN: 1317415124
Size: 13.59 MB
Format: PDF, ePub, Docs
View: 1617
Download and Read
The Routledge Companion to Music, Technology, and Education is a comprehensive resource that draws together burgeoning research on the use of technology in music education around the world. Rather than following a procedural how-to approach, this companion considers technology, musicianship, and pedagogy from a philosophical, theoretical, and empirically-driven perspective, offering an essential overview of current scholarship while providing support for future research. The 37 chapters in this volume consider the major aspects of the use of technology in music education: Part I. Contexts. Examines the historical and philosophical contexts of technology in music. This section addresses themes such as special education, cognition, experimentation, audience engagement, gender, and information and communication technologies. Part II. Real Worlds. Discusses real world scenarios that relate to music, technology, and education. Topics such as computers, composition, performance, and the curriculum are covered here. Part III. Virtual Worlds. Explores the virtual world of learning through our understanding of media, video games, and online collaboration. Part IV. Developing and Supporting Musicianship. Highlights the framework for providing support and development for teachers, using technology to understand and develop musical understanding. The Routledge Companion to Music, Technology, and Education will appeal to undergraduate and post-graduate students, music educators, teacher training specialists, and music education researchers. It serves as an ideal introduction to the issues surrounding technology in music education.

Teuflische Saat

Author: Andrew Brown
Publisher: btb Verlag
ISBN: 3641169410
Size: 49.67 MB
Format: PDF, ePub, Mobi
View: 2452
Download and Read
Nach einem geheimen Drohnenangriff auf ein ziviles Ziel im Südsudan erfährt George Bartholomew, Leutnant der britischen Luftwaffe, dass ein verräterisches Stück Schrapnell am Einschlagort zurückgeblieben ist. Er versucht alles, es zurückzubekommen, doch er ist nicht der Einzige mit diesem Vorhaben. Zur gleichen Zeit reist auch der englische Botaniker Gabriel Cockburn in die Region, auf der Suche nach einer Pflanze, die wesentlich ist für seine Forschung. Dort trifft er auf Alek, eine junge Frau, die sich bereit erklärt, ihn zu Forschungszwecken in gefährliches Gebiet zu führen, doch insgeheim ihre eigenen Pläne verfolgt. Die Schicksale der drei sind auf unheilvolle Weise miteinander verknüpft. Und das hat explosive Folgen ...

Sound Musicianship

Author: Andrew R. Brown
Publisher: Cambridge Scholars Pub
ISBN: 9781443839129
Size: 30.62 MB
Format: PDF, Kindle
View: 3185
Download and Read
Sound Musicianship is a book for music educators and musicians about musicianship about musical skills, abilities, habits, sensibilities and understandings. Musicianship is explored as a form of craftsmanship. Like most crafts, music requires a balance of theoretical knowledge and practical skills that contribute to a highly tuned ability to appreciate and express music. In particular, the book explores general trends that influence musicianship in the twenty-first century, such as an increased reliance on digital media, greater awareness of the neurological basis for musical behaviour, a renewed interest in connections between bodily movements and musical expression, and increased cultural plurality resulting from more frequent travel, increased levels of migration and ubiquitous telecommunications. The book has a deliberate focus on the developmental aspects of musicianship, which will benefit those hoping to advance their own music learning or that of others. It includes a diverse range of views and perspectives on musicianship and is organised into five sections. The first four sections explore the implications of music understood as sound, experience, motion and culture, respectively. In these sections, leading researchers and thinkers outline important issues and debates that are relevant to developing the crafts of music making and they share insights into recent trends and understandings. The final section of the book looks at educational considerations and provides a series of case studies that document innovative approaches to developing musicianship. Readers will encounter some new, interesting and thought-provoking ideas within these pages. As we move further into the twenty-first century with all the opportunities and challenges for music making it brings the requirement to review our concepts of musicianship training will intensify, and the definition of a "sound basis" for a contemporary musicianship will evolve. This book is intended to help stimulate and inform that evolutionary process.

The Composer S Handbook

Author: Bruce Cole
Publisher: Schott & Company Limited
ISBN: 9780946535804
Size: 36.95 MB
Format: PDF, Mobi
View: 6970
Download and Read
(Schott). Anyone who can pick up a pencil can draw. Anyone who can sing or play an instrument can compose. "The Composer's Handbook" is a step-by-step guide to the composition of melody, harmony, form and texture and covers styles and techniques from plainchant to minimalism, rock and rave. - for composers aged 11-18 * games and groupwork for the beginner * projects for the more advanced * illustrations and worked examples of complete pieces

Dj Culture

Author: Ulf Poschardt
Publisher: Tropen
ISBN: 3608108149
Size: 30.37 MB
Format: PDF
View: 4845
Download and Read
»DJ Culture« erzählt die Geschichte der Popkultur als Geschichte der Diskjockeys – von den ersten Radio-DJs der 30er Jahre bis heute. DJs sind die Helden und geheimen Vorbilder unserer Kultur. Aus Altem schaffen sie Neues: unpathetisch, cool, revolutionär. Im Juli 1877 brüllte Thomas Edison sein erstes »Hallo« in ein Telefonmundstück und ließ den Lärm von einem Phonographen aufzeichnen. So begann die Geschichte des Plattenspielers, den der DJ zu einer Revolution in der Popmusik nutzen sollte, bis hin zum Spätkapitalisten-Phänomen des Hyper-DJs. Neil Tennant von den Pet Shop Boys ist sich ganz sicher: »Auf Dauer sind zwei Plattenspieler und ein Mischpult aufregender als fünf Gitarrensaiten.« Diese aktualisierte Ausgabe zum 20. Jahrestag der Erstveröffentlichung wurde um ein Nachwort des wichtigsten DJs unserer Zeit, DJ Westbam, ergänzt.