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Nothing Happens

Author: Ivone Margulies
Publisher: Duke University Press
ISBN: 9780822317234
Size: 56.56 MB
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Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work--from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il elle to the present. Focusing on the real-time representation of a woman's everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker's work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women's history in the seventies. She then shows how Akerman's "corporeal cinema" is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman's minimal-hyperrealist aesthetics in contrast to Godard's anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman's films as either simply modernist or feminist. An essential book for students of Chantal Akerman's work, Nothing Happens will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.

Chantal Akerman

Author: Chantal Akerman
Publisher: Blaffer Gallery
ISBN: 9780977802852
Size: 68.79 MB
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Edited by Terrie Sultan. Preface and Acknowledgments by Paul Ha, Jane Farver, Rina Carvajal, Terrie Sultan. Texts by Claudia Schmuckli, William Arning, Klaus Ottmann, Rina Carvajal, Terrie Sultan.

Rites Of Realism

Author: Ivone Margulies
Publisher: Duke University Press
ISBN: 0822384612
Size: 59.61 MB
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Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary. By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin’s theories on film’s inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin’s seminal essay "Death Every Afternoon" and Serge Daney’s essay reinterpreting Bazin’s defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns—particularly the link between cinematic realism and contingency—that the other essays explore further. Among the topics addressed are the provocative mimesis of Luis Buñuel’s Land Without Bread; the adaptation of trial documents in Carl Dreyer’s Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini’s strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami. Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James Lastra, Ivone Margulies, Abe Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang

Experimental Ethnography

Author: Catherine Russell
Publisher: Duke University Press
ISBN: 9780822323198
Size: 16.13 MB
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Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges M Elis, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and re-evaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilising its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different fragmented perspectives.Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices.

Gendered Frames Embodied Cameras

Author: Cybelle H. McFadden
Publisher: Rowman & Littlefield
ISBN: 161147633X
Size: 14.42 MB
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Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema.

The New American Cinema

Author: Jon Lewis
Publisher: Duke University Press
ISBN: 9780822321156
Size: 67.96 MB
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Deliberately eclectic and panoramic, THE NEW AMERICAN CINEMA brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on a rich and pivotal time in American cinema--that from the mid 1960s to the present. With its range of topics and breadth of critical approaches, this anthology illuminates the volatile mix of industrial process and artistic inspiration that comprises American moviemaking. 46 photos.

Authority And Displacement In The English Speaking World Volume I

Author: Florence Labaune-Demeule
Publisher: Cambridge Scholars Publishing
ISBN: 1443887463
Size: 50.84 MB
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Whether one thinks of the modern world or of more remote times, both seem to have been affected – if not moulded – by the interaction between the concepts of authority and displacement. Indeed, political and social sources of authority have often been the causes of major geographical displacements, as can be illustrated by the numerous waves of migration which have been observed in the past and which are still present today, such as the transportation of slaves from African to American coasts in colonial times. If displacement can often be understood as spatial displacement, it can also be synonymous with psychological, social, and even aesthetic displacement, for instance through different artistic means or through the use of stylistic discursive devices. Displacement also entails dis-placement, dis-location, as well as dislocation, or chaos. This suggests that the etymological meaning of the term authority, auctoritas, has to be highlighted, thus referring to the author of a particular work and to the different manifestations of the authorial persona in a work of art. This collection of essays in two volumes examines the relationships between the concepts of authority and displacement in the English-speaking world, without restricting the analysis to a particular area, or to the field of literature. Some essays do, indeed, deal with literature, from different spatial areas and temporal eras, while others look into these concepts from a more cultural or aesthetic point of view. Volume One, Exploring Europe/from Europe, includes essays on Shakespeare’s Measure for Measure, John Ross’s Second Exploration Voyage, Thomas Hardy’s Jude the Obscure, in addition to investigations of Rose Tremain’s novels, Disguise by Hugo Hamilton, and the cinematic adaptation of Conrad’s Almayer’s Folly by Chantal Akerman. The volume concludes with a study of two novels by the Anglo-Sudanese writer Jamal Mahjoub.

Cinema And Language Loss

Author: Tijana Mamula
Publisher: Routledge
ISBN: 1136227377
Size: 41.39 MB
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Cinema and Language Loss provides the first sustained exploration of the relationship between linguistic displacement and visuality in the filmic realm, examining in depth both its formal expressions and theoretical implications. Combining insights from psychoanalysis, philosophy and film theory, the author argues that the move from one linguistic environment to another profoundly destabilizes the subject’s relation to both language and reality, resulting in the search for a substitute for language in vision itself – a reversal, as it were, of speaking into seeing. The dynamics of this shift are particularly evident in the works of many displaced filmmakers, which often manifest a conflicted interaction between language and vision, and through this question the signifying potential, and the perceptual ambiguities, of cinema itself. In tracing the encounter between cinema and language loss across a wide range of films – from Billy Wilder’s Sunset Boulevard to Chantal Akerman’s News from Home to Michael Haneke’s Caché – Mamula reevaluates the role of displacement in postwar Western film and makes an original contribution to film theory and philosophy based on a reconsideration of the place of language in our experience and understanding of cinema.

Situating The Feminist Gaze And Spectatorship In Postwar Cinema

Author: Marcelline Block
Publisher: Cambridge Scholars Publishing
ISBN: 1443804398
Size: 21.24 MB
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Marcelline Block’s Situating the Feminist Gaze and Spectatorship in Postwar Cinema breaks new ground in exploring feminist film theory. It is a wide-ranging collection (re)visiting important theoretical questions as well as offering close analyses of films produced in the United States, France, England, Belgium, and Russia. This anthology investigates exciting areas of research for critical inquiry into film and gender studies as well as feminist, queer, and postfeminist theories, and treats film texts from Marguerite Duras to 21st century horror films; from Agnès Varda’s 2007 installation at the Panthéon to the post-Soviet Russian filmmakers Aleksei Balabanov and Valerii Todorovskii; from Quentin Tarantino’s Death Proof to Sofia Coppola’s postfeminist trilogy; from Chantal Akerman’s “transhistorical, transgressive and transgendered gaze” to the “quantum gaze” in Steven Spielberg’s Jurassic Park; from Hitchcock’s “good-looking blondes” to the career-woman-in-peril thriller, among others. According to the semiotician Marshall Blonsky of the New School University in New York, “given the breadth of the editor’s choices, this volume makes a splendid contribution to feminist and cinematic fields, as well as cultural and media studies, postmodernism, and postfeminism. It lends readers ‘new eyes’ to view canonical and other film texts.” David Sterritt, chairman of the National Society of Film Critics, states that this anthology “should be required reading for students and scholars, among other readers interested in the interaction of cinema with contemporary culture.” Situating the Feminist Gaze and Spectatorship is prefaced by Jean-Michel Rabaté’s brilliant essay, “Mulvey was the First…”