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Nice Work If You Can Get It

Author: Andrew Ross
Publisher: NYU Press
ISBN: 0814776914
Size: 22.30 MB
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2009 Choice Outstanding Academic Title Is job insecurity the new norm? With fewer and fewer people working in steady, long-term positions for one employer, has the dream of a secure job with full benefits and a decent salary become just that—a dream? In Nice Work If You Can Get It, Andrew Ross surveys the new topography of the global workplace and finds an emerging pattern of labor instability and uneven development on a massive scale. Combining detailed case studies with lucid analysis and graphic prose, he looks at what the new landscape of contingent employment means for workers across national, class, and racial lines—from the emerging “creative class” of high-wage professionals to the multitudes of temporary, migrant, or low-wage workers. Developing the idea of “precarious livelihoods” to describe this new world of work and life, Ross explores what it means in developed nations—comparing the creative industry policies of the United States, United Kingdom, and European Union, as well as developing countries—by examining the quickfire transformation of China’s labor market. He also responds to the challenge of sustainability, assessing the promise of “green jobs” through restorative alliances between labor advocates and environmentalists. Ross argues that regardless of one’s views on labor rights, globalization, and quality of life, this new precarious and “indefinite life,” and the pitfalls and opportunities that accompany it is likely here to stay and must be addressed in a systematic way. A more equitable kind of knowledge society emerges in these pages—less skewed toward flexploitation and the speculative beneficiaries of intellectual property, and more in tune with ideals and practices that are fair, just, and renewable.

Abstractionist Aesthetics

Author: Phillip Harper
Publisher: NYU Press
ISBN: 1479818364
Size: 49.55 MB
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In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the “proper” depiction of black people. He advocates for African American aesthetic abstractionism—a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation. Arguing against the need for “positive” representations, Abstractionist Aesthetics displaces realism as the primary mode of African American representational aesthetics, re-centers literature as a principal site of African American cultural politics, and elevates experimental prose within the domain of African American literature. Drawing on examples across a variety of artistic production, including the visual work of Fred Wilson and Kara Walker, the music of Billie Holiday and Cecil Taylor, and the prose and verse writings of Ntozake Shange, Alice Walker, and John Keene, this book poses urgent questions about how racial blackness is made to assume certain social meanings. In the process, African American aesthetics are upended, rendering abstractionism as the most powerful modality for Black representation.

Amazing Amber

Author: Andrew Ross
Publisher: National Museums of Scotland
ISBN: 9781905267798
Size: 61.27 MB
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Brings together National Museums Scotland's amber collection plus loans from the V&A in London to reveal the origins, properties and uses of this precious substance.

How The Other Half Works

Author: Roger Waldinger
Publisher: Univ of California Press
ISBN: 0520229800
Size: 13.47 MB
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Solving the riddle of America's immigration puzzle, this text seeks to address the question of why an increasingly high-tech society has use for so many immigrants who lack the basic skills that the modern economy seems to demand.

Labor Rising

Author: Richard Greenwald
Publisher: New Press, The
ISBN: 1595587985
Size: 11.44 MB
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In early 2011, when Wisconsin governor Scott Walker threatened the collective bargaining rights of the state’s public sector employees, the huge protests that erupted in response briefly put the labor movement back on the nation’s front pages. It was a fleeting reminder of a not-so-distant past when the "labor question"—and the power of organized labor—was part and parcel of a century-long struggle for justice and equality in America. The fight for Wisconsin was a rare moment when the lessons of history, in seemingly short supply, were a vital handhold for the thousands of activists—and citizens everywhere—who sensed that something had gone terribly wrong. This pithy but accessible volume is an attempt to fill that gap, providing readers with an understanding of the history that is directly relevant to the economic and political crisis working people face today. With original contributions from some our leading labor historians, social critics, and activists—including Barbara Ehrenreich, Nelson Lichtenstein, Bill Fletcher, Dana Frank, Alice Kessler-Harris, David Brody, Eileen Boris, and many others—Labor Painsmakes vital connections between the past and present, and then looks forward, asking how we might we imagine a different future for all Americans, not simply the wealthy and privileged.

The Last Good Job In America

Author: Stanley Aronowitz
Publisher: Rowman & Littlefield
ISBN: 9780742509757
Size: 65.78 MB
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Aronowitz presents his latest, controversial thinking on how globalization brings these interconnections to broad public attention.

The Hummer

Author: Elaine Cardenas
Publisher: Lexington Books
ISBN: 9780739114773
Size: 26.74 MB
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The Hummer: Myths and Consumer Culture is a study of the notorious automobile/sports utility vehicle. Featuring more than fifteen essays, this collection analyzes the Hummer through a wide array of disciplines, including material culture, marketing and advertising, popular culture, military technology, urban planning, and political economy. It provides a complete overview of the vehicle: production, marketing aspects, and cultural significance. The only book of its kind, The Hummer is of great value to cultural studies and American studies scholars and students, as well as to any general reader with an interest in contemporary American culture.

Bird On Fire

Author: Andrew Ross
Publisher: Oxford University Press
ISBN: 0199912297
Size: 77.11 MB
Format: PDF
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Phoenix, Arizona is one of America's fastest growing metropolitan regions. It is also its least sustainable one, sprawling over a thousand square miles, with a population of four and a half million, minimal rainfall, scorching heat, and an insatiable appetite for unrestrained growth and unrestricted property rights. In Bird on Fire, eminent social and cultural analyst Andrew Ross focuses on the prospects for sustainability in Phoenix--a city in the bull's eye of global warming--and also the obstacles that stand in the way. Most authors writing on sustainable cities look at places that have excellent public transit systems and relatively high density, such as Portland, Seattle, or New York. But Ross contends that if we can't change the game in fast-growing, low-density cities like Phoenix, the whole movement has a major problem. Drawing on interviews with 200 influential residents--from state legislators, urban planners, developers, and green business advocates to civil rights champions, energy lobbyists, solar entrepreneurs, and community activists--Ross argues that if Phoenix is ever to become sustainable, it will occur more through political and social change than through technological fixes. Ross explains how Arizona's increasingly xenophobic immigration laws, science-denying legislature, and growth-at-all-costs business ethic have perpetuated social injustice and environmental degradation. But he also highlights the positive changes happening in Phoenix, in particular the Gila River Indian Community's successful struggle to win back its water rights, potentially shifting resources away from new housing developments to producing healthy local food for the people of the Phoenix Basin. Ross argues that this victory may serve as a new model for how green democracy can work, redressing the claims of those who have been aggrieved in a way that creates long-term benefits for all. Bird on Fire offers a compelling take on one of the pressing issues of our time--finding pathways to sustainability at a time when governments are dismally failing in their responsibility to address climate change.

Creditocracy

Author: Andrew Ross
Publisher: OR Books
ISBN: 1939293391
Size: 56.72 MB
Format: PDF
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It seems like pretty much everybody – homeowners, students, those who are ill and without health insurance, and, of course, credit card holders – is up to their neck in debt that can never be repaid. 77% of US households are seriously indebted and one in seven Americans has been pursued by debt collectors. The major banks are bigger and more profitable than before the 2008 crash, and legislators are all but powerless to bring them to heel. In this forceful, eye-opening survey, Andrew Ross contends that we are in the cruel grip of a creditocracy – where the finance industry commandeers our elected governments and where the citizenry have to take out loans to meet their basic needs. The implications of mass indebtedness for any democracy are profound, and history shows that whenever a creditor class becomes as powerful as Wall Street, the result has been debt bondage for the bulk of the population. Following in the ancient tradition of the jubilee, activists have had some success in repudiating the debts of developing countries. The time is ripe, Ross argues, for a debtors’ movement to use the same kinds of moral and legal arguments to bring relief to household debtors in the North. After examining the varieties of lending that have contributed to the crisis, Ross suggests ways of lifting the burden of illegitimate debts from our backs. Just as important, Creditocracy outlines the kind of alternative economy we need to replace a predatory debt-money system that only benefits the 1%.

The Gulf

Author: Andrew Ross
Publisher: OR Books
ISBN: 1682190056
Size: 15.29 MB
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On Saadiyat Island, just off the coast of Abu Dhabi, branches of iconic cultural institutions, including the Louvre, the Guggenheim, the British Museum and New York University, are taking shape to the designs of starchitects such as Frank Gehry, Jean Nouvel, Zaha Hadid, and Norman Foster. In this way, the United Arab Emirates (UAE) seeks to burnish its reputation as a sophisticated destination for wealthy visitors and residents. Beneath the glossy veneer of the Saadiyat real estate plan, however, lies a tawdry reality. Those laboring on the construction sites are migrant workers who arrive from poor countries heavily indebted as a result of recruitment and transit fees. Once in the UAE the sponsoring employer takes their passports, houses them in sub-standard labor camps, pays much less than they were promised, and enforces a punishing work regimen. If they protest publicly, they risk arrest, beatings, and deportation. For five years, the Gulf Labor Coalition, a cosmopolitan group of artists and writers, has been pressuring Saadiyat’s Western cultural brands to ensure worker protections. Gulf Labor has coordinated a boycott of the Guggenheim Abu Dhabi and pioneered innovative direct action that has involved several spectacular museum occupations. As part of a year-long initiative, an array of artists, writers, and activists submitted a work, a text, or an action. Contextualized by essays that trace how Gulf Labor has evolved, their contributions are reproduced in this book. The result is a compelling chronicle of a campaign at the forefront of a new wave of world-wide cultural activism. Written contributions by: Haig Aivazian, Mounira Al Solh, Ayreen Anastas, Kadambari Baxi, Doris Bittar, Jordan Carver, Paula Chakravartty, Nitasha Dhillon, Rene Gabri, Mariam Ghani, the Global Ultra Luxury Faction (G.U.L.F.), Hans Haacke, Guy Mannes-Abbott, Naeem Mohaiemen, Walid Raad, Andrew Ross, Gregory Sholette and Mabel Wilson. Artwork contributions by: Hend Al Mansour, Ayreen Anastas and Rene Gabri, Todd Ayoung and Jelena Stojanovic, Mieke Bal and Michelle Williams Gamaker, Zanny Begg and Oliver Ressler, Emily Verla Bovino, CAMP, Collective of Artists, Carole Condé and Karl Beveridge, Sam Durant, Claire Fontaine, Andrea Fraser, Mariam Ghani, Paul Graham, G.U.L.F., Gulf Labor West, Hans Haacke, Rawi Hage, Pablo Helguera, Thomas Hirschhorn, Aaron Hughes and Sarah Farahat, The Illuminator, John Jurayj, Janet Koenig, Silvia Kolbowski, Lynn Love and Ann Sappenfield,Guy Mannes-Abbott, Mazatl, Pat McElnea, Jasa Mrevlje, Marina Naprushkina, Jenny Polak, Walid Raad, Georges Rabbath, Jayce Salloum, Rasha Salti, Dread Scott, Gregory Sholette and Matthew Greco, Andreas Siekmann and Alice Creischer, Nida Sinnokrot, Situ Studio, Suha Traboulsi and Jaret Vadera.