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Nietzsche S Zarathustra

Author: C. G. Jung
Publisher: Routledge
ISBN: 1317529987
Size: 17.35 MB
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First published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.

Nietzsche S Zarathustra

Author: Carl Gustav Jung
Publisher: Routledge
ISBN: 9780415041911
Size: 66.19 MB
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First published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.

Collected Works Of C G Jung Volume 19

Author: C. G. Jung
Publisher: Princeton University Press
ISBN: 1400851025
Size: 40.58 MB
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As a current record of all of C. G. Jung's publications in German and in English, this volume will replace the general bibliography published in 1979 as Volume 19 of the Collected Works of C. G. Jung. In the form of a checklist, this new volume records through 1990 the initial publication of each original work by Jung, each translation into English, and all significant new editions, including paperbacks and publications in periodicals. The contents of the respective volumes of the Collected Works of C. G. Jung and the Gesammelte Werke (published in Switzerland) are listed in parallel to show the interrelation of the two editions. Jung's seminars are dealt with in detail. Where possible, information is provided about the origin of works that were first conceived as lectures. There are indexes of all publications, personal names, organizations and societies, and periodicals.

Transcendent Function The

Author: Jeffrey C. Miller
Publisher: SUNY Press
ISBN: 0791485625
Size: 24.64 MB
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A close examination of the heart of Jung's theory of psychological growth and individuation.

Jung S Ethics

Author: Dan Merkur
Publisher: Taylor & Francis
ISBN: 1351743392
Size: 63.73 MB
Format: PDF
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This volume presents the first organized study of Jung's ethics. Drawing on direct quotes from all of his collected works, interviews, and seminars, psychoanalyst and religious scholar Dan Merkur provides a compendium of Jung’s thoughts on various topics and themes that comprise his theoretical corpus—from the personal unconscious, repression, dreams, good and evil, and the shadow, to collective phenomena such as the archetypes, synchronicity, the psychoid, the paranormal, God, and the Self, as well as his contributions to clinical method and technique including active imagination, inner dialogue, and the process of individuation and consciousness expansion. The interconnecting thread in Merkur's approach to the subject matter is to read Jung’s work through an ethical lens.??? What comes to light is how Merkur systematically portrays Jung as a moralist, but also as a complex thinker who situates the human being as an instinctual animal struggling with internal conflict and naturalized sin. Merkur exposes the tension and development in Jung’s thinking by exploring his innovative clinical-technical methods and experimentation, such as through active imagination, inner dialogue, and expressive therapies, hence underscoring unconscious creativity in dreaming, symbol formation, engaging the paranormal, and artistic productions leading to expansions of consciousness, which becomes a necessary part of individuation or the working through process in pursuit of self-actualization and wholeness. In the end, we are offered a unique presentation of Jung’s core theoretical and clinical ideas centering on an ethical fulcrum, whereby his moral psychology leads to a cure of souls.?? Jung’s Ethics will be of interest to academics, scholars, researchers, and practitioners in the fields of Jungian studies and analytical psychology, ethics, moral psychology, philosophy, religious studies, and mental health professionals focusing on the integration of humanities and psychoanalysis.??

Analytical Psychology And German Classical Aesthetics Goethe Schiller And Jung Volume 2

Author: Paul Bishop
Publisher: Routledge
ISBN: 113408627X
Size: 19.86 MB
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The second volume of Analytical Psychology and German Classical Aesthetics builds on the previous volume to show how German classicism, specifically the classical aesthetics associated with Goethe and Schiller known as Weimar classicism, was a major influence on psychoanalysis and analytical psychology alike. This volume examines such significant parallels between analytical psychology and Weimar classicism as the methodological similarities between Goethe’s morphological and Jung’s archetypal approaches, which both seek to use synthesis as well as analysis in their attempt to understand the world. It also focuses on the project of the construction of the self, which, it is argued, is not only a personal but also a cultural activity. This book, like its previous volume, aims to clarify the intellectual continuity between Weimar classicism and analytical psychology. It will be of interest to both students and scholars in the fields of analytical psychology, comparative literature, and the history of ideas.

Cross Currents Of Jungian Thought

Author: Donald R. Dyer
Publisher:
ISBN:
Size: 58.53 MB
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This comprehensive bibliography provides complete facts of publication and annotations for nearly eight hundred books in English on Jungian subjects, including Jung's own writings.

Mrkusich

Author: Alan Wright
Publisher:
ISBN:
Size: 71.88 MB
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The story of twentieth-century art is dominated by a major shift from representation to abstraction, from Cezanne's paintings of hills and houses to Pollock's pictures of nothing. Yet in New Zealand we know a lot about Rita Angus and Colin McCahon but little about the post-representational art that now dominates the art world. This book is the first account of the work of New Zealand's leading abstract painter, Milan Mrkusich. Trained as an architect and working for the innovative design firm Brenner Associates in the 1940s, Mrkusich quickly established a new mode of painterly abstraction. Drawing on ideas from alchemy, phenomenology, and modernist thinkers, Mrkusich soaked up the work of international artists to establish his own New Zealand modernism. This book traces Mrkusich's work from the early emblem paintings, through the triumphant corner works of the 1960s, and on to the artist's broad recognition from the 1970s. Milan Mrkusich is New Zealand's most powerful modernist. For him, a painting is paint on canvas first and foremost: "it's not the Kaipara mudflats. It's a painting. It's paint. To me it's just a whole lot of grey paint." MRKUSICH shows how an artist growing up around the Kaipara mudflats can produce abstract art admired around the world.