Download of muscles and men essays on the sword and sandal film in pdf or read of muscles and men essays on the sword and sandal film in pdf online books in PDF, EPUB and Mobi Format. Click Download or Read Online button to get of muscles and men essays on the sword and sandal film in pdf book now. This site is like a library, Use search box in the widget to get ebook that you want.



Of Muscles And Men

Author: Michael G. Cornelius
Publisher: McFarland
ISBN: 0786489022
Size: 33.31 MB
Format: PDF, ePub
View: 1948
Download and Read
Few movie genres have highlighted the male body more effectively than the “sword-and-sandal” film, where the rippling torso and the bulging muscle are displayed for all to appreciate. Carrying his phallic sword and dressed in traditional garb calculated to bring attention to his magnificent physique, the sword-and-sandal hero is capable of toppling great nations, rescuing heroines, defeating monsters, and generally saving the day. Each of these essays examines the issues of masculinity and utility addressed in the sword-and-sandal genre. The contributors offer insights on a film form which showcases its male protagonists as heroic, violent, fleshy, and, in the end, extremely useful.

Cycles Sequels Spin Offs Remakes And Reboots

Author: Amanda Ann Klein
Publisher: University of Texas Press
ISBN: 1477308199
Size: 62.80 MB
Format: PDF
View: 7772
Download and Read
With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.

Bible And Cinema

Author: Adele Reinhartz
Publisher: Routledge
ISBN: 1134627017
Size: 23.20 MB
Format: PDF, ePub, Mobi
View: 3534
Download and Read
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.

The New Peplum

Author: Nicholas Diak
Publisher: McFarland
ISBN: 1476631506
Size: 49.51 MB
Format: PDF, ePub, Mobi
View: 7609
Download and Read
Peplum or “sword-and-sandal” films—an Italian genre of the late 1950s through the 1960s—featured ancient Greek, Roman and Biblical stories with gladiators, mythological monsters and legendary quests. The new wave of historic epics, known as neo-pepla, is distinctly different, embracing new technologies and storytelling techniques to create an immersive experience unattainable in the earlier films. This collection of new essays explores the neo-peplum phenomenon through a range of topics, including comic book adaptations like Hercules, the expansion of genre boundaries in Jupiter Ascending and John Carter, depictions of Romans and slaves in Spartacus, and The Eagle and Centurion as metaphors for America’s involvement in the Iraq War.

Descended From Hercules

Author: Robert A. Rushing
Publisher: Indiana University Press
ISBN: 0253022584
Size: 23.41 MB
Format: PDF
View: 7264
Download and Read
Muscles, six-pack abs, skin, and sweat fill the screen in the tawdry and tantalizing peplum films associated with epic Italian cinema of the 1950s and 1960s.Using techniques like slow motion and stopped time, these films instill the hero’s vitality with timeless admiration and immerse the hero’s body in a world that is lavishly eroticized but without sexual desire. These"sword and sandal" films represent a century-long cinematic biopolitical intervention that offers the spectator an imagined form of the male body—one free of illness, degeneracy, and the burdens of poverty—that defends goodness with brute strength and perseverance, and serves as a model of ideal citizenry.Robert A. Rushing traces these epic heroes from Maciste in Cabiria in the early silent era to contemporary transnational figures like Arnold Schwarzenegger in Conan the Barbarian, and to films such as Zach Snyder’s 300.Rushing explores how the very tactile modes of representation cement the genre’s ideological grip on the viewer.

Italian Sword And Sandal Films 1908 1990

Author: Roy Kinnard
Publisher: McFarland
ISBN: 1476662916
Size: 78.55 MB
Format: PDF
View: 6852
Download and Read
Produced in Italy from the turn of the 20th century, "sword and sandal" or peplum films were well received in the silent era and attained great popularity in the 1960s following the release of Hercules (1959), starring Mr. Universe Steve Reeves. A global craze for Bronze Age fantasy-adventures ensued and the heroic exploits of Hercules, Maciste, Samson and Goliath were soon a mainstay of American drive-ins and second-run theaters (though mainly disparaged by critics). By 1965, the genre was eclipsed by the spaghetti western, yet the 1960s peplum canon continues to inspire Hollywood epics. This filmography provides credits, cast and comments for dozens of films from 1908 through 1990.

Peplum

Author: Blutch
Publisher: New York Review of Books
ISBN: 1590179838
Size: 11.37 MB
Format: PDF, ePub
View: 5910
Download and Read
Tegneserie - graphic novel. An epic of ancient Rome. At the edge of the empire, a gang of bandits discovers the body of a beautiful woman in a cave; she is encased in ice but may still be alive. One of the bandits, bearing a stolen name and with the frozen maiden still in tow, makes his way toward Rome - seeking power, or maybe just survival, as the world unravels

Cinema Italiano

Author: Howard Hughes
Publisher: I.B.Tauris
ISBN: 0857730444
Size: 70.62 MB
Format: PDF, Mobi
View: 4277
Download and Read
UNCOVERING A TREASURE TROVE OF ITALIAN FILMS FROM THE LEOPARD TO PUMA MAN Italian filmmakers have created some of the most magical and moving, violent and controversial films in world cinema. During its twentieth-century heyday, Italy’s film industry was second only to Hollywood as a popular film factory, exporting cinematic dreams worldwide. With international finance and multinational stars, Italian filmmakers tackled myriad genres with equal gusto and in inimitable style. Cinema Italiano is the first book to discuss comprehensively both Italian ‘popular’ and ‘arthouse’ cinema of this golden age. Appraising over 400 movies, Cinema Italiano unearths the best of Italian cinema. Dario Argento’s ‘gialli’ thrillers and Sergio Leone’s spaghetti westerns are explored alongside the best films of Luchino Visconti, Federico Fellini, Pier Paolo Pasolini and Michelangelo Antonioni. Chapters discuss the rise and fall of genres such as mythological epics, gothic horrors, science-fiction, spy films, war movies, costume adventures, zombie films, swashbucklers, political cinema, spaghetti westerns and ‘poliziotteschi’ crime films. The book also traces the directorial careers and key films of such luminaries as Mario Bava, Sergio Corbucci, Francesco Rosi, Lucio Fulci, Duccio Tessari, Enzo G. Castellari, Bernardo Bertolucci and Gillo Pontecorvo. An essential guide for DVD and video collectors and aficionados alike, it is illustrated throughout with rare stills and international posters from this revered era in world cinema. Films include: La dolce vita, Hercules Conquers Atlantis, The Leopard, The Horrible Secret of Dr Hichcock, Contempt, The Gospel According to St Matthew, Castle of Blood, Fists in the Pocket, Django, Battle of Algiers, The Good, the Bad and the Ugly, Blowup, Diabolik, The Bird with the Crystal Plumage, The Conformist, They Call Me Trinity, Violent City, The Marseilles Connection, Illustrious Corpses, Suspiria, The Big Silence, The Mask of Satan, Maciste in Hell, Blood and Black Lace, Hercules Against the Moon Men, The Last Man on Earth, The Wild, Wild Planet, Special Mission Lady Chaplin, Django Kill!, Fellini Satyricon, Deep Red, Sons of Thunder, Tentacles, The Inglorious Bastards, Zombie Flesh Eaters, Puma Man, 1990: Bronx Warriors, 81⁄2, Once Upon a Time in the West, L’Avventura, Black Sabbath, Investigation of a Citizen Above Suspicion.

White

Author: Richard Dyer
Publisher: Routledge
ISBN: 113614532X
Size: 26.13 MB
Format: PDF
View: 2394
Download and Read
White people are not literally or symbolically white; nor are they uniquely virtuous and pure. Racial imagery and racial representation are central to the organisation of the contemporary world but, while there are many studies of images of black and Asian people, whiteness is an invisible racial position. At the level of racial representation, whites are not of a certain race. They are just the human race, a 'colour' against which other ethnicities are always examined. In White, Richard Dyer looks beyond the apparent unremarkability of whiteness and argues for the importance of analysing images of white people. Dyer traces the representation of whiteness by whites in Western visual culture, focusing on the mass media of photography, advertising, fine art, cinema and television. Dyer examines the representation of whiteness and the white body in the contexts of Christianity, 'race' and colonialism. In a series of absorbing case studies, he discusses the representations of whiteness in muscle-man action cinema, from Italian 'peplum' movies to the Tarzan and Rambo series; shows the construction of whiteness in photography and cinema in the lighting of white and black faces, and analyses the representation of white women in end-of-empire fictions such as The Jewel in the Crown, and traces the disturbing association of whiteness with death, in vampire narratives and dystopian films such as Blade Runner and the Aliens trilogy.

The Maciste Films Of Italian Silent Cinema

Author: Jacqueline Reich
Publisher: Indiana University Press
ISBN: 0253017483
Size: 73.84 MB
Format: PDF, ePub, Mobi
View: 2232
Download and Read
Italian film star Bartolomeo Pagano's "Maciste" played a key role in his nation’s narratives of identity during World War I and after. Jacqueline Reich traces the racial, class, and national transformations undergone by this Italian strongman from African slave in Cabiria (1914), his first film, to bourgeois gentleman, to Alpine soldier of the Great War, to colonial officer in Italy's African adventures. Reich reveals Maciste as a figure who both reflected classical ideals of masculine beauty and virility (later taken up by Mussolini and used for political purposes) and embodied the model Italian citizen. The 12 films at the center of the book, recently restored and newly accessible to a wider public, together with relevant extra-cinematic materials, provide a rich resource for understanding the spread of discourses on masculinity, and national and racial identities during a turbulent period in Italian history. The volume includes an illustrated appendix documenting the restoration and preservation of these cinematic treasures.